During the reign of Elizabeth I in the late 16th and early 17th century, a London-centred culture that was both courtly and popular produced great poetry and drama. Perhaps the most famous playwright in the world, William Shakespeare from Stratford-upon-Avon, wrote plays that are still performed in theatres across the world to this day. He was himself an actor and deeply involved in the running of the theatre company that performed his plays. Other important playwrights of this period include Christopher Marlowe, Ben Jonson, and John Webster. Various types of plays were popular. Ben Jonson, for example, was often engaged to write courtly masques, ornate plays where the actors wore masks. The three types that seem most often studied today are the histories, the comedies, and the tragedies. Most playwrights tended to specialise in one or another of these, but Shakespeare is remarkable in that he produced all three types. His around 40 plays include tragedies such as Hamlet (1603), Othello (1604), and King Lear (1605); comedies such as A Midsummer Night's Dream (1594—96) and Twelfth Night (1602); and history plays such as Henry IV, part 1—2. Some have hypothesized that the English Renaissance paved the way for the sudden dominance of drama in English society, arguing that the questioning mode popular during this time was best served by the competing characters in the plays of the Elizabethan dramatists.
Aphra Behn was the first professional English woman playwright.During the Interregnum 1649—1660, English theatres were kept closed by the Puritans for religious and ideological reasons. When the London theatres opened again with the Restoration of the monarchy in 1660, they flourished under the personal interest and support of Charles II. Wide and socially mixed audiences were attracted by topical writing and by the introduction of the first professional actresses (in Shakespeare's time, all female roles had been played by boys). New genres of the Restoration were heroic drama, pathetic drama, and Restoration comedy. Notable heroic tragedies of this period include John Dryden's All for Love (1677) and (Aureng-Zebe) (1675), and Thomas Otway's Venice Preserved (1682). The Restoration plays that have best retained the interest of producers and audiences today are the comedies, such as George Etherege's The Man of Mode (1676), William Wycherley's The Country Wife (1676), John Vanbrugh's The Relapse (1696), and William Congreve's The Way of the World (1700). This period saw the first professional woman playwright, Aphra Behn, author of many comedies including The Rover (1677). Restoration comedy is famous or notorious for its sexual explicitness, a quality encouraged by Charles II (1660–1685) personally and by the rakish aristocratic ethos of his court.
2006-07-13 21:49:14
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answer #1
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answered by ♥Hina♥ 4
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Need to hav a final word with any surivor frm 17 th century..
other wise we can never be sure...
2006-07-13 21:35:52
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answer #2
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answered by krishna p 2
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