Who can read the fancy metal artwork on a Kris sword?

Question

This sword may be from India, Indonesia or "there-about".
The wavy blade is 23 inches long. The total length is 27 inches long. It has a wooden scabbard.
I was told that whomever can read the artistic metal work can tell WHERE it was made and WHO made it.
I can take pictures of it to forward.

Answer 1

Kris vs. keris
The term keris comes from the Malay and means ‘dagger.’ The Malay term is from old Javanese word ngeris which means ‘to stab’ or ‘to pierce’. Kris is a European rendering of this Malay term. As noted by Frey (2003), kris is the more frequently used term. The correct term, keris, is justified by the title of the Ensiklopedi Keris (Keris Encyclopedia) by the late Bambang Harsrinuksmo. Some collectors prefer keris, others kris. Older spellings include cryse, crise and criss.

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Blade and fittings
Kris blades are usually narrow and have a wide, asymmetrical base. Blade length is highly variable. The blade is made from different iron ores and often contains nickel. A bladesmith, or empu, makes the blade in layers of different metal. Some blades can be made in a relatively short time, while more legendary weapons can take years or even a lifetime to complete. In high quality krises the metal of the blade has been folded dozens or even hundreds of times and handled with the utmost precision. There are kris blades that carry the imprints of the smith's thumbs, or even lips, used in the forging process. The different metals formed into the blade give the steel its distinctive ‘watered’ appearance. This is called pamor or pamir and is similar in concept to Damascus and Japanese steel. Blades are acid etched after forging to bring out the brilliance and darkness of the metals used. Iron ore sources are rare in some areas of the Malay world, especially in areas of Java. Empus are very resourceful in finding blade materials and have used everything from meteorite iron (rare and highly prized in keris and usually have a high titanium content) to scrap from fallen World War II aircraft. Kris blades can be straight or sinuous. With sinuous blades, the bends are called luks. Most krises have fewer than 13 luks and there will always be an odd number.

A kris and its sheath have many parts. The names for these parts vary by region, but for the most part, these are the standard terms: ukiran – handle/hilt; patra – handle carvings (especially on Javan ukiran); selut – metallic cap on the ukiran (not on all krises); mendak – metal cup on the tang between the ukiran and the blade guard; wilah – blade; pocok – blade point; peksi – tang; ganja – guard/parrying structure; wrangka – the wide, top portion of the sheath; gandar – the narrow portion of the sheath; pendok – a metal sleeve for the gandar; buntut- end of the pendok.

The ukiran and the sheath are often made from wood, though examples from ivory, even gold, abound. Different regions in Southeast Asian produce different styles of wilah, ukiran and sheaths. One beautiful material used for some ukiran and wrangka was fossilized elephant teeth. A tooth would be cut to transect the enamel folds and polished. The result was a stunning work of art.

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Origins
Frey (2003) concludes from Raffles’ (1817) study of the Candi Sukuh (Candi is pronounced chundi in Malay) that the kris recognized today came into existence around AD 1361. Scholars, collectors and others have formed myriad theories about the origins of the kris. Some believe the form that is credited with being the earliest form of the kris, the keris majapahit, was inspired by the daggers of the Dong-Son in Vietnam (circa 300 BC). Frey (2003) dismisses the Dongson origin of the Majapahit. Unverifiable claims of another form predating the Majapahit exist. Kris history is traced through study of carvings and bas relief panels found in Southeast Asia. One of the more famous renderings of a kris appears on the Borobudur temple and Prambanan temple.

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Use
Functionally, the kris is not a slashing weapon like a bowie knife or other fighting knife, but rather a stabbing instrument. The kris was mostly out-matched against anything other than another kris. If a kris fighter had stealth on his side, the kris was lethal. There are many stories of a kris being made especially for killing a specific person.

One of the most famous folk stories from Java describes a legendary kris bladesmith, called Mpu Gandring, and his impatient customer, Ken Arok. Ken Arok wanted to order a powerful Kris to kill the chieftain of Tumapel, Tunggul Ametung. Ken Arok eventually stabbed the old bladesmith to death because he kept delaying the scheduled completion of the kris, which Ken Arok had probably ordered several months before. Dying, the bladesmith prophesied that the unfinished or incomplete kris would kill seven men, including Ken Arok. The prophecy finally came true, and the unfinished kris of Mpu Gandring disappeared.

Krises were worn everyday and at special ceremonies, with heirloom blades being handed down through successive generations. Yearly cleanings, required for as part of the spirituality and mythology around the weapon, often leaves ancient blades worn and thin. In everyday life and at events, a man usually only wore one kris. Women sometimes also wore krises, though of a smaller size than a man’s. In battle, a man could wear three krises: one of his own, one from his father-in-law and one a family heirloom. The other krises served as parrying daggers. If the warrior didn’t have another kris to parry with, he used the sheath. Krises were often broken in battle and required repairs. A warrior’s location determined what repair materials he had. It is not unusual to find a kris with fittings from several areas. For example, a kris may have a blade from Java, a handle from Bali and a sheath from Madura.

In many parts of Malaysia and Indonesia, the kris was the weapon for execution. The specialized kris, called an executioner’s kris, had a long, straight, slender blade. The condemned knelt before the executioner, who placed a wad of cotton or similar material on the subject’s shoulder/clavicle area. The kris blade was inserted through the material and entered the body behind the clavicle. The blade pierced the subclavian artery and the heart. Upon withdrawal, the cotton wiped the blade clean. Death was fairly quick.

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Spiritual power
Discussing the essence of the kris is a complicated topic. For the most part, blades were considered to almost be alive in some cases, or at the very least holders of special powers. Krises could be tested two ways. A series of cuts on a leaf, based on blade width and other factors, could determine if a blade was good or bad. Also, if the owner slept with the blade under their pillow and had a bad dream, the blade was unlucky and had to be taken away. It is important to note that just because a blade was bad for one person didn’t mean it would be bad for another. Harmony between the owner and the kris was critical.

Some krises helped prevent fires, death, agricultural failure and myriad other problems. Likewise, they could do more than prevent problems; some krises brought on fortuitous harvests and other events. Krises could also have tremendous killing power. There are legends of krises moving around on their own and killing individuals they disliked. When making a blade, the empu could infuse into the blade any special spiritual qualities and powers the owner desires.

Because some krises are considered sacred, and people believe they contain magical powers, specific rites needed to be completed to avoid calling down evil fates. For example, pointing a kris at someone is thought to mean that they will die soon, so in ceremonies or demonstrations where ritualized battles are fought with real krises, the fighters will perform a ritual which includes touching the point of the blade to the ground to neutralize this effect.




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Moro kris
A Moro kris is a heavy sword of Philippine Moro invention with an asymmetrical blade approximately 50cm long. It may or may not be sinuous.

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Modern significance

Hishammuddin's act of waving the keris (traditional Malay dagger) at the UMNO Annual General Meeting in 2005 drew applause from the UMNO delegates.In modern day Malaysia, the kris is used as a symbol of ketuanan Melayu, or Malay supremacy. In 2005, UMNO Youth Chief Hishamuddin Hussein brandished a kris at the UMNO general assembly in response to Opposition questioning of the Malaysian social contract, which was received enthusiastically by the Malay delegates, but scoffed at or criticised heavily by the intelligentsia of the nation. Prior to this, politicians have threatened that "krises shall be stained with Chinese blood" if the Chinese minority questioned Malay special rights.


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Media Depiction

Cover to Nightwing #118 (2006), with Jason Todd holding a bloody kris. Art by Jock.In Soul Calibur II & III, Kris is an unlockable weapon for the Dagger discipline and Kris Naga is Taki's ultimate weapon.
Jason Todd, a comic book villain, uses a kris in Batman and related books, like Nightwing.
In the Dune novels and their subsequent film and television adaptations, the traditional weapon of the Fremen tribe is a crysknife, which is a sinous / wavy short blade made of the sandworm tooth. It may be inspired by the 'real' kris.
In Mortal Kombat: Deception the character Ashrah wields a kris (spelt Kriss)