I kind of align with perki88 on this one. You will want a dedicated macro lens anyhow, so buy that FIRST and see how your 300D stands up. I have the Nikon 60 mm macro lens and find it to be a very sharp lens with utility other than macro, but I can get about an inch from the subject if need be. See http://www.flickr.com/photos/samfeinstein/tags/60/ for some examples. Canon makes a comparable lens.
As far as choosing a camera, while I'd LOVE to become a playboy swinger myself and get a 5D, I think it's a lot of money to spend for your purposes. If you didn't say "macro," I'd even say that you would do well to pick up a 30D once you see the prices start to drop, which I expect they will. The 30D or 40D are built more solidly than a 400D and - most important - they have actual spot meters, which I could not live without. The live view on the 40D might make compostion easier for macro shots on a tripod, so that's enticing. I think I read somewhere that you can zoom in about 10X on the live view, so it would even be okay for critical focus.
In the US, the 30D is dropping below US$1,000 now. The 40D is around US$1,300. The 400D is around US$600-650. The 60 mm macro lens is below US$400. A 30D and 60 mm macro lens would be a real pro set-up, but getting the 40D instead would be a nice upgrade if you can write it all off anyway. :-)
Start with just the lens, though, in my opinion.
2007-11-15 23:35:52
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answer #1
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answered by Picture Taker 7
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Jumping from 8 to 10MP or even 12 isn't going to gain you much to be honest. Other things might be a bigger gain for you. The newer bodies like the XTi, which is old-ish in the digital world, and the current XS/XSi should shoot cleaner pics at high ISO, better LCD screens, improvements all around (like auto focus speed, buffer depth etc) Bottom line, don't base your need to upgrade on megapixels. A higher pixel count isn't going to make your pictures that much better. Shooting sports, it's more important to be able to take more shots in a row (jpeg or RAW) fast auto focus, and really good glass. You'll need fast glass for the indoor stuff as well. Budget aside, you'd be better off digging up a used 30d, or a new/used 40d. They are more semi-pro bodies, and better suited for what you are doing. But you are on a budget, I'd try to get a deal on the new XSi if the upgrade bug is biting you. Skip the Xti as it's already old, and will be hard to flip down the road. The XT won't fetch much as there seems to be a glut of Canon XT and XTi bodies out there. On top of that, the XTi just isn't much of a jump. If I'm in your situation, and I have the glass I need, I'd flip the XT be happy to get $250 for the body only, and try and get a good deal on a used 30d, even better a 40d. It's a buyers market right now, great if you have the funds. Good luck
2016-05-23 09:06:42
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answer #2
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answered by eneida 3
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Most tests are showing that the image quality between the 40D and 5D are nearly identical.
The 400D is gives you alot for fewer dollars (spend more on lenses). Outside of a studio setting, the 40D will give you a metal (heavier) body and faster frames per second. Keep in mind the 400D is leaps and bounds faster than the 300D.
FYI, there's a Russian firmware hack for the 300D which gives it many features found in the 10D; the 300D is basically a "crippled" 10D. Gets you flash exposure compensation, ISO 3200, etc. Works fine for me. A Google search will call it up.
My recommendation is the 400D if it fits your hand well. If it seems small, go for the 40D. Unless you are earning an income from it, spend the least amount possible for a body and invest in good optics. This will free up your money to buy a better camera and lenses have higher resale value than used bodies.
2007-11-15 18:13:51
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answer #3
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answered by HXT1138 3
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If it is not imperative that you purchase a new camera, why not just go for a better lens at this point and a few betterphoto.com classes? I have the 300d which I use as a back up and hobby camera and it is quite fine and the light weight comes in handy sometimes.
As far as sticking with film, like a gentleman once said "your old road is rapidly fadin', get out of the new one if you can't lend a hand...", bet you know the next line! LOL!
2007-11-15 21:48:21
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answer #4
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answered by Perki88 7
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OH my dear Lizzie,
every photojournalist here in the states still use the canaon ae-1 or the minolta srt-101 or srt-102s becasue the film is cheap, the artform is almost acrchaic and easy to manipulate and you can mae extra long exposures that you cannot do with digital camaeras,.......plus, all the development equip- is cheap now and chemicals stil available,.......I know and feel in my heart you wanna continue on this track of newer stuff and so do it but it still sint the same as herdin cattle the same ol way, branding them all, hardin them to the feedloy and foregtting about them until you get that paycheck in your hand. I beg you not to go the way of the dinosaur, sure, dabble a bit in digital but never forget where your roots are and never foregt that those roots allow you to do things that digital wont let you do............not that I aint got a digital too but mine is just for emergency, I keep mine in the car in case I see a wreck or a ufo or a bear crossing the road or whatever.
2007-11-15 19:18:37
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answer #5
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answered by theoregonartist 6
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Would you like to see what Canon 5D can produce?
http://www.yousendit.com/transfer.php?action=download&ufid=9D5D352E6D7E4A18
(The very first photo was taken with a Canon Digital Rebel).
http://www.yousendit.com/transfer.php?action=download&ufid=2E2982B4520CDD81
The one above is a JPG converted from RAW. I used Canon 24-70 mm f 2.8 L zoom for this one.
Hope it helps a bit.
2007-11-15 18:19:12
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answer #6
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answered by Pooky™ 7
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my playboy contact shoots D5,
what subjects do you shoot most?
if its to record your art, do it justice and go D5, otherwise the crop is neat and the 40d would be the one
a
2007-11-15 18:28:04
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answer #7
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answered by Antoni 7
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