im studying it for my g.c.s.e's
The main character in the story is Eddie Carbone, an Italian American longshoreman, who lives with his wife Beatrice and orphaned niece Catherine. His feelings for Catherine, however, develop from 'over-protective' into something more than filial as the play develops. These feelings are brought into perspective by the arrival from Italy of Beatrice's two cousins, Marco and Rodolfo. They have entered the country illegally, hoping to leave behind hunger and unemployment for a better life in America, and to help build a better life for those they've left behind. Rodolfo is young, good-looking and charming; Catherine instantly falls for him.
Predictably Eddie sets about pointing out all of Rodolfo's flaws and persistently complains that Rodolfo is "not right" (by which he means homosexual). He uses Rodolfo's effeminate qualities, such as dress-making, cooking and singing, to back up his argument.
In the end Catherine decides to marry Rodolfo and Eddie sees he has no choice but to confess to the Immigration Bureau that he is harbouring two illegal immigrants. He takes this action regardless of his earlier assertion that "It's an honour" to give the men refuge. His betrayal of the two men causes Eddie to lose the respect of his neighbours, his friends and his family.
In the final pages of the play the sense of crisis climaxes with a fight between Eddie and Marco which results in Eddie’s death. Eddie brandishes a knife which goes against his ideals of honour. He attacks Marco but Marco turns the blade onto Eddie. This could be seen symbolically as a projection of Eddie's self-destructive tendencies, as his sense of self-worth and his honourable character finally reach the bottom of their downward spiral.
In the final pages of the play, Miller uses stage directions more often to convey the sense of crisis and drama. Miller uses stage directions when it would be difficult to interpret what emotions should be shown. An example of this is when Eddie concedes to let Catherine work. The stage directions indicate that he relents with "a sense of her childhood, her babyhood and the years". Miller also uses his stage directions as a means of making clear to the production company his intended symbolism.
2007-10-28 03:02:01
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answer #1
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answered by *Catalan Boy* 4
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The bridge of a large ship is the control room where the captain sits. So "the view from the bridge" is the view that the captain sees, and its a long range view by the person in charge.
2007-10-28 02:57:45
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answer #2
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answered by hottotrot1_usa 7
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definite, I bear in mind the twist of destiny. i trust it change right into a guy that drove his vehicle off the bridge after being sideswiped by yet another vehicle - both a van or a truck. because of that crash and different close calls, ODOT extra the part reflects to the bridge.
2016-10-23 02:35:02
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answer #3
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answered by ? 4
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