How come some sopranos can hit really high notes but cant hit the notes in between?

Answer 1

It depends on the type of music, I think. In classical singing, we start in the middle, and are allowed to go high once the middle is solid and stable. ( Same goes for singing low, although one has less chance of hurting oneself vocally by singing low) The intent is to make the registers of the voice ( for arguments sake three: low, middle, and high)even and integrated. If a voice has the natural tendency to be high (most sopranos and tenors), then those tones come more readily, and are stronger than in the lower voice categories. However, if one trains only the high notes, there is the danger of losing the lower ones, and sometimes even the middle ones.
This is more apparent in pop singing, where the registers are not blended or integrated, where the breaks, or gear shifts, if you will, are hearable.( as when you grind the gears in a stick shift transmission.)
Also, high notes can be heard more than lower ones. It's simple physics: they vibrate faster than the lower tones, and that gets heard.
( If you sing, try singing a relatively high note, and then drop an octave. The lower note is simply softer.)
Hope this answers your question.

Answer 2

You mean like harmonys and stuff? There's two different types of sopranos.

Soprano 1 and Soprano 2.

Soprano ones do most of the high notes, singing mostly the melody.

Soprano twos sing high notes, but do mostloy the harmony.

Hope I helped.

Answer 3

The notes in between what? The typical range of a soprano is middle C to C above the treble stave.

Answer 4

When you go up and down you have to change how you sing. Some singers aren't trained so they don't know how to do it. There are certain natural breaking points that take a lot of practice to negotiate.