my band director wants me to do an improv solo?!?!?!?!?

Question

i play tenor sax and we are doing the song VELVET NIGHT by michael sweeney.... well there is saxophone solo and i am fine with playing it but now my badn directior tells me he wants me to play the entire solo improv hmmm right i dont think so this is something i have never done.. he said stay on the b flat blues scale but i still dont know what i am doing!!! any help??

Answer 1

Get him to help you with it!!! A solo is so awesome. I played alto sax in my high school band and I always had solos that were too hard for me...but if yout get some time with your music teacher, just you and him, he should definatly help you out.

Answer 2

take a portable recorder to rehearsal and record the band playing behind the solo (without you). Using mainly the notes of the Bb mixolydian scale (CONCERT PITCHES: Bb, C, D, Eb, F, Ab, Bb) work out a solo or the framework of a solo. Yes, get your teacher to help you.

Focus on creating a phrase. Think about melody. Don't just focus on "licks."

This is a great opportunity for you! Don't turn it down.

Answer 3

no one else can write your jazz solo for you--they could desire to return out of your heart, no longer ours--and you will no longer become a greater advantageous musician that way. (the factor of the duty.) additionally, your band director is familiar with a great sort of jazz solos and genuinely is familiar with your point of progression, so he will in all hazard be responsive to if the solo is your man or woman artwork or in case you took it from somebody else without crediting them. --persist with UP: See be conscious below. instead, play around with the notes interior the dimensions--no longer basically their order, however the rhythm, pace, loudness/softness, rests between words, and maximum heavily, how your solo pertains to something of the music-- and write down the score once you have hit something cool--in spite of if it fairly is basically 2 or 3 notes at first. once you think of you have adequate (don't be responsive to ways long it rather is meant to be--2 or 3 choruses?), then prepare setting up it into something of the music. you will in all hazard make some changes as you do, and that's fantastic. Then prepare and prepare and prepare, making little changes each and every time to attempt to make it sound greater advantageous. One important element approximately track--the greater repetition of something which you pay attention, the greater advantageous it sounds, so don't be afraid to repeat the comparable basic thought yet with adjustments each and every time. persist with up: Whitieg's stunning--you may desire to "scouse borrow" basically a splash yet scouse borrow the spirit, no longer the real riffs. pay attention to the music and hear others play the comparable or comparable songs for thoughts, then enable them to sink in and "cause them to your man or woman."

Answer 4

you're so lucky! i'm horrible in band! my band director wouldn't give me a solo if i was the last clarinetist on earth! plus, you don;t have to play star wars...i suggest you practice a lot, maybe an hour a day.

Answer 5

Your band director obviously has enough confidence in your abilities to have made the suggestion. Give it a shot. You learn by doing.

Answer 6

he's right...just stay within the notes of the scale and let the music that's in you, come out

Answer 7

Like wendy said have him help you with it and just practice moving up the scale and practice it.

Answer 8

its eassy do the scale he told you and never play a note your just pretending...think of it this way you'll never be flat!!!