Has any heard the chord progression E# C D A in a song before?

Question

I play the chords in power chord form with some bends and transitional notes in between, in a punk/alternative song I wrote. It sounds too good to be true and just wanted to make sure it wasn't already taken.

Answer 1

No one owns any cord progression just play it whit your own rhythm.

Answer 2

sturdy question numerous persons tend to over study issues. In Jazz we tend to alter keys often. here is how i might study this music. B-7 E7 Amaj7 is a 2-5-a million in A. G#7b5 C#7 F#-7 is a 2-5-a million in F minor. This explains the entire music different than the A7 which I view as a passing chord to G#-7. you will see that in the process the countless G#min7b5 to C#7 to F#-7 they make the C#7 have a b9. The dominant 7 b9 is the 5th of a minor scale so in case you notice a min7b5 to 7b9 to minor or min7, you're in that minor key. it particularly is a 2-5-a million in a minor key. i might say faraway from that e book. i understand numerous those that have it and say it particularly is a joke. i've got no longer seen it myself so i would be unable to assert from very own experience. do no longer spend too lots time over examining songs. in basic terms seem on the cycles and it will often inform you what key you're in. we frequently do make the 6 a dominant chord so do no longer permit that throw you. Gmaj7 | E7 | Amin7 | D7 | it particularly is all nevertheless in the biggest of G yet i might upload a G# while enjoying over the E7. i might nevertheless evaluate it diatonic for the main area

Answer 3

I hope you know E# if F first of all. Second of all, you cannot copyright chord progressions. So what if it's been used before. 90 percent of all songs on pop radio have the same chord progression.

Answer 4

E# would be an F. Not sure where you're coming from with that terminology.
Okay, I tried it. You sure your D and A aren't minors? It sounds much better with those 2 as minor chords.