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Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. ("The Sun is God," he stated shortly before his death.)

2007-11-25 04:51:30 · answer #1 · answered by Puppy Zwolle 7 · 0 0

Atmosphere, it's all about being their in the atmosphere shown in the painting and the light created by the atmosphere

2007-11-25 05:00:02 · answer #2 · answered by John T 3 · 0 0

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