Bruegel's hunters in the snow interpretation?

Question

does anyone know anything about Pieter Breugal's "hunters in the snow" painting? i need to find things that represent humanism, individualism, and secularism within the painting. (during the renaissance)

http://www.uidaho.edu/student_orgs/arthurian_legend/hunt/bruegel.jpg

that's the painting.
it'd be better if you had some background information and aren't just interpreting it for the first time
thanks!

Answer 1

In 1565 Bruegel was commissioned to execute a series of pictures of the months for Niclaes Jonghelinck of Antwerp. Based upon the medieval idea of the labors of the seasons as seen, for example, in cathedral sculpture or the illuminations of late Gothic books of hours, Bruegel's series represents a magnificient culmination of this tradition.

Of the original group, five paintings have survived. De Tolnay (1935) has very plausibly suggested that each panel portrayed the activities of 2 months, so that only the painting for April and May is lost.
In these beautifully conceived and executed panels Bruegel has achieved a moment of resolution of the previously existing duality between man and nature. The central theme of the cycle is that man, if he follows the order of nature, can avoid the folly for which he is otherwise destined. The role of mankind is portrayed by peasants--anonymous symbols of humanity--who live and work close to the soil in a state of beneficent unity with nature.

The months of December and January are represented by the Hunters in the Snow. A work of great compositional unity, it demonstrates that the activities of men, in order to be good, must conform to the seasonal patterns of nature.
In Pieter Brueghel’s paintings, no matter how huge a slice of the world he shows, human activities remain the dominant theme.
Through the striking beauty and originality of these seasonal pictures Bruegel enunciated a new coherency in man's relationship to the natural scheme. Casting off the established order and hierarchy of the medieval and Renaissance cosmologies, he substituted a view of a dynamically evolving world that is fundamentally modern in its conception.

The weary hunters return with their hounds, wives build fires, skaters skim the frozen snow, and beyond this typically Flemish winter scene lies a bit of alpine Landscape. Aside from this trace of fantasy, however, the landscape is realistic. It develops smoothly from foreground to background and draws the viewer diagonally into its depths. The artist’s consummate skill in the use of line and shape and his subtlety in tonal harmony make this one of the great landscape Paintings in history.


Nature is more than a setting for human activities. It is the main subject of the picture. Men and women in their seasonal occupations are incidental to the majestic annual cycle of death and rebirth that is the breathing rhythm of the cosmos.

Answer 2

Hunters In The Snow Analysis

Answer 3

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Answer 4

5 crows in trees and air

2 crows on roof tops (x5)

time is 5:10pm afternoon as the hunters return home, you can see the kids ice skating