im in uk, what is an emo?

Answer 1

It's both a style of music (think Fall Out Boy, Snow Patrol, that sort of thing) and an image, which is both annoying and ridiculous. Think rich white thin teenagers who dye their hair black and cut it in asymmentrical styles with it always hanging over one eye, boys in skinny jeans, girls wearing polka dots and skulls and things, and- most annoyingly- all those pictures on Myspace that people have blatantly taken of themselves trying to look sexy. It's very cringe-worthy. They like to write really bad poetry and stuff and complain that they are misunderstood (they're not- we understand them, we just think they're d*cks) and that they are on some higher spiritual plane. They look down at "conformists" (people who wear the sort of clothes in Gap or Warehouse, as opposed to H&M) because they like to think they're individual (when they all look exactly the same).

Sounda familiar? You must know at least one of these people.

Answer 2

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Answer 3

Basically, Emo is short for emotional. It is a person or music catagory that is extra emotional and sensitive.

Answer 4

it is a bit like a suisedal goth they were drain puipes black and folrensent pink things and listen to screamy depresing music o and some sit in the darkj cry and slit thier wrists

Answer 5

emo stands for emotional. it is now become a stereotype for anyone that wears skinny jeans,converse and black.....

Answer 6

thanks for asking this question i've been wondering the same thing

Answer 7

Hi,

Have a look at this...

http://www.fourfa.com/

Heres some info..


Most people have a horribly limited idea of what emo is, simply because the most important records in the development of emo were largely released on vinyl, in small numbers, and with limited distribution. These were however very influential, so nowadays you have the situation that a lot of kids listen to third- and fourth-generation emo styles without even knowing it. I hope to expose such people to a wealth of great preceding music that's getting easier to find all the time...

I'm going to split up the mass of "emo" bands into a few distinct genres. Like any categorization effort, there will be exceptions, crossovers, and tangential relations. That's fine. The intent is only to lay out some general trends, general notes on sounds, musical and lyrical themes, and how to listen for them.

Some notes on nomenclature. There isn't a real consensus on what "emo" and "emocore" are, or if they are even different. It's pretty clear these days what you're talking about with terms like "punk," "postpunk," "no-wave," "hardcore punk," "old-school/new-school," etc (although the difference between "hardcore punk" and "hardcore" is lost on a lot of people - "hardcore punk" is punk rock made heavier, faster, louder; "hardcore" is what happened after the hardcore punks realized they didn't have to sound like punk rock anymore - still heavy, fast, loud, but with a different foundation.) I hope to draw clear distinctions between my categories, assign them names, and use them consistently. That's all that language is.

So this is my attempt to delineate the history of emo into a few discrete trends and geographical hubs. None of this will be all-inclusive, but should give you an basic idea of what happened when, where, and by whom. Under construction.


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After Minor Threat broke up in late 1983, the vibrant DC hardcore-punk scene that exploded in 1981 seems to start to run out of steam and fresh ideas within the established DC hardcore sound. The wistful, posthumous Minor Threat 7" "Salad Days" comes out in 1984 and drives the final nail into the coffin of DC hardcore punk. Bands all over the country begin casting about for new things to do : DRI and Bad Brains start going cheeze-metal, New York bands start doing tough-guy mosh, 7Seconds goes jangly U2 alternative, etc. The prevailing change in D.C. is toward melodic rock with punk sensibilities.

1984 marks the release of Zen Arcade by Minneapolis band Hüsker Dü, documenting their new mature sound combining furious, intense vocal delivery and driving guitars with slowed-down rockish tempos and more-complex, melodic songwriting.

In spring 1984, a new band called Rites Of Spring forms from members of The Untouchables/Faith and Deadline. This band retains a punk speed and frenzy, but brings a totally new vocal approach to the mix. Singer Guy Picciotto keeps an out-of-breath punk style most of the time, at times delving into intensely personal lyrics dripping with emotion and sweat. His voice breaks down at climactic moments into a throaty, gravelly, passionate moan.

The summer of 1985 becomes known as "Revolution Summer" when a new wave of rock-tempo, melody based, sung-vocal bands forms out of the DC punk musician pool with diverse rock sounds - Three, Gray Matter, Soulside, Ignition, Marginal Man, Fire Party, Rain, Shudder to Think, etc. Few bands retain the fast hardcore punk-based sound with the new vocal approach, Dag Nasty being the notable exception.

Minor Threat's singer, Ian MacKaye's, sings for a band called Embrace (compare the band name to earlier DC bands Minor Threat, Void, and State Of Alert) whose lyrics are emotional and deeply self-questioning, but still clear and unambiguous. Musically, the group (formed mostly of ex-Faith members) writes midtempo, somewhat jangly music with a lot of pop guitar hooks. MacKaye's vocals retain his trademark bold enunciation, with only occasional sparks of emotive delivery.

These bands' sound eventually becomes known as the classic "D.C. sound." Some of it is derisively labeled "emo," as shorthand for "emotional." One account has this term first appearing in a Flipside interview with Ian MacKaye. Shortly thereafter DC bands aquire the tag "emo-core."

Slightly later (1986), some bands begin to focus on the "emo" element itself. The Hated in Annapolis (near D.C.) seem to be the first post-Rites of Spring to do this. Shortly thereafter, Moss Icon appears in in the same town. Moss Icon strips the "emo" element down to the core, and adds a great deal of intricate, arpeggiated guitar melody (by Tonie Joy, later of Born Against, Lava, Universal Order of Armageddon, etc.) with a strong focus on loud/soft dynamics. The vocals, too, break new ground by building up to actual top-of-the-lungs screaming at songs' climaxes.

Moss Icon, as a relatively well-known band that toured some, introduces the punk scene to music that has core emphasis on emotion instead of punk energy. As such, I consider them the starting point for the emo movement, not Rites of Spring as is more commonly asserted. Later emo bands draw heavily from the Moss Icon dynamics, guitar style, and vocal delivery.

put this up as a chance to laugh at some of the sillier stuff emokids do in order to not look like all the Green Day/Rancid and Strife/Hatebreed clones out there.



Some pointers about emo fashions (above simple, universal hardcore attire)

the Emo Romulan look - short, thick, greasy, dyed-black hair with bangs cut straight across the forehead, and cut high over the ears. Someone from Time In Malta recently described to me the San Diego Crimson Curse scene as "Spock Rock."
actually, any greasy dyed black hair. Bangs in front and spikes in back is very emo too.
horn-rim glasses, or at least thick black frames.
bald head, furry face (boys only). Goes especially well with horn-rims.
heavy slacks, often too tight and short.
thin, too-small polyester button-ups in dark colors, or threadbare children's size t-shirts with random slogans. Button the collar if you got one.
clunky black shoes
scarves
gas station jackets. This has diffused a lot over the years though, it's no longer exclusive to emo kids. Nowadays, you may want to select a nice corduroy denim jacket.
also classic outerwear but quickly diffusing to normality: the famous Blue Peacoat
barrettes on boys
make-up (male or female)
too-small cardigans and v-neck sweaters
argyle
anorexic thinness. Veganism helps here.