Who were the main characters in memoirs of a Geisha?

Question

I'm doing a project and I need all the names of the main characters in the movie, what are they?

Answer 1

Ziyi Zhang ... Chiyo/Sayuri
Suzuka Ohgo ... Young Chiyo
Ken Watanabe ... The Chairman
Kôji Yakusho ... Nobu
Youki Kudoh ... Pumpkin
Li Gong ... Hatsumomo
Kaori Momoi ... Mother
Tsai Chin ... Auntie
Zoe Weizenbaum ... Young Pumpkin
Cary-Hiroyuki Tagawa ... The Baron
Kenneth Tsang ... The General
Randall Duk Kim ... Dr. Crab
Ted Levine ... Colonel Derricks
Paul Adelstein ... Lieutenant Hutchins
Samantha Futerman ... Satsu

Memoirs of a Geisha is an Academy Award and Grammy Award-winning movie adaptation of the novel of the same name, produced by Steven Spielberg's Amblin Entertainment and directed by Rob Marshall. It was released in the United States on December 9, 2005 by Columbia Pictures, DreamWorks and Spyglass Entertainment. It starred Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Youki Kudoh, and Suzuka Ohgo. (In reality, Kudoh, Ohgo, and Watanabe are Japanese, while Zhang and Gong are Chinese, and Yeoh is Malaysian of Chinese descent.) Ohgo plays the younger Sayuri in the movie, which was filmed in southern and northern California and in several locations in Kyoto, including the Kiyomizu-dera temple and the Fushimi Inari-taisha shrine.
The Japanese release of the film is titled "SAYURI".
The DVD release of the film occurred on March 28, 2006.
It is 1929 in Japan. At the beginning of the film, nine-year-old Sakamoto Chiyo and her older sister Sakamoto Satsu are sold by their father and dying mother to a Mr. Tanaka Ichiro. Satsu is sold to a brothel and Chiyo is sold to an okiya, a geisha house, the Nitta okiya.
In the okiya, Chiyo meets the only resident geisha, an extremely beautiful but a very cruel and resentful woman named Hatsumomo. Hatsumomo shows disdain towards Chiyo and her fishing-village origins, in one instance telling Chiyo not to touch her makeup because she does not want to smell like fish. She also meets the three mistresses: Granny, an elderly retired geisha, Mother, who is also the okiya's treasurer, and Auntie, Mother's "older sister", the only one of the three who is actually nice to Chiyo. She also meets a girl her age, nicknamed Pumpkin. They eventually become friends and start schooling to be geisha together.

Chiyo has a very unusual feature, inherited from her mother: blue-grey eyes. Because of her extraordinary eyes, Chiyo has great potential as a geisha, but Hatsumomo cannot tolerate rivals, and so uses her status in the okiya to abuse Chiyo. Once, Hatsumomo tells Chiyo that Satsu had once come to look for her, but Chiyo has to work for the information. After being made to ruin a kimono of Hatsumomo's bitter rival Mameha, Chiyo finds out where Satsu is, and they plan to run away together, but Chiyo fails in her attempt and stays in the okiya. Her training in the geisha arts is stopped, and she is condemned to live out the rest of her life as a maid to the okiya.

An encounter with a man called the Chairman, who shows her kindness, changes Chiyo's life forever. Chiyo realizes her destiny is to be a geisha, and it comes true when Mameha herself visits the okiya again to talk about training Chiyo to be a geisha. Soon, Chiyo becomes Mameha's younger sister and protégé, and eventually becomes what she always wanted to be: a geisha. It is marked by a new name: Sayuri. She engages in training as difficult as any martial arts fighter. Her final task is to make any man pointed by her instructor to stop in his tracks with one glance, and she succeeds in making a boy fall off his bicycle.
Since meeting the Chairman, a prominent businessman, Sayuri wants to be as close to him as possible. Instead, she is pushed towards Nobu Toshikazu, the Chairman's best friend and business partner. Despite Nobu's coarse personality and disdain for geisha, they develop a friendship and affection for each other, but Sayuri still desires the Chairman. Mameha tells her that she must be very close to Nobu to mislead Hatsumomo. Nobu explains the strategy of sumo, which Sayuri observes is a contest between giants. She becomes interested since she herself is in a contest to be "Top Geisha". According to Mameha, the okiya will one day need an heir, one of the geisha. Hatsumomo cannot become the heir, as it would be like "releasing a tiger from its cage". Unfortunately, Pumpkin has been promised to be the heir. As Hatsumomo's protege, Pumpkin will not rule the okiya herself, but instead serve as Hatsumomo's puppet. In order to stop Hatsumomo, Sayuri must also prevent Pumpkin from becoming the heir. Another man also changes Sayuri's life: a doctor, "Dr. Crab", who becomes her mizuage patron. Dr. Crab pays a record amount for Sayuri's mizuage, which causes her to become the heir to the okiya, despite complaints from Pumpkin (who never had a place to call home) and Hatsumomo. By this time, Sayuri is the most celebrated geisha in all Gion, and Hatsumomo cannot help but feel more jealous. When Sayuri discovers Hatsumomo in her room, playing with the Chairman's handkerchief, a fight ensues, and Sayuri's room is burned in the scuffle. Shortly after, Hatsumomo's reputation has been totally destroyed and she leaves the okiya forever.
Sayuri's new stature as the new head of the okiya and the most famous geisha, however, is short-lived. World War II changes the lives of geisha forever. Sayuri's luxurious life is changed into her own dark life, and during the war, she is reduced to a servant, but meets Nobu again, and together they return to Gion, where Sayuri becomes a geisha once more. She meets Pumpkin and the Chairman again, and is introduced to Colonel Derricks (in the book, she meets Japanese Minister Sato).
On an island, Nobu finally tells Sayuri in private he wants to be her danna - the man that funds everything for a geisha. However, Sayuri still has feelings for the Chairman, and she asks Pumpkin to bring Nobu to a place where he will "discover" Sayuri and the Colonel together. Pumpkin, however, brings the Chairman. She angrily tells Sayuri that she took away "the only thing I ever wanted" and this was payback so Sayuri "knew how it feels". When Nobu learns of it, he never forgives Sayuri. The Chairman reveals that he knew all along that Sayuri was Chiyo, despite Sayuri thinking he did not. It was because of his urging that Mameha sought out Chiyo to train her. The film ends with Sayuri and the Chairman having a romantic stroll along the river, savoring their moments together forever - Sayuri's ultimate dream.
Casting controversy
Some people were upset that central characters in the movie were not played by native Japanese actresses, notably that the adult version of the lead role is played by a Chinese actress.
While many people are offended by the casting, Korean-Canadian actress Sandra Oh advocates inter-Asian acting. In a recent magazine article (Bust Magazine June/July 2005), she defends her roles as characters of Japanese (e.g. Rick) and Chinese descent by pointing out similar behavior from white actors who play European characters interchangeably:
“ Ralph Fiennes can play an English person, a German person, a Polish person, a Jewish person. He can play anything, and no one questions him. He is a handsome, Caucasian-looking-ish man. So, to American audiences, Europe looks like that. Europe does not look like that. But that is the image we have been fed for 60 years, so we accept that. But what I have big problems with is when people put those limits on me. I just think, "Give me a ******* break. You have no idea what I am." Because when you meet someone, you never say, "I met Joe Schmoe, and he's Irish-French." But there always has to be a quantifier or qualifier when it comes to me.
--Sandra Oh, Bust Magazine
”
Roger Ebert has also pointed out that the film was made by a Japanese-owned company, and that Gong Li and Zhang Ziyi outgross any Japanese actress even in the Japanese box office.
In China, the casting of ethnic Chinese actors caused a stir in the Chinese Internet community where some users were unhappy due to rising nationalist sentiment, especially because some mistook geisha for prostitutes. A profession similar to that of the geisha existed in imperial China, whose job it was to entertain male guests with their talents in music, Go, calligraphy, painting and other arts. However, they did not enjoy the status accorded to geisha in Japan. This was exacerbated by the word geigi 芸妓, a Japanese name for geisha used in the Kansai region (Kyoto). The second character 妓 can be understood by some to mean "prostitute", though it actually had a variety of meanings.
Pre-Production
Ziyi with Ken WatanabeThe three leading actors (Zhang Ziyi, Gong Li, and Michelle Yeoh) were put through "Geisha boot camp" before production commenced, during which they were trained in traditional Geisha practices of musicianship, dance, and Japanese tea ceremony.

Production of the film took place from 29 September 2004 to 31 January 2005. It was decided by the producers that contemporary Japan looked much too modern to film a story which took place in the 1920s and '30s and it would be more cost-effective to create sets for the film on soundstages and locations in the United States, primarily in California. The majority of the film was shot on a large set built on a ranch in Thousand Oaks, California which was a detailed recreation of an early twentieth-century geisha district in Kyoto, Japan. Most interior scenes were filmed in Culver City, California at the Sony Pictures Studios lot. Other locations in California included San Francisco, Moss Beach, Descanso Gardens in La Cañada Flintridge, Sacramento, Yamashiro's Restaurant in Hollywood, the Japanese Gardens at the Huntington Library and Gardens in San Marino, and Downtown Los Angeles at the Belasco Theater on Hill Street. Towards the end of production, some scenes were shot in Kyoto, Japan.
Post-Production
In post-production one of the tasks of the sound editors was to improve upon the English pronunciation of the international cast. This sometimes involved piecing together different clips of dialogue from other segments of the film to form new syllables from the film's actors, some of whom spoke partially phonetic English when they performed their roles on-set. The achievement of the sound editors earned them an Academy Award nomination for Best Achievement in Sound Editing.

Banned in the People's Republic of China
The film was originally scheduled to debut in cinemas in the People's Republic of China on February 19, 2006, but the release was put on hold. Newspaper sources, such as the Shanghai-based Oriental Morning Post and the Shanghai Youth Daily, quoted the fears that the film may be banned by censors; there were concerns that the casting of Chinese actresses as geishas could rouse anti-Japan sentiment and stir up feelings over Japanese wartime actions in China, especially the use of Chinese women as forced sex workers[2]. On February 1, 2006, the film was declared banned in theaters of the People's Republic of China[3].
Box office
The film had a lukewarm reception critically and financially in the States managing only $57.0 million during its box office run. Critics noted the beautiful cinematography but also the lacking passion and power of the book. The film peaked at 1,654 screens and had to face a crowded box office season including "King Kong", "Chronicles of Narnia" and "Fun with Dick and Jane". During its first week in limited release the film screening in only 8 theatres clocked up a $85,313 per theatre average which made it second in highest per theatre averages behind Brokeback Mountain for 2005. Its non-US run proved more successful. As of April 8, 2006, the international gross stands at $157.7 million.
Differences in the novel
Spoiler warning: Plot and/or ending details follow.
Nobu has only one arm in the book, yet he has not lost a limb in the movie. His face still remains scarred, though.
In the book it is frequently said that maids also live in the Okiya along with the protagonists, while in the movie, maids are never even hinted. Chiyo/Sayuri and Pumpkin seem to be the only maids.
The fire scene (Sayuri's room bursts into flame after a scuffle between her and Hatsumomo) that leads to Hatsumomo's downfall doesn't happen in the book. The book portrays the downfall of Hatsumomo as a slow downward spiral culminating with a final push from Mameha and Sayuri. Hatsumomo was finally expelled from the Okiya when she attacked an important client one night. In the novel, it is rumoured that Hatsumomo ended up being a prostitute, while in the movie her fate is never mentioned. The last one sees of Hatsumomo in the film is when she leaves the okiya after Sayuri and Mother put out the fire, with Sayuri looking at her out the window as she leaves.
In the book, Sayuri does not discard the Chairman's handkerchief, which is how she finally reveals her true identity to the Chairman. In the movie, it is almost burned when Hatsumomo puts it above a candle, leading to the fire scene when Sayuri stops her. After Pumpkin betrays her, Sayuri lets it fly away in the wind.
Hatsumomo's cruel nickname for Chiyo/Sayuri, "Little Miss Stupid", is not used in the film, nor is Pumpkin's geisha name, Hatsumiyo.
In the book, it is Sayuri who gives Pumpkin her nickname, but in the film, Auntie and Mother are already calling her by that name when Sayuri arrives at the Okiya.
In the book, it is also Sayuri who gives Dr. Crab his nickname, prior to the way the doctor looks like in the novel.
In the film, it isn't revealed how Granny dies. Instead, it is said that she has passed away when Mameha arrives at the okiya to discuss Chiyo's geisha training with Mother. In the book, she actually is killed from electrocution by a heater ironically sold to the okiya by the Iwamura Electric Company, which later provides Mameha an opportunity to approach Chiyo.
The transitions between the different stages of a geisha's career are rushed in the film; the mizuage does not signify the 'graduation' from maiko to geisha in the book, whereas it does in the film - after her mizuage, when Sayuri returns to the okiya, Mother tells her she is a full geisha now.
Little mention is made in the film of Sayuri's career as a full geisha.
In the book, Sayuri and her sister are sold off after Chiyo runs into Mr. Tanaka Ichiro, a man whose family owned a store called the Japan Coastal Seafood Company. Struck with awe at her eye color, Mr. Tanaka convinces Chiyo's father to sell his two daughters. The movie skims over these details, and skips to the part where the two girls are torn from their family in the beginning of the film at night in Yoroido.
In the novel, the man Nobu introduces to Sayuri is a Japanese Minister, Sato. Minister Sato is substituted for Colonel Derricks in the film.
In the novel, it is unclear as to whether or not Mameha learns of the Baron's undressing of Sayuri, whereas she openly does in the film.
In the novel, Sayuri actually has two danna, though not at the same time: General Tottori and then the Chairman. Sayuri eventually joins the latter in New York City, permanently residing there and running a teahouse while the Chairman comes and goes. Sayuri even has a son with her beloved Chairman, whose identity must be kept secret for business reasons.
When she falls off the roof of the okiya after attempting to run away with Satsu, Chiyo is not beaten. In fact, Auntie stays with her while she is lying in bed and reads Mr. Tanaka's letter. However, she does get beaten when Hatsumomo accuses her of stealing money, just before Mother slaps Hatsumomo for having a boyfriend in the okiya.
Instead of Granny who usually does the beating, Mother does it. As usual, Auntie interferes, so Chiyo does not get beaten very badly.
When Mother and Auntie learn of Mameha's kimono being ruined, Mother pours a bucket of water on Chiyo before beating her badly. Auntie then takes over the beating so that Chiyo does not suffer the same fate as her. In the novel, the bucket of water is poured over Chiyo after her runaway attempt.
When Sayuri embarrasses Hatsumomo, the joke is not about her hair. Instead, when Hatsumomo says 'I was a maiko myself once', Sayuri responds by saying, 'Of course, but it's been such a very long, long, long, long time..'
When Sayuri has to cut herself to be able to talk with Dr. Crab, she and Mameha do the wounding themselves whereas Mameha recruits a maid and the cook from her old okiya to help her create a wound on Sayuri's leg, in the book.
Even before Mameha visits Mother to talk about Chiyo's training, Pumpkin has already become a maiko while in the book, Pumpkin has yet to become a maiko.
Mameha's mizuage cost ¥10,000 in the movie and was either ¥7000 or ¥8000 in the book. Also in the book, Sayuri's mizuage cost ¥11,500, but it is ¥15,000 in the movie.
In the book, Chiyo/Sayuri is the year of the monkey, but in the movie, she is the year of the rooster.
In the movie, after World War II, Pumpkin is influenced by American culture already - she drinks sake a lot, speaks like an American, and enjoys jazz music.
The film does not end with Sayuri migrating to New York with the Chairman. Instead, the ending ends with she and the Chairman kissing and strolling together along the river, implying she is still a geisha.
In the novel, when Hatsumomo is trying to get Chiyo thrown out of the okiya for stealing, she plants money on her, and then claims Chiyo has stolen her obi brooch, only for the brooch to be found hidden years later. In the film, there is no brooch.
Sayuri's dance occurring before her mizuage, which is based on the story of a courtier whose wife dies of cold as her husband goes to meet his mistress, is actually performed by Mameha in the novel. Sayuri's dance involves a maiden who falls in love with an enchanted dolphin prince.
The hanamachi ('flower town', a town where geisha live and entertain) in which the Nitta okiya is situated is not named in the movie- Sayuri and the other geisha are only described as living in Miyako (Kyoto). In the novel, we are informed that the Nitta okiya is in the Gion hanamachi.
Awards and nominations
Won (9)
Golden Globe
Best Original Score - Motion Picture (John Williams)
National Board of Review
Best Supporting Actress (Gong Li)
Satellite Awards
Outstanding Screenplay, Adapted (Robin Swicord)
Academy Awards
Best Achievement in Art Direction
Best Achievement in Cinematography
Best Achievement in Costume Design
BAFTA Awards
The Anthony Asquith Award for achievement in film music (John Williams)
Cinematography (Dion Beebe)
Costume design (Colleen Atwood)

Nominated (22)
Academy Awards
Best Achievement in Music Written for Motion Pictures, Original Score
Best Achievement in Sound
Best Achievement in Sound Editing
Golden Globes
Best Performance by an Actress in a Motion Picture - Drama (Zhang Ziyi)
Best Original Score - Motion Picture (John Williams)
Satellite Awards
Outstanding Motion Picture, Drama
Outstanding Director (Rob Marshall)
Outstanding Actress in a Motion Picture, Drama (Zhang Ziyi)
Outstanding Actress in a Supporting Role, Drama (Gong Li)
Outstanding Art Direction & Production Design (John Myhre)
Outstanding Cinematography (Robert Elswit)
Outstanding Costume Design (Colleen Atwood)
Outstanding Original Score (John Williams)
BAFTA Awards
Best actress in a leading role (Zhang Ziyi)
Production design
Make Up and Hair
Screen Actors Guild Awards
Outstanding Performance by a Female Actor in a Leading Role (Zhang Ziyi)

Trivia
On a recent visit to Tokyo to promote the film, Zhang Ziyi received a mysterious parcel and letter, revealed to have been sent by an elderly Japanese woman who had once worked as a geisha. In her letter, the woman stated that she had been touched by the trailer of the film and expected the movie to bring back fond memories for her and her friends. Inside the parcel were several exquisitely worked antique kimono. Zhang Ziyi was moved to tears by the gesture and sent the woman an invitation to the film's Japanese premiere[4]
Zhang Ziyi (Sayuri) and Michelle Yeoh (Mameha) had previously co-starred in Crouching Tiger, Hidden Dragon.
Suzuka Ohgo (Young Chiyo) had previously worked with Ken Watanabe (The Chairman) in a Japanese language film in which he played her father, and Watanabe recommended Ohgo to Rob Marshall.
Zhang Ziyi (Sayuri) and Gong Li (Hatsumomo) had previously co-starred in Wong Kar-wai's 2046.

References
^ http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20051215/REVIEWS/51213001/1023
http://news.yahoo.com/s/afp/20060117/ennew_afp/afpentertainmentchinausjapanfilmgeisha_060117120127 - Yahoo! News
http://film.guardian.co.uk/news/story/0,,1699608,00.html
The Star Online

External links
Wikinews has news related to:
2006 Oscars handed out at Kodak TheatreWikiquote has a collection of quotations related to:
Memoirs of a Geisha (film)Memoirs of a Geisha Official Movie Site – Must be 18 or older to buy the DVD or PSP from here
Memoirs of a Geisha at the Internet Movie Database
http://www.movies.co.jp/sayuri/ - SAYURI, the Japanese release of this film
Michelle Yeoh Web Theatre: Memoirs of a Geisha
HelloZiyi.us: Memoirs of a Geisha
MonkeyPeaches: Memoirs of a Geisha
Zhang Ziyi CSC: Memoirs of a Geisha Synopsis, picture gallery, trailers, news, discussions
Japanese Trailer: Memoirs of a Geisha
Discussion paper by Tomoyuki Tanaka in the electronic journal of contemporary japanese studies
Exploration of the many controversies surrounding the film
"Memoirs of a Geisha" Movie review by Roger Ebert, Chicago Sun-Times,
"http://en.wikipedia.org/wiki/Memoirs_of_a_Geisha_%28film%29"

Answer 2

Memoirs Of A Geisha Characters

Answer 3

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