I honestly can seldom tell, when I’m doing one of these surreal portraits, if it ‘works’ as a painting or not. The ‘moon’ matches her hair but isn’t consistent with the natural looking bricks. I like this ‘moon’ but ... mix and match is sometimes a bit tricky to pull off. It’s a hell of a lot easier to do some stupid ‘normal’ portrait than it is to play around with altering skin tones, etc.
Something is amiss with this Miss. So, what to do?
http://pics.livejournal.com/unmired/pic/000584hg/g11
(She isn't really bad. She's just the intense type and she’s based on a photograph of an old girlfriend of mine.)
2007-06-24
09:04:01
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7 answers
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asked by
Doc Watson
7
in
Arts & Humanities
➔ Visual Arts
➔ Painting
Darbin, you might want to look through these other portraits I've done before suggesting that I try to 'do' Lichenstein art. I think I perfer 'doing' myself.
2007-06-24
09:49:12 ·
update #1
The other portraits:
http://pics.livejournal.com/unmired/gallery/0000b4gp
2007-06-24
09:50:47 ·
update #2
1. There is nothing wrong with the perspective. This pose was taken directly from a photograph of an old girlfriend.
2. Her face is in the center of the painting for two reasons: The canvas is only twelve inches wide and the portrait is large. I couldn't move her to one side or the other without making her head and face much smaller.
3. What I figured out was that her lips are too 'pronounced' and I toned the color down somewhat. The 'moon' was too large and I made it smaller. And she simply had way too much hair and I painted some of it out.
2007-06-26
13:52:11 ·
update #3