What are some dances of the Restoration Time Period in England?1600's ... per se.?

Question

Oh well...

What are some dances of the Restoration Time Period in England 1660 to 1700 but really, any dance in the 1600's would be awesome.

Answer 1

Al Cristyn Nennis Dance, The North of Scotland, Hunts up, The Comont Entray, Lang Plat Fut of Gariau, Robin Hood, Thom of Lyn, Freris al, Ennyrnes, the Lock of Slene, the Gosseps dance, Levis Grene, Makky The Speyde, The Flail, The Lammas Vynde, Sontra, *** kyttil me nykyt vantounly, Schayke leg before gossep, Rank at the Rute, Baglap, and al, John Ermistrangis dance, the Alman Haye, the Bace of Varagon, Dangeir, The Beye, the Dede Dance, The Dance of Kylrynne, the Vod and the Val, Schaik a trot.

More here:
http://www.pbm.com/~lindahl/lod/vol1/ECDorigin.html

Answer 2

right this is the ingredient. It seems such as you have a psychological block against putting something "up there." yet there incredibly is a great number of room. "Up there" became into designed for particular issues--bigger than tampons--to bypass there! the girls who say it harm in all probability (a million) don't have the tampon in a techniques adequate, or (2) have been tough putting it in, possibly scared, needed a lubricant or some thing, or (3) have a very difficult hymen and can't use them (this would be uncommon... a super sort of the time the hymen stretches or has a sufficiently small hollow for a tampon, and a few women do no longer even have hymens). in case you prefer to positioned on one, positioned it in status up, be as comfortable as you are able to, and comprehend which you're actually not doing something unnatural. possibly ask your mom, or an older sister, or a chum who makes use of them effectively, to teach you from the different component of the bathing room door. that's a sturdy theory to renowned the thank you to apply one. exceedingly in case you dance. continually use an unscented one, by no ability a deodorant tampon.

Answer 3

square dance in double time, introduced into the court about 1600.
the waltz is from 1800's
John Essex, trans., The Dancing Master (1728)—This translation of Pierre Rameau's dance treatise provided performers in England with knowledge of the latest trends in French dance. Rameau was one of the most important theorists of dance in eighteenth-century France. He explained the precise placement of hands and feet besides cataloguing an enormous number of steps.

Jean-Georges Noverre, Letters on Dancing and Ballets (1754)—One of the most influential dancing treatises of all time, this collection of observations on dance reinterpreted the art form according to the theories of the Enlightenment. Noverre stressed that dance must strive to be a representation of the human emotions, that it should adapt a greater naturalism, and that it should abandon the cumbersome costumes and masks typical of the day. Noverre's theories, which attacked the mere technical virtuosity of many contemporary dancers, were controversial, but eventually prevailed in the ballet.

John Playford, The English Dancing Master (1651)—This collection of English country dances was widely available in the later seventeenth century. Through Playford, knowledge of country dances spread to France, where these figure dances were refined and made into an essential part of the ballroom repertoire of the later seventeenth and eighteenth centuries.