This summary of themes and plot may help you:
Themes of Anthills of the Savannah
In Anthills of the Savannah, Chinua Achebe writes about the problems facing newly independent African states. The prevailing theme and the most visible one of these problems is the corrupt, dictatorial rule set up in Kangan (Nigeria) and most of the other "new" African states that let down the dreams and hopes that were associated with independence. Although the rulers were no longer European, and although they were a lot closer to the people than their European predecessors, they fairly soon distanced themselves from the people.
The first instance of this alienation in the novel is the way Sam deals with the problem of the Abazonian delegation. Instead of going out to meet them by himself, he assigns someone else to do it. The fact that he's built himself a luxurious lakeside mansion is another representation of this.
There is also the theme of oppressive dictatorial rule. The way Sam deals with Ikem is reminiscent of traditional totalitarian states, especially the Latin American juntas. This is also the case with freedom of speech in Kangan. The paper, apparently the only one in the country, is censored and orders regarding its contents often seem to come straight from the President.
Another theme of the book is described in Ikem's peculiar dilemma. Despite his position as editor of the Gazette, he wants to appear like just another Kangan worker. Therefore he doesn't ride a company car to work, but drives by himself in an old beat-up car. The dilemma is pointed out to him by a taxi driver: by driving himself, he is taking away a job opportunity from some poor Kangan chauffeur. The larger problem here is the position of the black, African elite in the new African countries, where the elite has traditionally been of European origin. There was no elite class in the pre-colonial period in Africa.
The novel also deals with the theme of being a been-to, an African who has come back to his country after a longer stay in the West. The main characters are all been-tos and this is reflected in the ways in which they try to position themselves in relation to the "common" Kangans. An example of this is how Chris relates to Emmanuel, a university student leader; and Braimoh, a cab driver.
There is a direct reference to the West in the scene in which Beatrice goes to a party that Sam has organized to impress an American journalist. The journalist wraps the President and the whole Cabinet around her finger, lecturing them about how Kangan should take care of its foreign affairs and debt. She represents the attitudes of the West to the African countries in general and their unequal standing in world politics. In Beatrice's words:
If I went to America today, to Washington DC, would I, could I, walk into a White House private dinner and take the American President hostage? And his Defence Chief and his Director of CIA? (Achebe, p. 81)
Achebe mentions "the green bottles". This is a refence to the traditional song "Ten Green Bottles", which is a simple repetitive song about bottles hanging on a wall and falling down one by one. The bottles in the book are apparently the main characters of the novel. When he's dying, Chris tries to say "the last green...", an inside joke about the way the characters fall one after the other.
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2007-03-27 18:30:32
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answer #1
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answered by ari-pup 7
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