What kind of diarama can i do relating to the Romantic Era?

Question

anything..........please

Answer 1

What country? US or England?

Here is a list of British Romantics
http://en.wikipedia.org/wiki/List_of_romantics#English_Romanticism

And American Romantics:
http://en.wikipedia.org/wiki/List_of_romantics#North_American_Romanticism

Your best bet might be to take a novel or painting by a romantic artist and recreate a scene from it. Walden Pond could represent Thoreau and would be fairly easy -- just need to make a pond with some trees around it, maybe a little cabin.

Answer 2

The Romantic era is not often no longer only linked with counterpoint. besides the undeniable fact that, could large contrapuntalists were writing diring the mid-19th-early-twentieth centuries. i imagine that many may agree that Anton Bruckner became between the large contrapuntalists - fantastically in his excellent sluggish moves. I wish I had more suitable time to hunt-out hyperlinks for instance this, besides the undeniable fact that the first link below is of the perfect flow of Bruckner's third Symphony (1889 version), with its well-known counterpoint of a funeral march hostile to a polka-like subject at a million:03. i tried to discover some Reger yet there no longer a lot of him on YouTube. He became a good contrapuntalist and his music isn't just about as dry and academic as some human beings could have us have self belief. Your hero Wagner isn't usually linked with counterpoint, yet at 6:40 8 contained in the 2d link below you are able to listen him in finished contrapuntal flow contained in the overture to 'Die Meistersinger'. Richard Strauss became also a good contrpuntalist. again, i don't have the time to discover hyperlinks, yet could direct you to 'also sprach Zarathustra' at round 6:00 into the third link below and one among his very last products 'Metamorphosen' (4th link below). it may look that the Germanic college of composition became the most adept at contrapuntal writing. Tchaikovsky's uncommon forays into counterpoint, as an party, were no longer usually particuarly useful (eg the fugal section contained in the perfect flow of the 'Manfred' Symphony).