The first 20 from part 1 of 8. You can do the rest yourself.
001a
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Andante f/Kybd
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C
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Composed end of Jan or beginning Feb 1761 in Salzburg; originally in Nannerl's notebook.
001b
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Allegro f/Kybd
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C
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Composed end of Jan or beginning Feb 1761 in Salzburg; originally in Nannerl's notebook.
001c
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Allegro f/Kybd
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F
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Dated Dec 11, 1761 in Salzburg; originally in Nannerl's notebook.
001d
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Minuet f/Kybd
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F
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Dated Dec 16, 1761 in Salzburg; originally in Nannerl's notebook.
001e
001
Minuet f/Kybd
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G
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Composed probably end 1761 or 1762 in Salzburg; originally in Nannerl's notebook.
001f
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Minuet f/Kybd
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C
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Composed probably end 1761 or 1762 in Salzburg; originally in Nannerl's notebook.
002
002
Minuet f/Kybd
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F
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Composed Jan 1762 in Salzburg; probably from Nannerl's notebook.
003
003
Allegro f/Kybd
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Bb
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Dated Mar 4, 1762, Salzburg; probably from Nannerl's notebook.
004
004
Minuet f/Kybd
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F
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Dated May 11, 1762, Salzburg; in Nannerl's notebook; in Leopold Mozart's handwriting.
005
005
Minuet f/Kybd
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F
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Dated Jul 5, 1762, Salzburg; probably from Nannerl's notebook.
005a
(K2) 009a
Allegro f/Kybd
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C
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Composed summer 1763 in Salzburg; in Nannerl's notebook.
Plath (NMA 1982) re-dates piece before second half of 1764.
005b
(K2) 009b
Andante f/Kybd
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Bb
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Composed probably between Jun-Oct 1763 in Salzburg; originally in Nannerl's notebook.
Tyson (Music & Letters 1979) reported 6 additional measures found; Plath (NMA 1982) re-dated piece before second half of 1764.
006
006
Sonata f/Kybd & Vn [or f/Kybd]
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C
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Composed 1762,1763,1763 in Salzburg, Brussels, Paris; published as Op 1/1 Feb 1764 with dedication to "Louise-Marie-Therese de Bourbon, Madame Victoire de France"; Allegro in Nannerl's notebook with note composed Oct 14, 1763 in Brussels.
007
007
Sonata f/Kybd & Vn [or f/Kybd]
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D
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Composed end 1763/beginning 1764 in Paris; published as Op 1/2, (see KV 6); Keyboard version of Minuet in Nannerl's Notebook with note composed Nov 30,1763 in Paris.
008
008
Sonata f/Kybd & Vn
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Bb
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Allegro in Keybaord version in Nannerl's notebook with note Nov 23, 1763 in Paris; published Paris Apr 1764 as Op 2/1 with dedication to "Comtesse de Tesse, Dame Madame in Dauphine".
009
009
Sonata f/Kybd & Vn
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G
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Composed beginning 1764 in Paris; published as Op 2/2, (see KV 8).
010
010
Sonata f/Kybd & Vn or Fl
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Bb
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Composed 1764 in London; published as Op 3/1 on Jan 13,1765 with dedication "A Sa Majeste Charlotte Reine de la Grande Bretagne".
011
011
Sonata f/Kybd & Vn or Fl
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G
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Composed in autumn 1764 in London; published as Op 3/2, (see KV 10).
012
012
Sonata f/Kybd & Vn or Fl
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A
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Composed in autumn 1764 in London; published as Op 3/3, (see KV 10).
013
013
Sonata f/Kybd & Vn or Fl
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F
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Composed 1764 in Paris; published as Op3/4, (see KV 10).
014
014
Sonata f/Kybd & Vn or Fl
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C
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Composed in autumn 1764 in London; published as Op 3/5, (see KV 10).
015
015
Sonata f/Kybd & Vn or Fl
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Bb
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Composed in autumn 1764 in London; published as Op 3/6, (see KV 10).
015a
(K2) A109b/1
[Allegro f/Kybd]
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F
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Composed 1764 in London; from Mozart's "London Sketchbook".
015b
(K2) A109b/2
[Andantino f/Kybd]
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C
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Composed 1764 in London; from Mozart's "London Sketchbook".
015c
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[Minuet f/Kybd]
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G
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Composed 1764 in London; from Mozart's "London Sketchbook".
015d
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[Rondo f/Kybd]
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D
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Composed 1764 in London; from Mozart's "London Sketchbook".
015e
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[Country Dance f/Kybd]
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G
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Composed 1764 in London; from Mozart's "London Sketchbook".
015f
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[Tempo di Minuetto f/Kybd]
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C
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Composed 1764 in London; from Mozart's "London Sketchbook".
015g
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[Prelude f/Org (?)]
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G
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Composed 1764 in London; from Mozart's "London Sketchbook".
015h
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[Country Dance f/Kybd]
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F
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Composed 1764 in London; from Mozart's "London Sketchbook".
015i
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[Minuetto f/Kybd]
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A
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Composed 1764 in London; from Mozart's "London Sketchbook".
015k
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[Minore f/Kybd]
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a
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Composed 1764 in London; from Mozart's "London Sketchbook".
015l
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[Country Dance w/Minore f/Kybd]
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A
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Composed 1764 in London; from Mozart's "London Sketchbook".
015m
(K2) A109b/4
[Minuetto f/Kybd]
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F
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Composed 1764 in London; from Mozart's "London Sketchbook".
015n
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[Andante f/Kybd]
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C
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Composed 1764 in London; from Mozart's "London Sketchbook".
015o
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[Andante f/Kybd]
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D
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Composed 1764 in London; from Mozart's "London Sketchbook".
015p
(K2) A109b/3
[Sonata Mvmt f/Kybd]
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g
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Composed 1764 in London; from Mozart's "London Sketchbook".
015q
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[Andante f/Kybd]
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Bb
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Composed 1764 in London; from Mozart's "London Sketchbook".
015r
(K2) A109b/7
[Andante f/Kybd]
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g
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Composed 1764 in London; from Mozart's "London Sketchbook".
015s
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[Rondeau w/Minore f/Kybd]
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C
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Composed 1764 in London; from Mozart's "London Sketchbook".
015t
(K2) A109b/5
[Sonata Mvmt f/Kybd]
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F
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Composed 1764 in London; from Mozart's "London Sketchbook".
015u
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[Siciliano f/Kybd]
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d
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Composed 1764 in London; from Mozart's "London Sketchbook".
015v
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[Sonata Final Mvmt]
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F
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Composed 1764 in London; from Mozart's "London Sketchbook".
015w
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[Allemande f/Kybd]
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Bb
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Composed 1764 in London; from Mozart's "London Sketchbook".
015x
(K2) A109b/6
[Finale to a Sonata] [Symph Sketch]
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F
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Composed 1764 in London; from Mozart's "London Sketchbook".
015y
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[Minuetto f/Kybd]
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G
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Composed 1764 in London; from Mozart's "London Sketchbook".
015z
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[Gigue f/Kybd]
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c
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Composed 1764 in London; from Mozart's "London Sketchbook".
015aa
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[Final Mvmt to a Sonata f/Kybd]
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Bb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015bb
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[Final Mvmt to a Sonata f/Kybd]
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D
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015cc
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[Tempo di Minuetto f/Kybd]
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Eb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015dd
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[Andante f/Kybd]
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Ab
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015ee
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[Minuetto f/Kybd]
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Eb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015ff
(K2) A109b/8
[Minuetto f/Kybd]
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Ab
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015gg
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[Country Dance in Rondo f/Kybd
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Bb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015hh
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[Rondo f/Kybd]
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F
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015ii
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[Andante f/Kybd]
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Bb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015kk
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[Sonata Mvmt]
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Eb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015ll
(K2) A109b/9
[Final Mvmt to a Sonata f/Kybd]
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Bb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015mm
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[Andante f/Kybd]
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Eb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015nn
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[Sontata Mvmt]
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F
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015oo
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[Tempo di Minuetto f/Kybd]
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F
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015pp
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[Minuetto f/Kybd]
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Bb
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015qq
--
[Minuetto f/Kybd]
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Eb
--
Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015rr
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[Minuetto f/Kybd]
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C
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Composed 1764 or 1765 in London; from Mozart's "London Sketchbook".
015ss
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[Fugue f/4 Voices]
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a
--
Composed end 1764 or beginning 1765 in London; from Mozart's "London Sketchbook".
016
016
Symphony
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Eb
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Composed 1764 or 1765 in London .
016a
A220
Symphony
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a
01
Composed probably 1765 in London .
Copy discovered in Odense in 1982; considered very doubtful (Zaslaw/Eisen-Journal of Musicology 1985).
019
019
Symphony
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D
04
Composed beginning 1765 in London.
Possibly composed Sept 1765-Jan 1766 in Holland (Zaslaw-Symphonies 1989).
019a
A223
Symphony
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F
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Composed beginning 1765 in London.
Full set of parts discovered in Munich in 1980 with note written in his 9th year (Allroggen-NMA 1981); possibly composed between Sept 1765 & Jan 1766 in Holland (Zaslaw- Symphonies 1989).
019b
A222
Symphony
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C
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Composed beginning 1765 in London.
Possibly composed between Sept 1765 & Jan 1766 in Holland (Zaslaw-Symphonies 1989).
019c
021
Aria f/T
Va, dal furor portata
C
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Composed 1765 in London.
Most likely composed for tenor Ciprandi to be sung in one of Wolfgang's concerts; exists in two versions (Kunze-NMA 1972).
019d
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Sonata f/Kybd 4-Hands
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C
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Composed probably beginning May 1765 in London; dating based on newspaper announcement that Mozart and sister played together in concert.
Considerable doubt on authenticity due to unclear source history and musical content (Plath/Rehm-NMA 1993).
020
020
Motet f/SATB (Sacred Madrigal)
God is our Refuge
g
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Composed in Jul 1765 in London and presented to British Museum.
2007-09-10 03:35:43
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answer #1
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answered by Basement Bob 6
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what's the concentration on your paintings? 2 pages are no longer plenty whilst observing the life of a few composers. do you like to grant a wrap up of start to demise take people who died quickly. Schumann (Dont take them jointly. Clara grow to be greater a international type pianist who suffered for she ought to no longer post her very own paintings. a variety of of cloth) Schubert grow to be forgotten until somebody discovered his paintings in an attic. so as that shoul be extremely short as properly. Berlioz grow to be the early 'France Idol' He gained a composer competion and flew off. interior the interim he revolutionised song. Wagner grow to be hated, chased, broke, had a king then giving him guard, took the spouse of his conductor (he grow to be no longer too chuffed) and then misued via somewhat Austrian named Hitler. WOW solid stuff! Verdi. Beside his spectacular changes he introduced to song, grow to be an extremely good guy. His liked spouse died, he married after long term and different. Invested his funds in a Farm 'Stant Agatha' and ought to life of it o.k.. He grow to be pissed off with Venice and swore in no thank you to write for them back and gave a complaining guy his cost ticket a refund (The farmer wrote to him claiming that Verdi shall pay him the practice cost ticket, the get right of entry to and a lunch for he had considered Aida and didnt think of it grow to be solid. whilst he grow to be back he heard each and every person asserting how great Aida is, so he went a 2d time. He nonetheless doenst like it, yet is calling Verdi to compensate the fees for the 2d holiday. Verdi did. Beside the lunch. Her remarked that he could have made himself a sandwich at homestead.) He additionally based a house for determining to purchase previous muicians in Milan that still excisits and hosts unfavourable getting previous musicians. extreme-high quality social engagemnet to talk approximately. p.c. what you like. Scandal, pastime, Depressions, Social expertise,... For each and everything youll hit upon a composer :-)
2016-11-14 20:33:55
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answer #2
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answered by ? 4
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Mozart: Sympathy in Asia minor
Beethoven: Furry Lisa
Schubert: Many flavors -- I prefer lime schubert
Schumann: Trauma Rye -- about an injury caused by a wayward loaf of bread -- tragic piece, really
Hope this helps!!
2007-09-10 13:56:06
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answer #3
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answered by Anonymous
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Okay, I did the first one -- now it's time for you to do some work. Lists of these composers' works can be found with a very simple web search.
2007-09-10 03:07:33
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answer #4
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answered by glinzek 6
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Mozart : Sonata in B Flat Major, KV. 333
Beethoven: Fur Elise
Schubert: Ava Maria
Schumann: Romance opus 44
Am I going to get an A for this, I hope so !!!!!!!!!!
2007-09-10 15:42:37
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answer #5
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answered by chessmaster1018 6
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Mozart's most famous composition is entitled "Beethoven's fifth"
Beethoven didn't write anything because he was deaf.
Schubert started some pieces but didn't finish them
Schumann as his name implies, invented the shoe horn, an instrument invaluable to researchers because on it they are able to play foot notes.
2007-09-10 11:26:14
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answer #6
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answered by fredrick z 5
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1.eine klein nachmusik, requiem
2. Smphony no.5, fur elise
3. the unfinished symphony
2007-09-10 05:26:18
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answer #7
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answered by f1 car 2
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Haha, you guys are funny xD
I have a tip on how to get smarter....want to hear it?
Do your own homework! :D
Please give me a thumbs up for my well thought out answer, people.
Haha, just kidding [;
Have a nice day. (:
2007-09-11 12:26:48
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answer #8
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answered by Anonymous
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search on http://en.wikipedia.org/wiki/Main_Page it's easier and i'm sure you'll find what you're looking for
2007-09-10 03:32:50
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answer #9
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answered by CoffeeGoodForHealth 2
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more homework?
2007-09-10 02:58:28
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answer #10
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answered by toutvas bien 5
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