I want to migrate to Australia if the condition be good.
I'm also a "Computer Operator" and "Photographer" an i have
some experience in "Digital Sound Recording" in some "Sound Recording Studios".
Thank you for answering.
2006-07-22 00:37:48 · 3 answers · asked by M-Sh 1 in Arts & Humanities ➔ Performing Arts
australia is a great place. i went there and stayed with a family for a few days that thier dad was a painter and thier mom was a secretary. and they seemed to be doing fine. they lived in a pretty good neighborhood and had and ok house. they lived in cairns which is on the northern coast of queensland. i think property is expensive there.
2006-07-22 04:00:08 · answer #1 · answered by Aaron N 2 · 1⤊ 3⤋
An interesting question, Doctor John. And because all answers are subjective, I don't think anyone here should fear stoning - or at least thumbs down! I have to agree with Delicious Man - as much as I admire Brahms and Chopin, I have never been touched by their music - it just doesn't resonate with my soul. And I second his opinion on Palestrina - possibly the only early composer I've never got into - like Del, I'm sure boring University counterpoint tutorials tarnished his magic somewhat for me. Maybe "dislike" is too strong a term for me here - but the music of these composers just doesn't - well, rock my socks. But my biggest "problems" are with the music of Bruckner and Mahler - okay, I am bracing myself for some stones - but hey, this is all subjective, remember! Anyway, I am full of admiration and respect for their music, but try as I might, I just cannot understand nor appreciate it - despite years of playing their works in symphony orchestras. I don't know why I feel this way. Why do any of us feel like this about particular composers? Maybe in my case, it was a subconscious rebelliousness against the "modern orchestral scene" - a kind of anti-establishment thing, if you like. After all, I was an Early Music head desperately trying to make a living playing modern bassoon in an orchestra - and don't get me wrong, I'm not immune to the charms of all post-18th century music - I learned to love Stravinsky, R. Strauss, Shostakovich, even Hindemith! But I think the sight of all these grown musicians swooning and saying "oh daaaahling, isn't Mahler just maaaaaahvellous?" may have well done some irreparable damage. Hmmm. Maybe that explains why I've gone more for obscure weirdos like Guillaume Dufay, Gesualdo and Zelenka - because none of those drooling orchestral heavies had even heard of them, let alone understand them... Cheers, Hafwen x
2016-03-27 02:56:45 · answer #2 · answered by Karen 4 · 0⤊ 0⤋
ive already answered your question - about an hour ago
2006-07-22 00:41:13 · answer #3 · answered by Ivanhoe Fats 6 · 0⤊ 1⤋