summarize rent?

Question

anyone ever seen the movie rent? well can you summarize the movie so i can tell more people about how good the movie is

i have already seen it. i just need to explain the plot and all the stuff that's going on so i can describe the movie to my friends.

Answer 1

What are you talking about? Why would you tell somebody a movie is good if you haven't even seen it?

Answer 2

'Rent' chronicles a year in the lives of a group of New York City East Villagers. Dealing with issues like paying rent to coping with AIDS and death.

Answer 3

Rent has no summary....its message is too powerful to be summarized but i guess the closest you can get is "no day but today"

Answer 4

Rent: the monthly stipend you pay to the owner of your dwelling.

Answer 5

There are numerous people who would laugh at the prospect of altering their fates. This is due to the fact that it thinks that nobody gets more that what is put in his destiny.

Answer 6

Rent is an American Tony Award- and Pulitzer Prize-winning rock musical, with music and lyrics by Jonathan Larson.[1] After previews that began on January 26, 1996, it opened in New York City on February 13, 1996, at the New York Theatre Workshop before moving to Broadway, opening at the Nederlander Theatre on April 29, 1996.[2] Based on Giacomo Puccini's opera La bohème, the musical centers on a group of impoverished young artists and musicians struggling to survive and create in New York's Alphabet City in the last days of the Boheminan East Village, under the shadow of AIDS.
Rent was one of the first Broadway musicals to clearly feature gay, bisexual, lesbian, and transgender characters. It is also noted for its ethnically diverse cast, which includes many racial minorities in its ensemble and leading roles. Rent is considered revolutionary for bringing controversial topics and counterculture to a traditionally conservative medium, and is credited with increasing the popularity of musical theater in the younger generation.[3] Many critics have also mentioned how the show speaks to Generation X the same way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The cast album from the show was the most successful recording of an American musical in almost 30 years,[citation needed] featuring both a double-disc "complete recording" collection with a remixed version of the song "Seasons of Love" featuring Stevie Wonder[5] and a single-disc "best of" highlights.
Rent has been enormously successful on Broadway, enjoying both critical acclaim and word-of-mouth popularity. The Original Broadway Cast reunited at the Nederlander Theatre on April 24, 2006, to stage a performance for the rock opera's tenth anniversary.[7] With more than 4,000 performances and still running, it is the seventh-longest-running Broadway show.[8] It is set to become the second-longest-running musical currently on Broadway when Beauty and the Beast ends its run on July 29, 2007. It is still eight years behind The Phantom of the Opera, the longest-running musical in Broadway history, which is still running.
In 2005, the rock opera was also adapted into a full-length motion picture, which features most of the original cast members. Certain plot elements were changed slightly. More noticeably, some of the songs were changed to spoken dialogue, so the movie version is more of a musical film than rock opera.
Conception
In 1988, playwright Billy Aronson wanted to create "a musical based on Puccini's La Bohème, in which the luscious splendor of Puccini's world would be replaced with the coarseness and noise of modern New York."[9] In 1989 Jonathan Larson, a 29-year-old composer, began collaborating with Aronson on this project, and the two composed a few songs together: "Santa Fe", "Rent", and "I Should Tell You", to name a few. Larson made the suggestion to set the play in Greenwich Village, the artsy avant-garde neighborhood of Manhattan where he lived, and also came up with the show's ultimate title (a decision that Aronson was unhappy with, at least until Larson pointed out that "rent" also means torn apart). In 1991, he asked Aronson if he could use Aronson's original concept and make Rent his own. Larson had ambitious expectations for Rent; his ultimate dream was to write a rock opera "to bring musical theater to the MTV generation."[10] Aronson and Larson made an agreement that if the show went to Broadway, Aronson would share in the proceeds.[10]
Jonathan Larson focused on composing Rent in the early 1990s, waiting tables at the Moondance Diner to support himself. Over the course of seven years, Larson wrote hundreds of songs and made many drastic changes to the show, which in its final incarnation contained 42 songs. In the fall of 1992, Larson approached James Nicola, artistic director of the New York Theatre Workshop, with a tape and copy of Rent's script. When Rent had its first staged reading at the New York Theatre Workshop in March 1993, it became evident that despite its very promising material and moving musical numbers, many structural problems needed to be addressed including its cumbersome length and overly complex plot.[10] As of 1994, the New York Theatre Workshop version of Rent featured songs that never made it to the final version, such as "You'll Get Over It", the predecessor of "Tango: Maureen," featuring Mark and Maureen; "Female to Female A & B," featuring Maureen and Joanne; and "Real Estate", a number where Benny tries to convince Mark to become a real estate agent and drop his photography. This workshop version of Rent starred Anthony Rapp as Mark, Tony Hoylen as Roger, Daphne Rubin-Vega as Mimi, Sarah Knowlton as Maureen, Shelley Dickenson as Joanne, Mark Setlock as Angel, Pat Briggs as Collins, and Michael Potts as Benny.[citation needed]
Larson continued to work on Rent, gradually reworking its flaws and staging more workshop productions. In 1996, after the musical's final dress rehearsal, Larson enjoyed his first newspaper interview with theater critic Ben Brantley of The New York Times who gave Rent a glowing review, calling it an "exhilarating, landmark rock opera" with a "glittering, inventive score" that "shimmers with hope for the future of the American musical."[11] Tragically, Larson would not live to see Rent's true success; he died from an undiagnosed aortic aneurysm (believed to have resulted from Marfan syndrome) in the early morning of January 25, 1996, just a few hours after his first interview. The first preview of Rent was cancelled and instead, friends and family gathered at the theater where the actors performed a sing-through of Rent in Larson's memory. [10] The show premiered as planned and quickly became the hottest ticket in town, popularity fueled by its genuinely raw material, relevant subject matter, enthusiastic reviews, and the recent tragic death of its composer. The show proved extremely successful during its off-Broadway run, selling out all its shows at the 150-seat New York Theatre Workshop.[2] Due to such overwhelming popularity and a need for a larger theater, Rent moved to Broadway's previously derelict Nederlander Theatre on 41st Street on April 29, 1996.[2]
Sources and inspiration
Larson's inspiration for Rent's content came from several different sources. Many of the characters and plot elements are drawn directly from Giacomo Puccini's opera La bohème, the world premiere of which was in 1896—100 years before Rent's premiere.[9] La bohème was also about the lives of poor young artists. Tuberculosis, the plague of Puccini's opera, is replaced by AIDS in Rent; 1800s Paris is replaced by New York's East Village in the late 1980s. The names and identities of Rent's characters also heavily reflect Puccini's original characters:
Character in La bohème Character in Rent
Mimi, a seamstress with tuberculosis Mimi Marquez, a dancer with AIDS
Rodolfo, a poet Roger Davis, a musician, also with AIDS
Marcello, a painter Mark Cohen, a filmmaker
Musetta, a singer Maureen Johnson, a bisexual performance artist
Schaunard, a musician Angel Dumott Schunard, a gay cross-dressing drummer with AIDS
Colline, a philosopher Tom Collins, a gay computer whiz and Anarchist philosopher with AIDS
Alcindoro, a state councillor Joanne Jefferson, a lesbian lawyer
Benoit, a landlord Benjamin 'Benny' Coffin III, also a landlord
Other examples of parallels between Larson's and Puccini's work include Larson's song "Light My Candle", which is nearly identical to the first scene between Mimi and Rodolfo in La bohème, "Musetta's Waltz", a melody taken directly from Puccini's opera, and "Goodbye Love", a long, painful piece that reflects a confrontation and parting between characters in both Puccini's and Larson's work.[12] The song "Quando M'en Vo' Soletta" from La bohème is also referenced in the first verse of "Take Me or Leave Me," when Maureen describes the way people stare when she walks in the street. "Musetta's Waltz" is also directly referred to in "Rent."
Rent is also a somewhat autobiographical work, as Larson incorporated many elements of his life into his show. Larson lived in New York for many years as a starving artist with an uncertain future. He sacrificed a life of stability for his art, and shared many of the same hopes and fears as his characters. Like his characters he endured poor living conditions, and some of these conditions (e.g. illegal wood-burning stove, broken buzzer) made their way into the play.
The line, "I'm more man than you'll ever be... and more woman than you'll ever get!," attributed to Angel Dumott Schunard at his funeral, was previously used by the character Hollywood Montrose, who appeared in the films Mannequin (1987) and Mannequin: On the Move (1991). Like Angel, Hollywood is a flamboyantly homosexual man who performs a song and dance number and sometimes wears women's clothing.
Many actual locations and events are included in, or are the inspiration for, elements of the musical. The Life Café, where the "La Vie Boheme" numbers are set, is an actual restaurant in the East Village of New York City.[14][15] The riot at the end of the first act is based on the East Village conflicts of the late 1980s that arose as a result of the city-imposed curfew in Tompkins Square Park.
"Will I?", a song which takes place during a Life Support meeting and expresses the pain and fear of living a life with AIDS, was inspired by a real event. Larson attended a meeting of Friends in Deed, an organization that helps people deal with illness and grief and the other emotions, much like Life Support. Larson after that first time attended the meetings regularly. The people present at the Life Support meeting in the show, such as Gordon, Ali, and Pam carry the names of Larson's friends who died of AIDS.[16] During one meeting, a man stood up and said that he was not afraid of dying. He did, however, say that there was one thing he was afraid of: Would he lose his dignity? From this question stemmed the first line in the single stanza of this song.
In her 1998 book Stagestruck: Theater, AIDS, and the Marketing of Gay America, author Sarah Schulman claims that plot elements from Rent were lifted from her 1990 book People In Trouble. In an interview, she said, "The gay part of Rent is basically the plot of my novel." Schulman claims that upon reading her novel, Larson stole her ideas and altered them to make them more consumer-oriented and "gay friendly" in order to turn the best profit.[17]
Plot
Rent at David Nederlander Theatre in Manhattan, New York CityCharacters include:
Mark Cohen, a struggling documentary filmmaker, the narrator of the show and the person who creates a final movie which details his friends' lives and journeys throughout the story. Ex-Boyfriend of Maureen.
Roger Davis, an HIV-positive musician who is recovering from heroin addiction; Mark's roommate and Mimi's love interest.
Tom Collins, a philosophy teacher and anarchist with AIDS; friend and former roommate of Roger, Mark, Benny, and Maureen; Angel's love interest.
Benjamin "Benny" Coffin III, landlord of Mark, Roger and Mimi's apartment building; ex-roommate of Mark, Collins, Roger, and Maureen. Now married to Alison Grey of the Westport Greys and thus considered a yuppie sell-out.
Joanne Jefferson, a Harvard-educated lawyer; Maureen's lover; lesbian.
Angel Dumott Schunard, a drag queen street percussionist/musician with AIDS; Collins' love interest.
Mimi Marquez, an HIV-positive S&M dancer and heroin junkie; Roger's love interest
Maureen Johnson, a performance artist; Joanne's girlfriend; Mark's ex-girlfriend
Act one
Mark, a filmmaker and the narrator of the show, (originally played by Anthony Rapp) decides to begin shooting an unscripted documentary about his friends on Christmas Eve in his loft, turning the camera on his roommate Roger (originally played by Adam Pascal), a songwriter who is picking up his guitar for the first time in a year (Tune Up #1). Mark's mother interrupts with a call from the suburbs telling Mark that he shouldn't care that his girlfriend Maureen (originally played by Idina Menzel) dumped him for another woman, and that they'll miss him at home for Christmas (Voice Mail #1). Outside, their friend Tom Collins (originally played by Jesse L. Martin), a former professor of philosophy, comes to visit them but is jumped by thugs and lies bleeding on the street. Meanwhile, their former pal Benny (originally played by Taye Diggs), who married wealthy Alison Grey of Westport and bought Mark and Roger's apartment building and the lot next door, calls and breaks his promise to let them live in the apartment for free and asks for the rent, which he knows they don't have (Tune Up #2). The power to Mark and Roger's apartment shuts off, and they vent their frustrations about being broke starving artists unable to pay the rent and unable to find inspiration for their art. Meanwhile, Joanne (originally played by Fredi Walker), a Harvard-educated lawyer and Maureen's new girlfriend, is working on the sound system for Maureen's performance protesting Benny's plan to develop the lot where many homeless people are currently living, when the sound system blows. Maureen calls Mark to fix the sound system for her against Joanne's wishes, and Mark agrees to help against his better judgment because he isn't over her. Frustrated, Mark and Roger decide to rebel against Benny and refuse to pay their rent (Rent).
Back on the street, Angel (originally played by Wilson Jermaine Heredia), a street drummer, spots an injured Collins and comes to his aid. They are attracted to one another and quickly discover that they both have AIDS. They leave the alley together to tend to Collins's wounds (You Okay Honey?). Meanwhile, Mark asks Roger to join him in finding Collins and then going to dinner in an effort to get him out of the house, but Roger declines. Mark reminds Roger to take his AZT, making the audience aware that Roger is HIV positive. He also reveals that Roger's girlfriend, April, committed suicide after finding out that they were both HIV-positive, probably from using contaminated needles (Tune Up #3). After Mark leaves, Roger sings about his desperate need to write one great song to make his mark on the world before he dies of AIDS (One Song Glory). He hears a knock on his door and answers it to find Mimi (originally played by Daphne Rubin-Vega), a nineteen-year-old junkie and S&M dancer at the Cat Scratch Club. She lives in the apartment downstairs and asks Roger to light a candle for her because her electricity and heat have also been shut off. It is obvious that Mimi also needs the candle to prepare her heroin, which she drops inside the loft and then employs as means to flirt with Roger. There is mutual attraction, but Roger is hesitant as this is his first romantic situation since April's death (Light My Candle) In Maureen and Joanne's loft, Joanne's parents call about law business, but she is not home to hear it (Voice Mail #2).
Collins finally makes it to Mark and Roger's apartment, bearing gifts. He introduces Angel in full drag flashing a large stack of money. When Mark questions where she earned it, Angel explains that a wealthy woman paid him to play her drums outside her neighbor's apartment to drive the yappy Akita (named Evita) that lived there into jumping off a window ledge (Today 4 U). The audience finds out later that the Akita belonged to the Greys. Benny arrives and tells Mark and Roger that he will guarantee that they can live in the apartment rent-free if they convince Maureen to cancel her protest (You'll See). Mark refuses the deal. After Benny leaves, Angel and Collins invite Mark and Roger to attend Life Support, a local HIV support group meeting. Roger declines, but Mark assures them he will come after he fixes Maureen's sound equipment.
Mark arrives at the lot to fix Maureen's sound equipment and awkwardly meets Joanne. They agree that dating Maureen, a self-absorbed flirtatious diva, is like dancing an exasperatingly complicated tango, and the two reluctantly discover that they can be friends (Tango: Maureen). After fixing the sound system, Mark joins Collins and Angel at the Life Support meeting, where members share their thoughts and fears about living with AIDS (Life Support). Meanwhile, Mimi returns to Roger's apartment and playfully asks him to take her out (Out Tonight). Roger is terrified of caring for her (in part because she is a heroin addict, and that is what led to Roger's HIV infection in the first place, and also because he knows he isn't going to live and doesn't want Mimi to feel the loss he felt for April) and yells at her to leave. Mimi gently urges Roger to forget past regrets, saying that there is "no day but today." However, he refuses to listen and angrily drives her out of his apartment (Another Day). Roger changes his mind and leaves the loft at last, while at the Life Support meeting, everyone sings of the fear and uncertainty in their lives (Will I?).
After leaving Life Support, the friends save a homeless bag lady from being beaten by a police officer, only to be reprimanded by her for being pretentious artists (On The Street). As they walk away contemplating her response, Collins starts to fantasize about living in an idealized Santa Fe, where the climate and the people are much warmer (Santa Fe). Meanwhile, Joanne is getting ready for the protest and her upcoming legal case (We're Okay). Mark leaves, promising that he will try to convince Roger to go to Maureen's show. Collins and Angel then sing about their newfound love and officially become a couple (I'll Cover You). Roger apologizes to Mimi and invites her to the protest and the dinner party afterwards, and she accepts. Meanwhile, the riot police and Benny prepare for the protest, and Angel buys Collins a new coat (Christmas Bells).
All of the friends attend Maureen's performance, a thinly veiled criticism of Benny through a metaphor involving a cow and a bulldog, cribbing from "Hey Diddle Diddle" (Over The Moon). The protest ends in a riot that Mark catches on camera, and a local news station purchases the footage. Afterwards, the group goes to the Life Café, where they spot Benny and his investor, Mr. Grey, who is also Benny's father-in-law. Benny mocks the protest and the group's Bohemian lifestyle, declaring that Bohemia is dead. Mark gets up and delivers an amusing eulogy for Bohemia, and all the bohemians in the café rise up and celebrate La Vie Boheme, "the bohemian life", joyfully paying tribute to everything they love about life and dancing on the tables. We discover that Benny and Mimi used to be in a relationship that ended three months earlier when Benny confronts Mimi about Roger. Joanne catches Maureen kissing Mark and angrily stalks off (La Vie Boheme). Roger's beeper goes off reminding him to take his AZT, and Roger and Mimi discover that they are both HIV-positive. They talk openly for the first time and despite their uncertainties and fears, they finally take the plunge into starting a relationship (I Should Tell You). Joanne comes back to break up with Maureen, and informs everyone that the homeless are refusing to leave the lot despite police presence. This news sparks a new round of joyful revelry (La Vie Boheme B). The act closes as Mimi and Roger share a small, lovely kiss.
Act two
Cast of Rent performing "Seasons of Love" at Broadway on Broadway, 2005.The cast sings about the various ways one can measure a year, but ultimately decides to measure in love (Seasons of Love).
Mimi, Mark, and Roger's building has been padlocked as a result of Maureen's protest. On New Year's Eve, Roger, Mark and Mimi try to break into their building with the help of their friends. Mimi optimistically makes a New Year's resolution to give up her heroin addiction and go back to school. Joanne and Maureen decide to give their relationship another try, and all the couples are happy together. Collins and Angel make an appearance as James Bond and Pussy Galore, and Angel brings a blowtorch. Mark, Maureen, and Joanne scale the fire escape and break in through a window, while the others use Angel's blowtorch to break down the door (Happy New Year A). Alexi Darling of "Buzzline," a tabloid newsmagazine, had seen Mark's footage of the riot and has left a message on Mark's answering machine offering him a contract (Voice Mail #3). All the friends enter the apartment celebrating the new year, but Benny shows up prematurely ending the festivities. Benny asks Mark to film him offering a rent-free contract, but the friends accuse him of just trying to get good press. Incensed, Benny maliciously implies that Mimi showed up at his place and "convinced" him to rethink the financial situation, while Mimi denies everything. Roger becomes extremely upset and renounces their relationship, but Angel convinces everyone to calm down and make a New Year's resolution to always remain friends. Roger and Mimi make up, but Mimi is still upset and sneaks off to buy heroin (Happy New Year B).
On Valentine's Day, Maureen and Joanne have a fight while rehearsing for a new protest, and break up again (Take Me or Leave Me). In the spring as everything deteriorates, the cast poses the question, "How do you measure a last year on earth?" (Seasons of Love B). Mimi comes home late again after secretly buying drugs, causing Roger to believe that she is cheating on him with Benny. Roger jealously storms out, and Mimi sings about life without him. All the while, Angel's health seriously deteriorates and Collins tries to nurse her back to health. All the couples reconcile because they realize the emptiness in living alone (Without You). Alexi keeps calling Mark to try to convince him to join Buzzline (Voice Mail #4). The scene turns to a bed containing all the couples, with the implication that they are all having sex, which quickly transforms into a frustrating and awkward situation for all of them, especially the lesbians, Mimi, and Roger. For Tom and Angel, at this point, the bed turns from a place for sexual contact to a place where Angel becomes bedridden and dies. (Contact). Collins is heartbroken, and at Angel's funeral he emotionally declares his undying love. The others also take part in the funeral, mourning the loss of such a close friend (I'll Cover You (Reprise)). Abstractly, Seasons of Love actually takes place at Angel's funeral, and all of the prior events leading up to his death were flashbacks. Roger reveals that he is leaving New York for Santa Fe, which sparks an argument about commitment between both couples, with Mark and Benny desperately trying to restore calm. Collins arrives and puts everyone to shame, stating "You all said you'd be cool today/So please, for my sake...Angel helped us believe in love/I can't believe you disagree". Maureen and Joanne make up yet again, but Mimi leaves with Benny after Roger shuns her. Roger and Mark fight because Roger is leaving; Roger accuses Mark of living a fake life by hiding in his work, and Mark accuses Roger of running away because he is afraid of watching Mimi die. When Roger leaves the apartment, he is horrified to find a clearly weak Mimi, who had come to say goodbye, standing outside the door and realizes that she overheard everything. She is visibly shaken and bids Roger a tearful goodbye, as Roger runs away determined to find his song. Finding a very distraught Mimi, Mark suggests that she enroll at a rehabilitation clinic, which Benny offers to pay for (Goodbye Love). Mark expresses his fear of being the only one left surviving when the rest of his friends die of AIDS, and finally accepts Alexi's job offer (Halloween).
In Santa Fe, Roger can't get himself to forget Mimi, and back in New York, Mark remembers Angel and her overall joy in life and love. They both suddenly have an artistic epiphany, as Roger finally finds his song in Mimi and Mark finds his film in Angel's memory. Roger returns to New York just in time for Christmas and Mark quits Buzzline to work on his own film (What You Own). On Christmas Eve, everyone's parents call to try to find their children but nobody is home (Voice Mail #5). Mark is preparing to show his finished documentary. Roger is ecstatic about finding his song. And no one has been able to find Mimi anywhere. Collins arrives with money, revealing that he rigged a nearby ATM to dispense free cash with the PIN "A-N-G-E-L". Suddenly, Maureen and Joanne arrive, calling for help. They bring in Mimi who is very sick and delirious from living on the streets in the dead of winter. Roger is frantic and Collins calls 9-1-1 but is put on hold. Mimi and Roger finally clear up their misunderstandings, and Mimi tells Roger that she loves him (Finale A). Knowing that time is short, Roger asks Mimi to listen to the song that he had been working on all year that was inspired by her (Your Eyes). He shortly reprises the beginning of "Another Day" by saying "Who do you think you are?/Leaving me alone with my guitar/Hold on, there's something you should hear/It isn't much, but it took all year." As he finishes his song to Mimi and finally tells her that he has always loved her, they kiss. Mimi goes limp and Roger, in tears, believes her to be dead. Suddenly Mimi comes back to life, saying that she was heading into a warm, white light and that Angel was there, telling her to turn back and listen to Roger's song. She and Roger embrace, and everyone is touched and relieved as they are reminded of the fleetingness of life and reaffirm that there is "no day but today" (Finale B). Then Mark plays the Documentary he has been working on.
Productions
North American tours
There have been three very successful United States national tours. The "Angel Tour" and the "Benny Tour" launched soon after the Broadway production opened. More recently, the non-Equity tour started its run. There was also a Canadian tour (often referred to as the "Collins Tour").
The Angel tour began in November 1996 in Boston. It then went on to St. Paul, Minnesota, Washington, DC, Chicago (where Anthony Rapp joined the cast for a bit), Detroit, Cleveland, Philadelphia, Baltimore, Salt Lake City, Denver, and Los Angeles (where Daphne Rubin Vega joined the cast for a bit), before finishing in San Francisco in September, 1999. Cast members appearing in the Angel Cast included Simone, Manley Pope, Christian Anderson, Carrie Hamilton (daughter of Carol Burnett), Amy Spanger, Cheri Smith, Julie Danao, Sylvia MacCalla, Kamilah Martin, Dan Robbins, Luther Creek, Kristoffer Cusick, Tony Vincent, and Shaun Earl.
The Benny Tour began in May 1997 in Los Angeles. It originally featured Neil Patrick Harris in the role of Mark Cohen. The Benny tour generally played shorter stops and often smaller markets than the Angel Tour. Cast members appearing in the Benny Cast included Curtis Cregan, Dana Dawson, d'Monroe, Yassmin Alers, and Wilson Cruz.
International productions
In addition to the Broadway production and North American tours, Rent has been performed around the world. Countries that have had productions include Australia, Brazil, Canada, China, Finland, Germany, Hong Kong, Hungary, Iceland, Ireland, Italy, Japan, Korea, Mexico, New Zealand, the Philippines, the Netherlands, Portugal, Spain, Sweden, Denmark, Panama, Poland, Switzerland, Bolivia, France, Slovak Republic, Norway and the United Kingdom.
Tenth Anniversary production
On April 24, 2006, the original Broadway cast reunited for a one-night-only performance of the musical. This performance raised over $2,000,000 for the Jonathan Larson Performing Arts Foundation, Friends in Deed, and the New York Theatre Workshop. Former cast members were invited back and many from prior tours and former Broadway cast members appeared, performing an alternate version of "Seasons of Love" as the finale of the performance.
Student Edition
As of 2007, Rent has been created into an edition for high school students to perform. The student edition will be premiered in Stuart, FL in June 2007. The production will be held at the Lyric Theatre by Starstruck performing Arts.
Awards
Tony Awards
Rent was nominated for ten Tony Awards in 1996 and won four
Won
Tony Award for Best Musical
Tony Award for Best Book of a Musical: Jonathan Larson
Tony Award for Best Original Score: Jonathan Larson
Tony Award for Best Performance by a Featured Actor in a Musical: Wilson Jermaine Heredia
Other nominations
Tony Award for Best Performance by a Leading Actor in a Musical: Adam Pascal
Tony Award for Best Performance by a Leading Actress in a Musical: Daphne Rubin-Vega
Tony Award for Best Performance by a Featured Actress in a Musical: Idina Menzel
Tony Award for Best Lighting Design of a Musical: Blake Burba
Tony Award for Best Choreography: Marlies Yearby
Tony Award for Best Direction of a Musical: Michael Greif
Additional awards
Rent was also nominated for the following awards; it won all but four of the nominations
Won
1996 Pulitzer Prize for Drama
1996 Drama Desk Award Outstanding Musical
1996 Drama Desk Award Outstanding Book
1996 Drama Desk Award Outstanding Featured Actor in a Musical: Wilson Jermaine Heredia
1996 Drama Desk Award Outstanding Orchestrations: Steve Skinner
1996 Drama Desk Award Outstanding Lyrics
1996 Drama Desk Award Outstanding Music
1996 Theater World Award for Outstanding New Talent: Adam Pascal
1996 Theater World Award for Outstanding New Talent: Daphne Rubin-Vega
1996 New York Drama Critics Circle Award for Best Musical
1996 Outer Critics Circle Award for Best Off-Broadway Musical
1996 Drama League Award for Best Musical
1996 Obie Award for Outstanding Book, Music, and Lyrics
1996 Obie Award for Outstanding Direction: Michael Greif
1996 Obie Award for Outstanding Ensemble Performance
Other nominations
1996 Drama Desk Award Outstanding Actor in a Musical: Adam Pascal
1996 Drama Desk Award Outstanding Actress in a Musical: Daphne Rubin-Vega
1996 Drama Desk Award Outstanding Director of a Musical: Michael Greif
1996 Drama Desk Award Outstanding Costume Design: Angela Wendt
Cultural impact
Rent has gathered a huge following of obsessive fans that refer to themselves as "RENT-heads". The name originally referred to people who would camp out at the Nederlander Theater for hours in advance for the discounted $20 rush tickets to each show, though it generally refers to anyone who has an obsession with/love of the show. These rush tickets are discounted tickets to seats in the first two rows of the theater reserved for sale by lottery two hours prior to each show.[22] Since Rent started the trend of rush tickets, many other Broadway shows have followed Rent's example and now also offer cheaper tickets in efforts to make Broadway theater accessible to more people who would otherwise be unable to afford the ticket prices.
The song "Seasons of Love" became a somewhat successful pop song and is often performed without the rest of the musical.
Some examples in film are Team America: World Police, which has a character having a lead in Lease, a Broadway musical parody of Rent (where the performers sing "Everyone has AIDS! AIDS AIDS AIDS! My father, AIDS! My sister, AIDS!..." etc.); a character in Hedwig and the Angry Inch wears a Rent t-shirt and speaks of his aspiration to play the role of Angel.
On stage, Avenue Q has been referred to as "Sesame Street meets Rent",[31], and many songs in it are placed with similar timing (for example, You Can Be A Loud As The Hell You Want (When You're Makin' Love) occurs halfway through the second act, the same placement as the highly sexual Contact). Additionally, the title Avenue Q places that show right in Alphabet City, the section of New York that Rent takes place in. The off-Broadway musical Forbidden Broadway Strikes Back includes parodies of Rent songs such as "Rant" (Rent), "Ouch! They're Tight" (Out Tonight), "Season of Hype" (Seasons of Love), "Too Gay 4 U (Too Hetero 4 Me) (Today 4 U) and "This Ain't Boheme" (La Vie Boheme).
Casts
Original Broadway cast
The original Broadway cast of Rent was as follows:
Roger Davis: Adam Pascal
Mark Cohen: Anthony Rapp
Tom Collins: Jesse L. Martin
Benjamin Coffin III: Taye Diggs
Joanne Jefferson: Fredi Walker
Angel Dumott Schunard: Wilson Jermaine Heredia
Mimi Marquez: Daphne Rubin-Vega
Maureen Johnson: Idina Menzel
Mark's Mom & Others: Kristen Lee Kelly
Mr. Jefferson, Soloist #2, Caroler, A Pastor & Others: Byron Utley
Mrs. Jefferson, Soloist #1, Woman with Bags & Others: Gwen Stewart
Gordon, The Man, Mr. Grey & Others: Timothy Britten Parker
Steve, Man with Squeegee, A Waiter & Others: Gilles Chiasson
Paul, Police Officer & Others: Rodney Hicks
Alexi Darling, Roger's Mom & Others: Aiko Nakasone
Understudies
Yassmin Alers
Darius de Haas
Shelley Dickinson
Norbert Leo Butz
Mark Setlock
Shayna Steele
Current Broadway cast
As of April 30, 2007, the Broadway cast of Rent is as follows:
Haven Burton - Mark's mom and others; Maureen understudy
T.V. Carpio - Alexi Darling and others; Mimi understudy
Luther Creek - Gordon, the man, Mr. Grey, and others; Roger/Mark understudy
D'Monroe - Benny
Gwen Stewart - Mrs. Jefferson, woman with bags, and others; Joanne understudy
Tonya Dixon - Joanne
Shaun Earl - Paul, a cop, and others; Angel/Collins understudy
Christopher J. Hanke - Mark
Nicolette Hart - Maureen
Troy Horne - Collins
Tim Howar - Roger
Marcus Paul James - Christmas caroler, Mr. Jefferson, a pastor, and others; Benny/Collins understudy
Justin Johnston - Angel
Karmine Alers - Mimi; Maureen Understudy
Telly Leung - Steve, man with squeegee, a waiter, and others; Angel understudy
Swings
Dana Dawson - Mimi, Joanne Understudy
Crystal Monée Hall - Joanne Understudy
Owen Johnston II - Roger, Angel Understudy
Todd E. Pettiford - Collins, Benny Understudy
Moeisha McGill - Joanne, Mimi Understudy
Kyle Post - Roger, Mark Understudy
Celebrity casting
Rent has often included cast members that are well-known actors, actresses, and pop performers—but not for performing in stage musicals. Some of these, and the Rent characters they have played, are listed here.
Melanie Brown (a.k.a. Scary Spice) - Mimi
Wilson Cruz - Angel
Frenchie Davis - Mrs. Jefferson, woman with bags, Seasons of Love Soloist and others
Joey Fatone - Mark
Neil Patrick Harris - Mark
Drew Lachey - Mark
Karen Joy Morris (a.k.a. Karen Mok) - Mimi
Jai Rodriguez - Angel
Jose Llana - Angel
Constantine Maroulis - Roger
Tamyra Grey - Mimi
Movie
Main article: Rent (film)
Rent was adapted into a movie directed by Chris Columbus with a screenplay by Stephen Chbosky. With the exception of Mimi and Joanne, the principal roles were reprised by the original Broadway cast members. For the film, Rosario Dawson appeared in the role of Mimi, the role Daphne Rubin-Vega originated on Broadway; Tracie Thoms was cast as Joanne, originally played by Fredi Walker. The roles were re-cast because Rubin-Vega was pregnant and Walker was, by her own admission, too old for the part. Released on November 23, 2005, the film remained in the box office top ten for three weeks. Although the film's take at the box office was mediocre, it has since found popularity on DVD.
Cast:
Mark: Anthony Rapp
Roger: Adam Pascal
Collins: Jesse L. Martin
Mimi: Rosario Dawson
Angel: Wilson Jermaine Heredia
Maureen: Idina Menzel
Joanne: Tracie Thoms
Benny: Taye Diggs
Trivia
Although half of the eight main characters are gay or lesbian, the only Original Broadway Cast member who was "out" was the actor who played Mark, Anthony Rapp, who identifies as bisexual.[citation needed]
The earliest concepts of the characters differ largely from the finished products. Everyone except Mark had AIDS, including the lesbians; Maureen was a serious, angry character who played off of Oedipus in her performance piece instead of Hey Diddle Diddle; Mark was, at one point, a painter instead of a filmmaker; Roger was named Ralph and wrote musical plays; Angel was a jazz philosopher, while Collins was a street performer; Collins was also originally type-cast as a Caucasian; and Benny had a somewhat enlarged role in the story, taking part in songs like "Real Estate", which was later cut.[38]
Original Broadway Cast members Idina Menzel (Maureen) and Taye Diggs (Benny) fell in love and married in 2003.
As Maureen leaves Mark for Joanne, so did Jonathan Larson's girlfriend leave him for a woman. In "La Boheme", on which Rent is based, Musetta (Maureen) and Marcello (Mark) end up reuniting during the course of the show. This plotline stayed in the very first versions of Rent, but others encouraged Jonathan to "let them be lesbians", and so Maureen and Joanne remain together for the show, despite some rocky points.
Many people feel that Mark, as the loner and narrator of show, is meant to be Jonathan Larson himself. There are several similarities (e.g. Mark is not HIV positive, yet many of his friends are; his girlfriend left him for a woman; he is dedicated to his work, yet unsure whether or not he will succeed; and he is almost totally broke). However, friends of Jonathan say that although he mirrored some of his life in Mark's, he did so with other characters as well. He never directly meant for Mark to be a slightly altered version of himself.

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