how come the frets on any string instrument get closer and closer?

Question

how come on any string instrument, fretting distances get smaller and smaller... yet if u choose a different string the fretting distances are different for the same two note.... e.g. on a guitar, on the 2nd string, fret 5 and 6 are closer than equivilant 1st string notes on fret 1 and 2, hopefully that makes sense...
any help will be much appreciated :)
By the way, i know it has something to do with the physics, hehe

Answer 1

Fret distances are calculated using the rule of 18. The first fret is 1/18th of the distance between nut and bridge. The second fret is 1/18th the distance between the first fret and the bridge.. and so on.

As previously stated, halving the length of the vibrating string raises pitch by 1 octave. Halving again raises pitch by another octave.

This only works for our Western scale. Other scales use different rules. Early guitars had frets made of gut that were tied round the neck, so could be moved if the player wanted to use a different scale.

Answer 2

I play guitar so I'll give you my best shot. In music, say you start on E. If you go up an octave to the higher E, then you've just doubled the frequency. Go up another octave, and you've doubled the frequency of that. Each time you go up an octave you half the length of the string that's being plucked.

The frequency is inversely proportional to the vibrating length - so if you halve the length, you double the frequency. So, each time you go up, you have a shorter fret to get there. Does that make sense?

Answer 3

each and every device has melodies and harmonies that are written for its particular *variety*. enable me provide an truly user-friendly party. If I had one device that would want to in user-friendly words play the notes C, C#/Db, D, and D#/Eb, and yet another device that would want to in user-friendly words play G, G#/Ab, A, and Bb, and if I had a chord progression that went from Dm7 - G, then i might want to should be careful how I broke those notes up. i'd provide the first device a D and C in the course of the Dm7 and a D in the course of the G (the basis and b7 for Dm7 and fifth of the G) and the second one device an A for the Dm7 (that's fifth) and a G for the G (root). different notes might want to bypass to different contraptions to help provide the merely correct impact of the Dm7 and G as mandatory. Do you kinda see the position i decide on this? each and every device has numerous notes ( C-C, or Eb-Eb, or perhaps with) and also you manage your composition so as that particular contraptions get particular notes. ideally, each and every device should be taking area in a melody, and not in any respect have extraordinary period jumps, yet even with. to say it yet in a unique way, each and every device tackles notes that are proper to its "key". i recognize that isn't any longer an finished answer, notwithstanding that's the most acceptable i am going to do. As others have stated, all of those contraptions (now) would properly be performed chromatically, ie, have the finished type of notes interior of their variety. Saul

Answer 4

Any stringed instrument?
Violin - no frets
Viola - no frets
Piano - no frets
Cello - no frets
Bass - no frets
Double Bass - no frets
I'm sure I've missed out a lot - but "no fret"!!.

Answer 5

its designed around the length of a human arm. Original equal spaced fret stringed instruments were designed solely for urangatangs.

Answer 6

its just the way that whoever designed it used to determine what the correct note is. if they were all evenly distributed, as the notes got higher they wouldn't sound the same as the deeper ones.
i hope that makes as much sense as your question!
^,^

Answer 7

Harmonics and physics
depending on where you put your fingers