I've asked this question before a while back, but think there weren't enough pros out there answering. If George Lucas can blow up an 8mm digital frame from 35mm Anamorphich to 70mm, and if Kodak can blow up a 35mm transparency to an roughly twenty foot Duratrans in Grand Central Station, isn't it logical that a very well photographed Super 8mm negative or reversal film using a Cine Chain and possibly wet gate printing could be blown up to 35mm Anamorphic? ( Let's don't forget what Techniscope really is ) or are the film manufacturers and studios afraid of film work coming from such outside fringes?
2006-11-17
10:25:05
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1 answers
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asked by
vanamont7
7
in
Arts & Humanities
➔ Visual Arts
➔ Photography