You do have a choice between good and evil, however, the ultimate victory will be for good.
Apollo is a "type" or spiritual picture of satan:
"And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon." - Revelation 9:11.
Worship as THRESKIA in the IMPURE form was invented by Orpheus and the LESBIAN women from Lesbos. It is clear that Orpheus, Apollo (Satan) and all of the QUEER "gods" are the GENUN (Genii, Kabiri, queer artisans of craftsmen) as versions of the Cain (from a musical mark) and the Lamech family of Jubal (who HANDLED musical instruments in a sexual and UNAUTHORIZED form), Jabal (free animal stealers--collectors), Tubal-Cain (the gay smith-minstrels) and Naamah (the enchantress).
History 100% proves that when males drift off from a SAY or SPEAK mode (cantillation) into a TUNEFUL mode it is the MARK of and a MANUFACTURER of the effeminate impulses.
quoting: Peraino, Judith Ann "Listening to the Sirens: Music As Queer Ethical Practice"
GLQ: A Journal of Lesbian and Gay Studies - Volume 9, Number 4, 2003, pp. 433-470.
Duke University Press Excerpt -
"The history of Western music is, among other things, a history of sexual anxiety, ambivalence, and negotiation. This article examines four moments in this musical-sexual history, each no less than eight hundred years from the next: the Siren episode in the Odyssey (c. 700 B.C.E.), the writings of Augustine (composed 387- 413), the music and writings of Hildegard of Bingen (composed 1150-75), and the performances of Marilyn Manson in 1996." {endquote}
John in Revelation points us to Kirke or Circe, the holy whore, and the Siren's to IDENIFY the Anti-Christian church which re-defines "worship." They are the LOCUSTS and John promises that they will all go back into hell.
In frontier religionism this was a JOINT VENTURE between ignorant-but-charismatic preachers and women seeking authority. The FUSION is still at play when they whine WE GOTTA GIT US SOME OF THAT.
Males filled the same Male but Female role in GREEK THEATER and most RITUAL drama. This is the meaning of RISING UP TO PLAY where music (harmony from Apollo or Apollyon meaning "moving together"). Plato warned that this always produces GENDER CROSSOVER or GENDER BLEED.
That is why PSALLO as the ONLY "proof" for musicating is always used of Males grooming young boys.
The urge to IGNORE the absolute proof in the Bible is an attempt of GODDESS WORSHIP by the "Muses" is intended to DEFUSE the opponents who are CATCHING ON and fleeing.
2007-10-01 07:23:35
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answer #1
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answered by Anonymous
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Jesus is my choice. Jesus is the way.
2007-10-01 07:27:20
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answer #2
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answered by Nina, BaC 7
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