were there any influences on 'leanardo da vinci' or 'mona lisa'?

Question

(other artists, othere artworks, life experiences, major historical activities)

Answer 1

All artists have influences. Andrea Verocchio, Leonardo's teacher was a great early influence. As for influences when he painted the Mona Lisa, well this is highly debateable. It is clear that the Mona Lisa influenced other artists such as Raphael Santi. But as to how far Leonardo was influenced? He included a landscape that was familiar to him so we can assume that he was influenced by the Arrezzo landscapes. The bridge that flows behind the sitter is probably the Ponte a Buriano that spans the Chiana river. Leonardo probably mapped this countryside when he worked for Cesare Borgia. It was not as far as we know inspired by any historical activies as it was likely a comission.

See the Louvre's description.

This portrait was doubtless painted in Florence between 1503 and 1506. It is thought to be of Lisa Gherardini, wife of a Florentine cloth merchant named Francesco del Giocondo - hence the alternative title, La Gioconda. However, Leonardo seems to have taken the completed portrait to France rather than giving it to the person who commissioned it. It was eventually returned to Italy by Leonardo's student and heir Salai. It is not known how the painting came to be in François I's collection.



Description


Lisa Gherardini, wife of Francesco Giocondo

The history of the Mona Lisa is shrouded in mystery. Among the aspects which remain unclear are the exact identity of the sitter, who commissioned the portrait, how long Leonardo worked on the painting, how long he kept it, and how it came to be in the French royal collection.
The portrait may have been painted to mark one of two events - either when Francesco del Giocondo and his wife bought their own house in 1503, or when their second son, Andrea, was born in December 1502 after the death of a daughter in 1499. The delicate dark veil that covers Mona Lisa's hair is sometimes considered a mourning veil. In fact, such veils were commonly worn as a mark of virtue. Her clothing is unremarkable. Neither the yellow sleeves of her gown, nor her pleated gown, nor the scarf delicately draped round her shoulders are signs of aristocratic status.


A new artistic formula


The Mona Lisa is the earliest Italian portrait to focus so closely on the sitter in a half-length portrait. The painting is generous enough in its dimensions to include the arms and hands without them touching the frame. The portrait is painted to a realistic scale in the highly structured space where it has the fullness of volume of a sculpture in the round. The figure is shown in half-length, from the head to the waist, sitting in a chair whose arm is resting on balusters. She is resting her left arm on the arm of the chair, which is placed in front of a loggia, suggested by the parapet behind her and the two fragmentary columns framing the figure and forming a "window" looking out over the landscape. The perfection of this new artistic formula explains its immediate influence on Florentine and Lombard art of the early 16th century. Such aspects of the work as the three-quarter view of a figure against a landscape, the architectural setting, and the hands joined in the foreground were already extant in Flemish portraiture of the second half of the 15th century, particularly in the works of Hans Memling. However, the spacial coherence, the atmospheric illusionism, the monumentality, and the sheer equilibrium of the work were all new. In fact, these aspects were also new to Leonardo's work, as none of his earlier portraits display such controlled majesty.


An emblematic smile

The Mona Lisa's famous smile represents the sitter in the same way that the juniper branches represent Ginevra Benci and the ermine represents Cecilia Gallerani in their portraits, in Washington and Krakow respectively. It is a visual representation of the idea of happiness suggested by the word "gioconda" in Italian. Leonardo made this notion of happiness the central motif of the portrait: it is this notion which makes the work such an ideal. The nature of the landscape also plays a role. The middle distance, on the same level as the sitter's chest, is in warm colors. Men live in this space: there is a winding road and a bridge. This space represents the transition between the space of the sitter and the far distance, where the landscape becomes a wild and uninhabited space of rocks and water which stretches to the horizon, which Leonardo has cleverly drawn at the level of the sitter's eyes.

This is a ground breaking work that influenced others more than it was influenced. For example the artist used the Sfumato effect which he invented and which influenced other artists. The notion of the moti mentali was his and the influence was far reaching.

Hope this helps

Answer 2

Neil Armstrong posed for the Mona Lisa.

Answer 3

erm, Mona Lisa was never an artist!

Maybe drugs!

Answer 4

U R doing a project or something on Renaissance or art or something like that. Good luck I have don eone on renaissance.

But dunno the answer to ur ques.