There's lots of theories aboud with regard to the Mona Lisa. Here's what the Louvre say about her.
This portrait was doubtless painted in Florence between 1503 and 1506. It is thought to be of Lisa Gherardini, wife of a Florentine cloth merchant named Francesco del Giocondo - hence the alternative title, La Gioconda. However, Leonardo seems to have taken the completed portrait to France rather than giving it to the person who commissioned it. It was eventually returned to Italy by Leonardo's student and heir Salai. It is not known how the painting came to be in François I's collection.
Description
Lisa Gherardini, wife of Francesco Giocondo
The history of the Mona Lisa is shrouded in mystery. Among the aspects which remain unclear are the exact identity of the sitter, who commissioned the portrait, how long Leonardo worked on the painting, how long he kept it, and how it came to be in the French royal collection.
The portrait may have been painted to mark one of two events - either when Francesco del Giocondo and his wife bought their own house in 1503, or when their second son, Andrea, was born in December 1502 after the death of a daughter in 1499. The delicate dark veil that covers Mona Lisa's hair is sometimes considered a mourning veil. In fact, such veils were commonly worn as a mark of virtue. Her clothing is unremarkable. Neither the yellow sleeves of her gown, nor her pleated gown, nor the scarf delicately draped round her shoulders are signs of aristocratic status.
A new artistic formula
The Mona Lisa is the earliest Italian portrait to focus so closely on the sitter in a half-length portrait. The painting is generous enough in its dimensions to include the arms and hands without them touching the frame. The portrait is painted to a realistic scale in the highly structured space where it has the fullness of volume of a sculpture in the round. The figure is shown in half-length, from the head to the waist, sitting in a chair whose arm is resting on balusters. She is resting her left arm on the arm of the chair, which is placed in front of a loggia, suggested by the parapet behind her and the two fragmentary columns framing the figure and forming a "window" looking out over the landscape. The perfection of this new artistic formula explains its immediate influence on Florentine and Lombard art of the early 16th century. Such aspects of the work as the three-quarter view of a figure against a landscape, the architectural setting, and the hands joined in the foreground were already extant in Flemish portraiture of the second half of the 15th century, particularly in the works of Hans Memling. However, the spacial coherence, the atmospheric illusionism, the monumentality, and the sheer equilibrium of the work were all new. In fact, these aspects were also new to Leonardo's work, as none of his earlier portraits display such controlled majesty.
An emblematic smile
The Mona Lisa's famous smile represents the sitter in the same way that the juniper branches represent Ginevra Benci and the ermine represents Cecilia Gallerani in their portraits, in Washington and Krakow respectively. It is a visual representation of the idea of happiness suggested by the word "gioconda" in Italian. Leonardo made this notion of happiness the central motif of the portrait: it is this notion which makes the work such an ideal. The nature of the landscape also plays a role. The middle distance, on the same level as the sitter's chest, is in warm colors. Men live in this space: there is a winding road and a bridge. This space represents the transition between the space of the sitter and the far distance, where the landscape becomes a wild and uninhabited space of rocks and water which stretches to the horizon, which Leonardo has cleverly drawn at the level of the sitter's eyes.
Here's a report that the BBC aired today.
Mona Lisa pregnancy theory mooted
The scans can look beneath old paint and varnish
The famous smile on Leonardo Da Vinci's Mona Lisa could be because she is pregnant or had just had a baby, research suggests.
Canadian scientists used laser and infrared scans to produce a 3D image of the painting.
This allowed details beneath layers of paint to be seen - including a gauzy dress then associated with pregnant or new mothers.
It also showed the 500-year-old picture was in good condition.
The scans, using a resolution 10 times finer than a human hair, did reveal some warping to the wooden back of the painting.
Too dark
The team from National Research Council of Canada (NRC) were given rare access to the painting at its home in the Louvre Museum in Paris.
It said other details obscured by darkened paint and varnish included the hair originally being in a bun and a slightly different posture, as well as the gauze dress.
"This type of gauze dress ... was typical of the kind worn in early 16th Century Italy by women who were pregnant or who had just given birth," said Bruno Mottin of the French Museums' Center for Research and Restoration.
"This is something that had never been seen up to now because the painting was always judged to be dark and difficult to examine."
The technique is unlike anything we've ever seen before
John Taylor, National Research Council of Canada
The woman herself has been identified as the wife of Florentine businessman Francesco del Giocondo.
Mystery remains
Da Vinci was commissioned to paint the portrait between 1503 and 1506 but kept it and may have altered it several times.
While some questions about the painting may have been answered, other mysteries remain - particularly around how the image was created.
The method of Da Vinci's sfumato - or smoky - painting technique continues to elude experts.
John Taylor, from the NRC, said: "It's extremely thinly painted and extremely flat, and yet the details of the curls of hair, for example, are extremely distinct.
"So, the technique is unlike anything we've ever seen before".
If you go to this website you can see the video of the news report.
http://news.bbc.co.uk/1/hi/entertainment...
2006-09-27 10:42:10
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answer #1
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answered by samanthajanecaroline 6
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I've always thought the Mona Lisa looked pregnant when I've seen pictures of her in the past. Just by the way she is resting her hands in the picure, you don't rest your hands that high unless your are setting them on something, most likely a pregnant belly. I frankly wasn't all that surprised when I saw the report this morning.
2006-09-27 17:32:13
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answer #2
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answered by TRISHTHEDISH76 2
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No one even knows who she is... If you're commenting on her dress, that was just the style then. It took the focus from the figure and placed the emphasis on the bust line...
2006-09-27 17:31:36
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answer #4
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answered by Angela M 6
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yeah i just saw that on the news. apparently they scanned her painting and it shows she was pregnant or may have had birth recently, i mean she is covering her tummy, maybe she didnt tell her husband yet and she didnt want him to find out too soon lol.
2006-09-27 17:31:33
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answer #6
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answered by sweet_jemise 4
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