The author was Lewis Carroll - the pen name for Charles Lutwidge Dodgson.
About the possible drug use:
"The possibility of drug use
There has been much speculation that Dodgson used psychoactive drugs, however there is no direct evidence that he ever did. It is true that the most common painkiller of the time—laudanum—was in fact a tincture of opium and could produce a 'high' if used in a large enough dose. Most historians can infer Dodgson probably used it from time to time to ease the pain of his arthritis, since it was the standard domestic painkiller of its day and was to be found in numerous patent medicines of the time, but there is no evidence he ever abused it or that its effects had any impact on his work. There is no factual evidence to support a suggestion that he smoked cannabis. However, many people regard Alice's hallucinations in the Wonderland, when surrounded by teas, mushrooms and smoking insects, as references to psychedelic substances."
About the "child molestation" mentioned by the 1st answerer:
"Suggestions of pædophilia
Dodgson's friendships with young girls, together with his perceived lack of interest in romantic attachments to adult women, and psychological readings of his work - especially his photographs of nude or semi-nude girls[17] - have all led to speculation that he was, in modern parlance, a pædophile. This possibility has underpinned numerous modern interpretations of his life and work, particularly Dennis Potter's play Alice and his screenplay for the motion picture, Dreamchild, and a number of recent biographies, including Michael Bakewell's Lewis Carroll: A Biography (1996), Donald Thomas's Lewis Carroll: A Portrait with Background (1996) and Morton N. Cohen's Lewis Carroll: A Biography (1995). All of these works more or less unequivocally assume that Dodgson was a paedophile, albeit a repressed and celibate one.
Cohen claims Dodgson's "sexual energies sought unconventional outlets", and further writes:
We cannot know to what extent sexual urges lay behind Charles's preference for drawing and photographing children in the nude. He contended the preference was entirely aesthetic. But given his emotional attachment to children as well as his aesthetic appreciation of their forms, his assertion that his interest was strictly artistic is naïve. He probably felt more than he dared acknowledge, even to himself. [18]
Cohen notes that Dodgson "apparently convinced many of his friends that his attachment to the nude female child form was free of any eroticism", but adds that "later generations look beneath the surface" (p. 229).
Cohen and other biographers argue that Dodgson may have wanted to marry the 11-year old Alice Liddell and that this was the cause of the unexplained 'break' with the family in June, 1863 (Cohen pp 100-4). But there has never been much evidence to support such an idea, and the 1996 discovery of the 'cut pages in diary document' (see above) seems to imply that the 1863 'break' had nothing to do with Alice. However, the document's provenance has been disputed, and its final significance is unknown.
Some writers, e.g., Derek Hudson and Roger Lancelyn Green, who have fallen short of accepting Dodgson as a paedophile, have tended to concur that he had a passion for small female children and next to no interest in the adult world. The issue is considered at length in Darien Graham-Smith's 2005 PhD thesis Contextualising Carroll, and in Sadi Ranson's article What About Lewis Carroll?, which discusses claims of Dodgson's "nympholepsy" (as Vladimir Nabokov called it) and the roles children took in Victorian art.
[edit]"The Carroll Myth"
The accepted view of Dodgson's biography — and most particularly his image as a potential paedophile — has received a challenge in quite recent times, when a new and controversial analysis of Dodgson's sexual proclivities (and indeed the evolution of the entire process of his biography) appeared in Karoline Leach's 1999 book In the Shadow of the Dreamchild. She states that the image of Dodgson's alleged paedophilia was built out of a failure to understand Victorian morals, as well as the mistaken idea that Dodgson had no interest in adult women which evolved out of the minds of various biographers. She termed this simplified — and often, in her view, fictional — image "the Carroll Myth".
According to Leach, Dodgson's real life was very different from the accepted biographical image. He was not, she says, exclusively interested in female children. She acknowledges he was fond of children, but says this interest has been exaggerated. She says that he was also keenly interested in adult women and apparently enjoyed several relationships with them, married and single; furthermore, she goes on to state that many of those Dodgson described as 'child-friends' were not children at all, but girls in their late teens and even twenties.[19] She cites examples of many such adult friendships, such as Catherine Lloyd, Constance Burch, May Miller, Edith Shute, Ethel Rowell, Beatrice Hatch and Gertrude Thomson, among others. Some of these were girls he met as children but continued to be close to in adulthood. Others were, says Leach, women he met as adults and with whom he shared very close and meaningful friendships. Suggestions of paedophilia only evolved many years after his death, says Leach, when his well-meaning family had suppressed all evidence of his adult friendships in order to try to preserve his reputation, thus giving a false impression of a man interested only in little girls.
According to Leach the image of 'Lewis Carroll' was constructed almost accidentally by generations of biographers. One of these, Langford Reed, writing in 1932, was the first to state that many of Carroll's female friendships ended when the girls reached the age of 14,[20] though Reed apparently only intended to suggest that Dodgson was thereby a "pure man" untainted by sexual desire.[21] This statement, that Dodgson lost interest in girls once they reached puberty, was later caught up by other biographers, including Florence Becker Lennon (Victoria Through the Looking-Glass — UK title "Lewis Carroll", 1945) and the highly influential Alexander Taylor (The White Knight, 1952) who remained unaware of the evidence to the contrary since Dodgson's family refused to publish his diaries and letters. By the time more evidence became available, this image was so ingrained that any revision seemed "unnecessary, even impertinent,"[22] and thus a supposed biography was preserved. This, in essence, is Leach's case.
Reactions to Leach's book have been generally polarised. She has been joined by a group of supportive scholars and writers (most notably Hugues Lebailly) in the formation of Contrariwise, an 'association for new Lewis Carroll studies'. The group argues collectively that a rumour has grossly distorted our understanding of Dodgson's true nature, and that considered in the context of his real life — as opposed to the misconceptions of it — and the fashions and mores of his time, assertions of paedophilia become nonsensical and amount to a failure to understand the complexity of Dodgson's character, as well as the Victorian "Cult of the Child."
Dodgson biographer Morton N. Cohen repudiates Leach's position as being simply a plea for the defence, and, in a recent article in the Times Literary Supplement labeled Leach and her supporters as 'revisionists' attempting to rewrite history.[23] Similarly, in a review published in Victorian Studies (Vol. 43, No 4), Donald Rackin wrote, "As a piece of biographical scholarship, Karoline Leach's In the Shadow of the Dreamchild is difficult to take seriously". Martin Gardner was likewise dismissive in an article published by the Lewis Carroll Society of North America.[24]
Writing in The Carrollian, Michael Bakewell takes a measured view, saying that Leach's book has irrevocably changed Carroll studies. "[W]e may not agree with it but we cannot ignore it and it should certainly be read by anyone concerned with Dodgson's life and work."[25]
ANd no - he never went to jail (though some might consider teaching for 26 years at Oxford fairly similar.)
For more, please go to the site below.
2007-05-23 11:49:33
·
answer #1
·
answered by johnslat 7
·
0⤊
0⤋
No one has yet written, "Alice and Wonderland."
From Wikipedia...
Alice's Adventures in Wonderland is a work of children's literature by the English mathematician and author, the Reverend Charles Lutwidge Dodgson, written under the pseudonym Lewis Carroll. It tells the story of a girl named Alice who falls down a rabbit-hole into a fantasy realm populated by grotesque figures like talking playing cards and anthropomorphic creatures.
The tale is fraught with satirical allusions to Dodgson's friends (and enemies), and to the lessons that British schoolchildren were expected to memorize. The Wonderland described in the tale plays with logic in ways that have made the story of lasting popularity with adults as well as children. It is considered to be one of the most characteristic examples of the genre of literary nonsense.
The book is often referred to by the abbreviated title Alice in Wonderland. This alternate title was popularized by the numerous film and television adaptations of the story produced over the years. Some printings of this title contain both Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, and What Alice Found There.
Charles Lutwidge Dodgson (January 27, 1832 – January 14, 1898), better known by the pen name Lewis Carroll, was an English author, mathematician, logician, Anglican clergyman, and photographer.
Alice in Wonderland was published in 1865, making the author 33. There have been suggestions he was a drug user, but no one has ever been able to prove it. I couldn't find a reference that he ever went to jail, although there were rumors he was a pedophile.
2007-05-23 18:48:18
·
answer #2
·
answered by Beach Saint 7
·
1⤊
0⤋