Are classical musicians more analytical/logical or emotional?

Question

I love classical music since it allows both analytical and emotional expressions. So do other types, but I will stick with classical for the purpose of questioning. In speaking with a professional cellist, he mentioned how in playing spanish music, he must acutally be very analytical although many times spanish music is very passionate. I would imagine that a life of music would allow more natural freedom of expression with emotions, but it is impossible to play classical music well without a fine control of emotions. I want to know what you think.

Answer 1

This is a very tricky question. Some classical music by nature lends itself to an analytical approach. The fugue, for example, is a very complex form that requires great care and skill to write well. (J.S. Bach is the undisputed master of this form.) Other music, such as much Italian opera, is very passionate and emotional.

Classical musicians spend years perfecting their technique so that they can bring out the emotional content of the music. When done well, there is really nothing like it!

Answer 2

As a classical musician, it is important to embrace all three of these aspects. You must be analytical because it is a good idea to understand how a composer wanted his/her work to sound. You must also be logical because almost all of classical music is structured (with the exception of some 20th century stuff). Almost anything up to Stravinsky was incredible structured. Even "The Rite of Spring" has some type of structure.

All of this stuff doesn't mean you shouldn't be emotional when you play music. Without emotion, the best piece of music can sound like a dull exercise.

Answer 3

If you were piazolla with no emotion, it would't be a tango anymore. But if you played mozart with too much, you would step out of what music from the classical period was meant to show. The musicians were usually little servants whose main purpose was to play like monkeys. Jazz is different because you are making up music for that second you are playing it(although over a chordal basis). When you talk, you will be talking with what phrases and words come to mind, right? that's how jazz is. you have to consider what the composer wanted, although you put less emotion into it as jazz, there is still emotion present. I'm a neo-classical composer and woukld hate it if they didn't express emotion or style of music I wanted to interpret

Answer 4

Emotion and analytical are phrases that can be used to label any type of music.
Classical music, when done properly, can be very emotional. For instance, take Bach's Tocatta and Fugue in Dminor (probably one of the most famous pieces of classical music). It was written to ilicit the emotions of fear and apprehension.
Handel's Messiah, Beethoven's Fifth Symphony, and others were written to give you the feeling of majesty and hugeness. Brahams Lullaby also brings out certain thoughts and emotions in the listener.
If the musician is putting his/her emotion and essence into the piece s/he is playing, then it is emotional. If the musician is thinking about it analytically, then it is analytical.

Answer 5

My opinion is that in classical, analytical/logical ALWAYS COMES BEFORE EMOTIONAL> Sometimes classical music can sound emotional- but it's all logical. Jazz is emotional and logical at the same time.

Answer 6

properly, some musicians are gravitating in direction of till now forms of song. I even have pals who concentrate on Renaissance. To a definite volume, why re-do what's been performed? can we desire somebody else to reproduction Beethoven? Or Debussy? Or Walton? i don't think of so--those have been magnificent composers of their time, having a lot of xerox copies of them right this moment might in undemanding terms oversaturate and lead them to much less uncommon and useful.

Answer 7

Classical musicians are a bit like robots but with a healthy government grant they can while the hours away bloating up basic emotional structures into complex peices of fluff. The huge emotion shown by a conductor waving a stick at various trained monkeys is not the emotional equivalent to an experienced guitar player on heroin. (if he can remain standing)

Answer 8

definately analytical.