Olympic rings?

Question

What is the meaning of those five colorsand which country each ring represents?

Answer 1

The Olympic Rings were created by Baron Pierre de Coubertin in 1913 and first displayed on the Olympic Flag in 1920. The Olympic symbol of five interlocked rings represents the five original continents and the meeting of the athletes from throughout the world at the Olympic Games:

Africa
America (North & South)
Asia
Australia
Europe

The five colors of the rings blue, black and red (top) and yellow and green (bottom) were chosen since one of these colors can be found in the flag of each competing nation.

Answer 2

The emblem chosen to illustrate and represent the world Congress of 1914 ...: five intertwined rings in different colours - blue, yellow, black, green, red - are placed on the white field of the paper. These five rings represent the five parts of the world which now are won over to Olympism and willing to accept healthy competition.
In his article published in the "Olympic Revue" the official magazine of the International Olympic Committee in November 1992, the American historian Robert Barney explains that the idea of the interlaced rings came to Pierre de Coubertin when he was in charge of the USFSA (Union des Sociétés Française de Sports Athlétiques): The emblem of the union was two interlaced rings (like the typical interlaced marriage rings) and originally the idea of Swiss psychiatrist Carl Jung because for him the ring meant continuity and the human being. [2]

"The Olympic flag [...] has a white background, with five interlaced rings in the centre : blue, yellow, black, green and red [...] This design is symbolic ; it represents the five continents of the world, united by Olympism, while the six colours are those that appear on all the national flags of the world at the present time." (1931) Textes choisis II, p.470.

The 1914 Congress had to be suspended due to the outbreak of World War I, but the flag and emblem were later adopted. They would first officially debut at the VIIth Olympiad in Antwerp, Belgium in 1920.

The emblem's popularity and widespread use began during the lead-up to the 1936 Summer Olympics in Berlin. Carl Diem, president of the Organizing Committee of the 1936 Summer Olympics, wanted to hold a torchbearers' ceremony in the stadium at Delphi, site of the famous oracle, where the Pythian Games were also held. For this reason he ordered construction of a milestone with the Olympic rings carved in the sides, and that a torchbearer should carry the flame along with an escort of three others from there to Berlin. The ceremony was celebrated but the stone was never removed. Later, two British authors Lynn and Gray Poole when visiting Delphi in the late 1950's saw the stone and reported in their "History of the Ancient Games" that the Olympic rings design came from ancient Greece. This has become known as "Carl Diem's Stone". [3] [4]. This created a myth that the symbol had an ancient Greek origin. The rings would subsequently be featured prominently in Nazi images in 1936 as part of an effort to glorify the Third Reich.

The current view of the International Olympic Committee is that the flag "reinforces the idea" that the Olympic Movement is international and welcomes all countries of the world to join. [5] As can be read in the Olympic Charter, the Olympic symbol represents the union of the five continents and the meeting of athletes from throughout the world at the Olympic Games. However, no continent is represented by any specific ring. Though colourful explanations about the symbolism of the coloured rings exist, the only connection between the rings and the continents is that the number five refers to the number of continents. In this scheme, the Americas are viewed as a single continent, and Antarctica is omitted.

Answer 3

The flag features the emblem of the Olympic Games — five interlocking rings (blue, yellow, black, green, and red respectively) on a white field. This was originally designed in 1913 by Baron Pierre de Coubertin, the founder of the modern Olympic Games, but gained widespread popularity due to its promotion by Nazi Germany . Upon its initial introduction, de Coubertin stated the following in the August, 1913 edition of Revue Olympique:

The emblem chosen to illustrate and represent the world Congress of 1914 ...: five intertwined rings in different colours - blue, yellow, black, green, red - are placed on the white field of the paper. These five rings represent the five parts of the world which now are won over to Olympism and willing to accept healthy competition.
In his article published in the "Olympic Revue" the official magazine of the International Olympic Committee in November 1992, the American historian Robert Barney explains that the idea of the interlaced rings came to Pierre de Coubertin when he was in charge of the USFSA (Union des Sociétés Française de Sports Athlétiques): The emblem of the union was two interlaced rings (like the typical interlaced marriage rings) and originally the idea of Swiss psychiatrist Carl Jung because for him the ring meant continuity and the human being.
"The Olympic flag [...] has a white background, with five interlaced rings in the centre : blue, yellow, black, green and red [...] This design is symbolic ; it represents the five continents of the world, united by Olympism, while the six colours are those that appear on all the national flags of the world at the present time." (1931) Textes choisis II, p.470.

The 1914 Congress had to be suspended due to the outbreak of World War I, but the flag and emblem were later adopted. They would first officially debut at the VIIth Olympiad in Antwerp, Belgium in 1920.

The emblem's popularity and widespread use began during the lead-up to the 1936 Summer Olympics in Berlin. Carl Diem, president of the Organizing Committee of the 1936 Summer Olympics, wanted to hold a torchbearers' ceremony in the stadium at Delphi, site of the famous oracle, where the Pythian Games were also held. For this reason he ordered construction of a milestone with the Olympic rings carved in the sides, and that a torchbearer should carry the flame along with an escort of three others from there to Berlin. The ceremony was celebrated but the stone was never removed. Later, two British authors Lynn and Gray Poole when visiting Delphi in the late 1950's saw the stone and reported in their "History of the Ancient Games" that the Olympic rings design came from ancient Greece. This has become known as "Carl Diem's Stone". This created a myth that the symbol had an ancient Greek origin. The rings would subsequently be featured prominently in Nazi images in 1936 as part of an effort to glorify the Third Reich.

The current view of the International Olympic Committee is that the flag "reinforces the idea" that the Olympic Movement is international and welcomes all countries of the world to join. As can be read in the Olympic Charter, the Olympic symbol represents the union of the five continents and the meeting of athletes from throughout the world at the Olympic Games. However, no continent is represented by any specific ring. Though colourful explanations about the symbolism of the coloured rings exist, the only connection between the rings and the continents is that the number five refers to the number of continents. In this scheme, the Americas are viewed as a single continent, and Antarctica is omitted.

Answer 4

these rings reprsent the 5 coutinents that take part in olympics Australia, Africa, America, Asia, and Europe. The colors are always arranged with blue, black, and red across the top from left to right, and yellow and green along the bottom.The rings first appeared on the Olympic flag in 1913, designed by Baron Pierre de Coubertin, the founder of the modern Olympics.

Answer 5

Some say it oringinated from Christianity, because if you take three rings and overlap them like the comparison picture, and erase the outer edges, then it creates a christian symbol

Answer 6

There are
Blue, Red, Black, Yellow, and Green

Blue is for Europe

Red for is American

Black for African

Yellow is Asian

Green is Oceania

Answer 7

The Olympic symbols are various logos, icons, flags and symbols used by the International Olympic Committee for various aspects related to the promotion of the Olympic Movement around the world. Some of the symbols are more prevalent during Olympic competition, such as the flame, fanfare and theme, but others, such as the flag, can be seen throughout many times of the year. However, the IOC has been criticised in the past for its aggressive protection of its symbols, such as the rings and the use of the word "Olympic."

Use of the Olympic flag
An Olympic flag is raised during the opening ceremonies of each Olympic Games, and lowered during the closing ceremonies. A second flag is used for the Olympic Oath. Special flags are kept in the city halls of cities organizing the Olympic Games. At the closing ceremonies of each Olympic Games, the mayor of the city that organized the Games returns the flag to the president of the IOC, who then passes it on to the mayor of the next city to host the Olympic Games. (This ceremony is known as the "Antwerp Ceremony" because it started there). There are three such flags, differing from all other copies in that they have a six-colored fringe around the flag, and are tied with six coloured ribbons to a flagstaff.


[edit] Antwerp flag
Was presented to the IOC at the 1920 Summer Olympics by the city of Antwerp, Belgium, and at the Closing Ceremony of the 1984 Los Angeles Olympic Games, was passed on to the next organising city Summer Olympics until the Games of Seoul 1988 when it was retired. The Antwerp Flag is now on display at the Olympic Museum in Lausanne, Switzerland.


[edit] Oslo flag
Was presented to the IOC at the 1952 Winter Olympics by the city of Oslo, Norway, and is passed on to the next organizing city of the Winter Olympics.


[edit] Seoul flag
Was presented to the IOC at the 1988 Summer Olympics by the city of Seoul, South Korea, and is passed on to the next organising city of the Summer Olympics.


[edit] Olympic emblem
The flag features the emblem of the Olympic Games — five interlocking rings (blue, yellow, black, green, and red respectively) on a white field. This was originally designed in 1913 by Baron Pierre de Coubertin, the founder of the modern Olympic Games, but gained widespread popularity due to its promotion by Nazi Germany [1]. Upon its initial introduction, de Coubertin stated the following in the August, 1913 edition of Revue Olympique:

The emblem chosen to illustrate and represent the world Congress of 1914 ...: five intertwined rings in different colours - blue, yellow, black, green, red - are placed on the white field of the paper. These five rings represent the five parts of the world which now are won over to Olympism and willing to accept healthy competition.
In his article published in the "Olympic Revue" the official magazine of the International Olympic Committee in November 1992, the American historian Robert Barney explains that the idea of the interlaced rings came to Pierre de Coubertin when he was in charge of the USFSA (Union des Sociétés Française de Sports Athlétiques): The emblem of the union was two interlaced rings (like the typical interlaced marriage rings) and originally the idea of Swiss psychiatrist Carl Jung because for him the ring meant continuity and the human being. [2]

"The Olympic flag [...] has a white background, with five interlaced rings in the centre : blue, yellow, black, green and red [...] This design is symbolic ; it represents the five continents of the world, united by Olympism, while the six colours are those that appear on all the national flags of the world at the present time." (1931) Textes choisis II, p.470.

The 1914 Congress had to be suspended due to the outbreak of World War I, but the flag and emblem were later adopted. They would first officially debut at the VIIth Olympiad in Antwerp, Belgium in 1920.

The emblem's popularity and widespread use began during the lead-up to the 1936 Summer Olympics in Berlin. Carl Diem, president of the Organizing Committee of the 1936 Summer Olympics, wanted to hold a torchbearers' ceremony in the stadium at Delphi, site of the famous oracle, where the Pythian Games were also held. For this reason he ordered construction of a milestone with the Olympic rings carved in the sides, and that a torchbearer should carry the flame along with an escort of three others from there to Berlin. The ceremony was celebrated but the stone was never removed. Later, two British authors Lynn and Gray Poole when visiting Delphi in the late 1950's saw the stone and reported in their "History of the Ancient Games" that the Olympic rings design came from ancient Greece. This has become known as "Carl Diem's Stone". [3] [4]. This created a myth that the symbol had an ancient Greek origin. The rings would subsequently be featured prominently in Nazi images in 1936 as part of an effort to glorify the Third Reich.

The current view of the International Olympic Committee is that the flag "reinforces the idea" that the Olympic Movement is international and welcomes all countries of the world to join. [5] As can be read in the Olympic Charter, the Olympic symbol represents the union of the five continents and the meeting of athletes from throughout the world at the Olympic Games. However, no continent is represented by any specific ring. Though colourful explanations about the symbolism of the coloured rings exist, the only connection between the rings and the continents is that the number five refers to the number of continents. In this scheme, the Americas are viewed as a single continent, and Antarctica is omitted.


[edit] Fanfare and theme
Audio samples:
"Bugler's Dream" (file info) — play in browser (beta)
composed by Leo Arnaud
"Olympic Fanfare and Theme" (file info) — play in browser (beta)
composed by John Williams for the 1984 Summer Olympics in Los Angeles
Problems playing the files? See media help.
Many composers have had their music used by, or have written for the Olympics. Often, they title their pieces "Olympic Fanfare and Theme." One such notable "Olympic Fanfare and Theme" is a piece of music written by John Williams for the 1984 Olympic Games, which were held in Los Angeles. It was released in its entirety to the public on the albums "The Official Music of the XXIIIrd Olympiad Los Angeles 1984" and "The Official Music of the 1984 Games." The premiere recording, as performed by an orchestra comprised of Los Angeles-area musicians under the baton of the composer has not yet been publicly made available on any form of digital media. The piece eventually made its way onto CD (as a re-recording) with the release on Philips entitled "By Request: The Best of John Williams and the Boston Pops Orchestra."

Another piece by Williams, The Olympic Spirit, was written for the 1988 Olympics in Seoul and the corresponding NBC broadcast. The piece utilizes the brass, wind, and percussion sections heavily.

In 1996, an alternate version of "Olympic Fanfare and Theme" was released on the album "Summon the Heroes" for the Atlanta Olympic Games. In this arrangement, the first part of the piece was replaced with Leo Arnaud's "Bugler's Dream". Written in 1958 for Arnaud's Charge Suite, it is this piece, more than any of the fanfares or Olympic themes written by Williams, that Americans recognize as the "Olympic theme", primarily because it was used by ABC beginning with the 1968 Olympics, and by NBC starting in 1992. According to United States Olympic Committee spokesman Mike Moran, many athletes include this piece in the music they listen to while preparing for competition. In 2006 it was again used by NBC. Arnaud's piece is stately, beginning with a timpani cadence that is soon joined by a distinctive theme in brass. Williams' 1984 "Fanfare and Theme" begins with a much faster melody, somewhat reminiscent of Aaron Copland, with brass but no timpani. Although perhaps not as familiar as Arnaud's theme, it is hardly unknown, since it also is still used in network coverage of the Olympics.

"Olympic Fanfare and Theme" (not including the familiar part by Arnaud) was awarded a Grammy in 1985.


[edit] Kotinos
The kotinos is an olive branch intertwined to form a circle. To be crowned with this wreath was the award that the athletes of the ancient Olympic Games competed for. However, this was not their only reward; usually the athlete was rewarded with a generous sum of money by his hometown.

At Athens, 2004 the kotinos tradition was renewed, although in this case it was bestowed together with the gold medal. Indeed, athletes felt very honoured to receive a kotinos. Apart from its use in the awards-ceremonies, the kotinos was chosen as the 2004 Summer Olympics emblem.


[edit] Criticism
The Olympic Movement is accused of being overprotective of its symbols; among other things, it claims an exclusive, monopolistic copyright on any arrangement of five rings, irrespective of alignment, color or lack thereof, as well as to any use of the word "Olympic." They have taken action against numerous groups seen to have violated this copyright, including the Minneapolis, Minnesota-based band The Hopefuls (formerly The Olympic Hopefuls), and Wizards of the Coast, publisher of the card game Magic: The Gathering and others.


[edit] Mascots

Misha
The mascots for the 2006 Winter OlympicsSince the 1968 Winter Olympics in Grenoble, France the Olympic Games have a mascot, usually an animal native to the area or occasionally human figures representing the cultural heritage. The first major mascot in the Olympic Games was Misha in the 1980 Summer Olympics in Moscow. Misha was used extensively during the opening and closing ceremonies, had a TV animated cartoon and appeared on several merchandise products. Nowadays, most of the merchandise aimed at young people focuses on the mascots, rather than the Olympic flag or organization logos