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Hello people, I have a question that I can't really find much information on, if you know please offer some knowledge. Thankyou.

During the Russian Constructivism art movement in the earlier part of the 20th century, question 1 and 2 is very important, i need to find out. Thanks for the help.

1)***What strategies were invoked by the artists of the time to forge new visual languages?

2) ***What were the new contexts for exhibiting works of arts?


3) What were the new definition of the roles of the artists proposed?

2007-12-04 13:54:26 · 2 answers · asked by sophomore 4 in Arts & Humanities Other - Arts & Humanities

THANKYOU!!

2007-12-05 13:49:39 · update #1

2 answers

Get answers from here:

http://wwar.com/masters/movements/constructivism.html

Founded in 1913 by Vladimir Tatlin, the Russian Constructivist movement developed from Cubism, Italian Futurism, and Suprematism in Russia, Neo Plasticism in Holland, and the Bauhaus School in Germany. The term Constructivism is used to define non-representational relief construction, sculpture, kinetics, and painting. As a response to changes in technology and contemporary life, it advocated a change in the art scene, aiming to create a new order in art and architecture that referenced social and economic problems. Brothers Naum Gabo and Antoine Pevsner also supported the movement, infusing sculptural elements from cubism and futurism with an allusion to architecture, machinery, and technology. The movement抯 first Constructivist manifesto was written in 1921 when the First Working Group of Constructivists was formed in Moscow. The movement later spread to Holland and Germany before gaining international popularity. The style was initially supported by the Soviet Regime, but later was deemed unsuitable for mass propaganda reasons. Following this decree, Gabo and Pevsner went into exile while Tatlin stayed in Russia. The Constructivist movement was also prominent in theatrical scene design, mostly spread by the efforts of Vsevolod Meyerhold.


Constructivism was one the first movements to adopt a strictly non-objective subject matter. The movement抯 work was mainly geometric and precisely composed, sometimes through mathematics and measuring tools. They favored the basic shapes of squares, rectangles, circles and triangles. Constructivists used an array of materials including wood, celluloid, nylon, plexi-glass, tin, cardboard, and wire welded or glued together. Later in the development, Constructivists incorporated aluminum, electronics, and chrome. In using these forms and materials, their aim was to depict the dominance of the machine in the modern world and its triumph over nature.

Some of the artists included:
Bergmann-Michel, Ella - 1896 - 1971
Gabo, Naum - 1890 - 1977
Moholy-Nagy, Laszlo - 1895 - 1946
Pasmore, Victor - 1908 - 1998
Pevsner, Antoine - 1886 - 1962
Popova, Liubov - 1889 - 1924
Rodchenko, Aleksandr - 1891 - 1956
Schlemmer, Oskar - 1888 - 1943
Tatlin, Vladimir - 1885 - 1953
Torres Garcia, Joaquin - 1874 - 1949
Bergmann-Michel, Ella - 1896 - 1971
Gabo, Naum - 1890 - 1977
Moholy-Nagy, Laszlo - 1895 - 1946
Pasmore, Victor - 1908 - 1998
Pevsner, Antoine - 1886 - 1962
Popova, Liubov - 1889 - 1924
Rodchenko, Aleksandr - 1891 - 1956
Schlemmer, Oskar - 1888 - 1943
Tatlin, Vladimir - 1885 - 1953
Torres Garcia, Joaquin - 1874 - 1949

Explore the links below also.

good luck

2007-12-05 01:08:40 · answer #1 · answered by ari-pup 7 · 1 0

That's a good question, I was wondering the same thing myself

2016-08-26 09:52:25 · answer #2 · answered by lucrecia 4 · 0 0

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