A GATHERING OF GHOSTS
Why is it so easy to create a ghost?
To push a button, trip a switch, speak a word,
point a finger, accuse others, cast a stone,
enact a law, pull a trigger, ignite flames?
The results remain the same.
Why is it so quickly we bury a ghost?
To ignore life’s lessons and deny the past,
stifle scruples, justify guilt, revoke doubt,
shrouding righteousness in a deity’s name?
The results remain the same.
Why is it so hard then to ignore a ghost?
To subdue a conscience and silence the cries,
purge memories, build barriers, deflect faults,
without ever accepting personal blame?
The results remain the same.
Why is it much wiser to live with the ghosts?
To understand, acknowledge human error,
coming to terms, making amends, righting wrongs,
opening up and reaching forth without pain?
The results will keep us sane.
(It's new. It needs editing. It's inspired by my new muse.)
2007-10-10
16:30:39
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9 answers
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asked by
Doc Watson
7
in
Arts & Humanities
➔ Poetry
tedious/adj. : tiresome because of length or dullness, boring, wearisome.
2007-10-10
16:46:51 ·
update #1
Tulie, thank you. I know it needs editing because this is a first draft. But 'ghost' stays.
Ghosts also implies 'lies' from the past. Buried deeply sometimes. Lies come in many forms: actual lies, guilt as denial, false justifications, etc.
2007-10-10
17:21:29 ·
update #2
The poem is exactly metered in line sequences of eleven, eleven, eleven, eleven and six syllable lines. It flows likewise the same, in exact iambic pentameter. The difficulty I had was paring down and selecting phrases that could say more with less.
This poem deals with ghosts on many levels, from unjustified killing to the death of the human heart through heartache and the ghosts our actions create. And how we deal with these ghosts from the past.
2007-10-11
06:40:48 ·
update #3