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what classical music peice has the same section of music but just played over and over with different speeds and different instraments?

i need an artist and a song title. and maybe a date when it was made.

(pleas dont fight about classical music and what it's really concidered on here, i just need answers).

2007-11-26 09:45:01 · 6 answers · asked by chelsie_malfoy14 3 in Entertainment & Music Music Classical

6 answers

Benjamin Britten's Young Person's Guide To The Orchestra is another one.

2007-11-26 18:57:19 · answer #1 · answered by cantilena91 7 · 1 1

There are few contenders for this:

Ravel: 'Boléro' (1928)
Shostakovich: Symphony No 7 (Leningrad) - 1st movement (1941)
Wojciech Kilar: Exodus (1981)
Reich: Drumming (1971)
Terry Riley: in C (1964)

These are the examples that pop into my head immediately.

2007-11-27 06:49:40 · answer #2 · answered by del_icious_manager 7 · 2 0

You could also try if you are looking for something à la modern minimal music. Maybe Drumming by Steve Reich or pieces by Glass.
Else: Beni Mora by Gustav Holst is a piece that could answer to your description (apart from those mentioned already).

2007-11-26 19:44:18 · answer #3 · answered by Wolfgang 2 · 0 0

Maurice Ravel's Bolero (1928)....not really different speeds but it is the same theme played by various combinations of instruments.

Niccolo Paganini's Caprice # 24 for violin ; variations on a single theme. Only played on the violin but played in different ways.

2007-11-26 11:28:46 · answer #4 · answered by brian777999 6 · 1 0

(a million) of which do you avail your self maximum often on a on a regular basis foundation; please record different ones and assign a (*) "enormous call" score: occasion /// pc song library = ***** : automobile radio/CD = * : kitchen radio = *** i do no longer hear to classical song daily, yet once I do it is often one in all 3 instruments: automobile radio *, or CD ** or MP3 participant ***, maximum widely performed interior the trail of the automobile radio. (2) what are the situations under which you time-honored get entry to this source? while using and while i won't be in a position to discover something interesting on communicate radio. (3) are there guy or woman(s) with whom you affiliate on a typical foundation, that merchandise to exposure to it? no longer likely. (4) do you sense your indulgence, has affected others in a significant way? Nope. My spouse has her musical tastes, my youngsters (all grown) have theirs, and we are able to each tolerate each and every others' tastes, in spite of in the event that they do no longer seem to be in accordance to our very own. (5) IF, you're able to flow back, is there something which you will possibly substitute on your musical existence style? i might have discovered to play an tool. undecided which one. (6) do you forsee any primary substitute on your destiny touching directly to (5)? No. (7) which source might you plan by using fact the main sensible, given any specific set of situations - you, define? i do no longer. Musical tastes are inner maximum and/or shared. we adore what we adore. i admire maximum yet no longer all classical song, some rock and roll, some "difficulty-free listening", some u . s . a ., some gospel and a few soul. i do in contrast to rap or hip-hop. human beings do, and it would not difficulty me as long as i'm no longer forced to hearken to it. Any attention you care to function, that's no longer been lined? no longer likely. I got here through my musical tastes by exposure. i replaced into on the radio at age sixteen, playing all kinds of song. i replaced into motivated through my acquaintances while i replaced into in college. i admire song lots, yet I additionally love examining, communicate radio and my pc. on the pc i admire flight simulations and practice simulations.

2016-10-18 04:39:19 · answer #5 · answered by Anonymous · 0 0

When you learn to write a sentence and to spell and to listen and not use "considered on'" . PEOPLE MIGHT REGARD YOUR QUESTIONS WITH INTEREST.

2007-11-30 08:35:35 · answer #6 · answered by Anonymous · 0 0

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