So, if I want to become an actress or singer, how can I get an agent?

Answer 1

To get an agent you need to be able to make yourself marketable first. Formal training and verifiable credits that you've been able to obtain on your own are a way of showing an potential agent that you are in demand. An agent will always look at you and see if there is potential to sell the package you have to offer, but very rarely will they take the time to build that package up and make it marketable. That's more in the realm of a personal manager.

Once you have a list of agents you are interested in, you can send in a headshot package with resume and request a sit down. If you don't hear from them within a week give them a call just to confirm they received the package. Still no call, send a postcard as a follow up a week later. Still no call, then call them directly and ask for a sit down. This is one of the times it pays to be aggressive, to a point. Don't make yourself out to be a pest, just reaffirm with them that you want a chance to meet with them.

The other avenue you can do is to invite them to any plays or showcases that you might be involved in. Some agents are so busy that they will send their jr. agents out to scout you, but on the other hand a large majority of agents will attend performances quite often. After all, obtaining new talent brings them a new source of possible income.

You DO NOT need to be a member of AFTRA or SAG to get an agent! Sometimes it helps, but far too often I've seen actors get their union cards before they were ready and get locked into extra work or worse yet no work at all. Having that card should mean you are a seasoned professional and are ready to perform at that level. Be realistic with yourself, having a union card in no way guarantees you anything in this business, on top of which it may cost you a tidy sum to join.

Pilot season is one of the worse times to star looking for an agent. 95% of the agents during pilot season have a client list that they are going to be busy pitching during pilot season and have very little, if any, time to look at new talent. Wait until after pilot season is over before you start to look for an agent. This also applies to theatrical agents as well as television, if your agency splits that way.

One other option you may have is to do workshops that have agents or casting directors invovled in them. This can be especially helpfull if the workshop runs multiple weeks. You can always have an off night, and if that off night is your only chance in front of an agent or CD, then your chances have been greatly reduced. However if they see you perform later and you show that you can rise to a higher level it may be enough for them to want to take another look at you or better yet offer you something in their next project.

Whatever path you choose, do your homework when it comes to agents or managers. These are the people that will represent almost every aspect of your professional career, NEVER take that lightly. Best of luck!

Answer 2

It depends on the city where you live. It's not the same in every city. Ask your actor friends, the procedure for getting an agent in your city.

Agents want to see that you have a strong resume with a lot of lead roles, as well, as studied with excellent acting teachers.

Ask your actor friends the procedure where you live. It's not the same in every city. Find out what you must do where you live.

Answer 3

superb, age aside, no agent aside, i especially recommend you get as plenty community exposure as you could. circulate carry out at small venues, circulate carry out at charity activities, seem around for making a music competitions (Kiwanis) placed up you tube video clips. you won't be able to easily circulate forward and mail your demo to three huge checklist corporation, what you could desire to do is to get understand as much as probable. Take each and every venue you could, because of the fact sooner or later, you're able to stumble throughout somebody. checklist agencies want to apply "scouts" that circulate around random venues, choosing out exciting skills. maximum acts we see at present handed off because of the fact of the two scouts or purely random injuries (like justin bieber). I surely have a pal that gets constantly picked for random Disney shows, yet she turns them down. the way she does it, she learns at a theater type, and as a call for, they're all sent for auditions. So seem around for auditions.surely, purely carry out, everywhere, and everywhere, till you get observed by skill of somebody with stable contacts.