C major
C D E F G A B C
C minor (natural)
C D Eb F G Ab Bb C
note b on 3 6 and 7 both ways
C minor (melodic)
C D Eb F G A B C Bb Ab G F Eb D C
note b 3 up but b 3 6 and 7 down
C minor (harmonic)
C D Eb F G Ab B C
note b 3 and 6 but not 7 both ways.
The relative minor of any major is the scale that starts on the 6th. The relative minor of C major is a minor - a is the 6th scale step of C major. The natural minor scale will have the key signature of the relative. a minor (natural) has the key signature of C major.
2007-10-24 17:33:29
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answer #1
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answered by CoachT 7
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I think I'm understanding your question correctly. If you have a major scale, say A major, how do you turn it into a natural minor. There are at least two ways that will work:
1. Simply lower the third, sixth, and seventh tones by a half step. The A Major Scale is A B C# D E F# G# A. Tones 3, 6, and 7 are C#, F#, and G#. Lower them each by a 1/2 step and you get A B C D E F G A.
2. The other method involves knowing how to find relative major and minor keys. Let's say you want to build an a natural minor scale. First you go up three half steps from A to find the relative major key. That would be C major. Then build a scale from a to a using the notes that are in the C Major scale. The C Major scale is all natural, so the notes for the a natural minor scale, again, are A B C D E F G A
2007-10-24 16:50:21
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answer #2
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answered by Anonymous
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Some of these answers are a real worry, especially one purporting to come from a clarinet teacher. But your question is also ambiguous. Do you want the RELATIVE natural minor, which has the same key signature? Or to turn a Major into its TONIC natural minor, which starts on the same note?
CoachT is correct on both. If you play a Major scale, then play the same set of notes but starting on number 6, that is the natural minor scale of the relative minor key. If you play a Major scale, then play the same scale starting on the same note, with a flat 3rd, 6th and 7th, that is the natural minor scale of the tonic minor key.
2007-10-26 02:26:36
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answer #3
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answered by Jennifer Joy 4
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Yeah the answers that are popping up here are very worrisome haha!
Jennifer Joy is exactly correct!
Do some research on modes http://www.theorylessons.com/modes005themodes.php
Not to mention The Circle Of Fifths will be a great tool to have at your disposal.
Good luck!
2014-02-08 13:42:30
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answer #4
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answered by T 1
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easiest way is to find the relative minor scale (same key signature)
for example; take C major scale, the relative minor scale would start on the 6th note of that scale (c to c for maj., a to a for the relative minor)
as for jazz chops; get the book "patterns for jazz" by jerry coker- it's full of arpeggios riffs and licks to build a solid foundation for improv.
2007-10-24 17:28:38
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answer #5
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answered by parkermbg 6
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flatten the 3rd note (of the major scale) for natural minor
flatten the 3rd and sharpen the 6th and 7th for harmonic minor
2007-10-25 10:39:06
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answer #6
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answered by bcooper_au 6
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When the third is flat a chord becomes a minor.
2007-10-24 18:39:06
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answer #7
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answered by Dave 5
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I think you make the 3rd and 7th notes a half step higher.
2007-10-25 07:18:17
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answer #8
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answered by Penny M 2
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