Chester Thompson ~ Keyboards
Thompson started playing the piano at his home in Oklahoma City at age five, picking out the notes from popular songs he heard on the radio. His parents quickly recognized his innate talent and arranged for formal piano lessons. And, it wasn't long before Thompson started playing both piano and organ for the choir at his church.
By the age of 13, Thompson had discovered jazz, which became a major, life-long influence, and by the age of 16, he had switched almost exclusively to the Hammond organ, and was playing in high school rock bands.
It was while still in high school that Thompson realized he could make a living as a professional musician. He'd been performing in bands at gigs throughout the state of Oklahoma for a couple of years, when he caught the ear of Rudy Johnson. As he was losing his keyboardist, Johnson asked Thompson to join the Rudy Johnson Trio and, at age 19, Thompson packed his bags and spent the next three years touring the country with that group.
One of Thompson's first performances with the Rudy Johnson Trio was in San Francisco. He liked the city enough to make it his home, and he moved to the Bay Area permanently when the band decided to split up in 1969. At first, he took a day job at a bank while he broke into the San Francisco music scene by playing clubs at night. He spent the next few years playing around the Bay Area, and landed a regular gig as the keyboardist with Jules Broussard, which eventually evolved into Thompson leading his own band. It was during this time that Thompson also released his first album under the Black Jazz label, a solo project titled, "Powerhouse".
In 1973, Thompson was playing at a club and was heard by a member of Tower of Power. Although Thompson had 'retired' from the road, he was convinced to join the band as keyboardist. And, for the next ten years, Thompson not only filled out the band's distinctive R & B/funk sound with his dynamic keyboard style.
Chester joined the Santana band in 1983 and starting with his debut on "Beyond Appearances", Thompson has injected the band's music with a powerful, creative energy that has added new dimension to their sound. In addition, he has continued to make contributions in other areas. He not only co-wrote, with Carlos, the songs on the instrumental album, "Blues for Salvador" , he also provided an inspirational spark during the recording of it's Grammy Award-winning title track. In addition, Thompson also collaborated with Carlos on nine songs that were included on "Spirits Dancing In the Flesh".
Since joining Santana, he's had opportunities to play with some of the other great musicians and groups, including Wayne Shorter, Earth, Wind & Fire, The Temptations and many others.
Also,
Chester Thompson
Chester Cortez Thompson (born in Baltimore, Maryland) made his name as a session drummer, going on to play in Frank Zappa's touring band (as part of the much loved 1973-1974 lineups which also featured percussionist Ruth Underwood and jazz keyboardist George Duke) and with Weather Report. He played on such noted Zappa albums as "One Size Fits All, "Roxy& Elsewhere", and "Overnite Sensation". His longest standing gig was with Genesis from 1977, playing on their tours in that year, 1978, 1980, 1981, 1982, 1983/4, 1986/7 and 1992/3 and is featured on their live albums Seconds Out, Three Sides Live and The Way We Walk Volume 1 and Volume 2. Thompson continues to work with Phil Collins on his solo concert tours, appears on Phil Collins' Serious Hits... Live! live album, and has released his own solo album, A Joyful Noise.
Chester's playing style is widely acknowledged and respected, and can be seen on numerous live videos of Genesis, from late 70's up to early 90's. His live playing with the band is an amazing mixture of his own style and Collins' own, being equally comfortable with acoustic and electronic drums
Anything else? Give ma best if it is please, good ? Later!
2007-02-18 15:05:50
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answer #2
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answered by Anonymous
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