which veda is the oldest of four veda?

Answer 1

The Vedas (Sanskrit: वेद) are the main scriptural texts of Hinduism, also known as the Sanatana Dharma, and are a large corpus of texts originating in Ancient India. The Vedas, regarded as śruti ("that which is heard"), form part of an oral tradition in the form of an ancient teacher-disciple tradition. As per Hindu tradition the Vedas were 'revealed' to the Rishis referred to in the texts, not composed or written by them.[1] Even though many historians have tried to affix dates to the Vedas there is as yet no common consensus as there is for the scriptures of other religions. The Vedas are arguably the oldest surviving scriptures in the world. The Vedanta and Mimamsa schools of Hindu philosophy assert that the Vedas are apaurusheya ("unauthored"), that is, they have neither human nor divine origin, and are eternal in nature.[2] As per Hindu tradition, the sage Vedavyasa divided the Vedas into Rig-Veda, Yajur-Veda, Sama-Veda and Atharva-Veda at the beginning of the Kali Yuga.


The Rig-Veda

The Rig-Veda ("Veda of verses"; from ric, or before sonants rig, "laudatory stanza") is the oldest and most important of these collections. In its present form it contains 1028 hymns (including eleven supplementary ones in the eighth book), arranged in ten mandalas (cycles), or books, which vary in extent, only the first and tenth being approximately equal. The poems themselves are of different authorship and date from widely different periods. The actual date of these ancient scriptures is a nebulous topic. Yet, the description of an extremely cold climate leads some to believe that the Vedas are close to 20,000 years old, but there are some modern scholars who think that the number is exaggerated and should be about 5000. No matter what the age, it is the belief by many these texts were and are the oldest in the world. They express philosophies, realities and truths about life. The texts themselves show that the collection is the result of the work of generations of poets, extending over many centuries. Books II to VII inclusive are each the work of a single poet, or rishi (seer), and his descendants; hence they are aptly called "family books". Book III is attributed to the family of Vishvamitra, IV to that of Vamadeva, V to that of Vasishtha. The hymns in books I and X are all composed by different families. The ninth consists exclusively of hymns addressed to Soma, the deified plant, the juice of which was used for the Soma sacrifice. Books II to VII are the oldest, and book X the most recent, in point of origin.

Hymns to the same deity are usually grouped together. Thus, approximately 500 hymns are addressed to two gods alone: Indra, the god of lightning and storms, and Agni, the god of fire. The term god is actually false, the "gods" (devas) being only highly elevated prophets, angels, or phenomenons. The Vedas clearly state that there is only one God, the same as Jews, Muslims, Christians belief alike. One Vedic missionary is the Arya Samaj, its churches are located all over the world, especially in India, the USA, and can teach those who search the Vedas. The element of nature- worship is a marked feature in most of the hymns, with are invocations of different deities. The value of the great collection as presenting the earliest record of the mythology of an Indo- European people is apparent. Several of the gods go back to the time of Indo-Iranian unity, e.g. Yama (the Avestan Yima), Soma (haoma), Mitra (the later Persian Mithra). Some of the divinities, especially the higher ones, still exhibit the attributes which enable us to trace their origin to the personification of natural phenomena. Thus Indra personified thunder, Agni fire, Varuna the sea, Surya the sun, Ushas the dawn, the Maruts the storm, and others were of a somewhat similar character. Indra was the favourite god of the Vedic Aryans; almost one fourth of all the hymns in the Rig-Veda are addressed to him and they are among the best in the collection. Next to Indra stands Agni. Many hymns are in honour of Soma. Other gods invoked are the two Ashins, somewhat resembling the Diocsuri of ancient Greece, the terrible Rudra, Parjanya the rain-god, Vayu the wind-god, Surya the sun-god, Pushan the protector of roads and stray kine. Prayers are also addressed to groups of divinities like the Adityas and the Vishve Devas (all the gods). Only a few hymns sing the praise of Vishnu and of shiva in his earlier form as Rudra, though these two deities became later the chief gods of the Hindu pantheon. Goddesses play a small part, only Ushas, the goddess of dawn, has some twenty hymns in her honour; these poems are of exceptional literary merit.

The number of secular hymns are small, but many of them are of particular interest. They are of various content. In one (book X, 34) a gambler laments his ill luck at dice and deplores the evil passion that holds him in his grasp. In the same book (X, 18) there occurs a funeral hymn, from which important information may be gained concerning the funeral rites of the Vedic age. Evidently cremation was most in vogue, though burial was also resorted to. There are also some riddles and incantations or prayers exactly like those in the Atharva-Veda. Historical references are occasionally found in the so-called danastutis (praises of gifts), which in most cases are not independent poems, but laudatory stanzas appended to some ordinary hymn, and in which the poet gives thanks for generosity shown to him by some prince. Some six or seven hymns deal with cosmogonic speculations. It is significant that some of the hymns, chiefly in book X, are cast in the form of a dialogue. Here we may possibly discern the beginnings of the Sanskrit drama. The poetry of the Rig-Veda is neither popular nor primitive, as it has been erroneously considered, but is the production of a refined sacerdotal class and the result of a long period of cultural development. It was intended primarily for use in connection with the Soma sacrifice, and to accompany a ritual, which, though not so complicated as at the time of the Brahmanas, was far from simple. The Rig-Veda has come down to us in only one recension, that of the Shakala school. Originally there were several schools: The "Mahabhashya" (great commentary), about the second century B.C., knows of twenty-one, while some later writings know of two only. In these schools the transmission of the hymns was most carefully attended to; a most elaborate mnemonic system was devised to guard against any changes in the sacred text, which has thus come down to us practically without variants.

Editions of the Rig-Veda were published by Max Muller, "Rig- Veda-Samhita with the Commentary of Sayancharya" (6 vols., London, 1849-74; 2nd ed., 4 vols., 1890-95); "The Hymns of the Rig-Veda in the Samhita and Pada Texts" (2nd ed., 2 vols., London, 1877); Aufrecht, "Samhita Text", in Roman characters (2nd ed., Bonn, 1877); selections in Lanman's "Sanskrit Reader" (Boston, 1884); Bothlingk, "Sanskrit-Chrestomathie" (3rd ed., Leipzig, 1897); Windisch, "Zwolf Hymnen des Rig-Veda", with Sayana's commentary (Leipzig, 1883). Translations were made into: English verse by Griffith (2 vols., Benares, 1896-97); selections in prose by Max Muller in "Sacred Books of the East", XXXII (Oxford, 1891); continued by Oldenburg, ibidem, XLVI (1897); German verse by Grassmann (2 vols., Leipzig, 1876-77); German prose by Ludwig (6 vols., Prague, 1876-88). On the Rig-Veda in general see: Kaegi, "The Rig-Veda", tr. Arrowsmith (Boston, 1886); Odenberg, "Rig- Veda", books I-Vi in "Göttinger Gesellschaft der Wissenschaften", new series, XI (Berlin, 1909).

Righteousness (Dharma) in the Rugveda : The Vedic sages created the institution of sacrificial fires (yadnya) as the point of union of God and man, on the earth. Later that very institution became the central focus of the spread of Vedic culture (sanskruti). A sacrificial fire is the very core of social life and the formation of social organisations. According to the Vedic sages The Supreme God exists in the form of a sacrificial fire. Performing sacrificial fires was Their sole code of Righteousness. Somyâg is a sacrifice which is accorded the central focus in the Rugveda. Som represents vision and fire symbolises light. It is because of the sun and the rain that all living beings survive. Food too is generated from them. This being the attitude of Vedic sages towards sacrificial fires They linked every important action of life to them.’

Answer 2

Rig Veda

Answer 3

Rig Veda

Answer 4

Rig Veda

Answer 5

Rig Veda

Answer 6

Actually there are 5 Vedas, though some confusion prevails on the numbers of vedas. Because the content of the fifth veda was provocative and heterodoxical, the then powers excluded from the scripural corpus. It is come to be know as the `Dark Veda', which should not be confused with yajur Veda because of overlapping gontents.

Answer 7

Rig Veda

The Rigveda (Sanskrit: ऋग्वेद) is a collection of Vedic Sanskrit hymns dedicated to the gods. It is counted as the holiest among the series of four Hindu canonical texts known as the Vedas. Geographical and ethnological passages in the Rigveda provide evidence that the Rigveda was composed between 1700–1100 BCE (the early Vedic period) in the Punjab (Sapta Sindhu) region of the Indian subcontinent.

The Rig Veda is the oldest of all known religious books, and the oldest book in Vedic Sanskrit or any Indo-European language. The composition of the Rigveda is conventionally dated to before 1500 BCE.

The Rigveda's core is accepted to date to the late Bronze Age, making it the only example of Bronze Age literature with an unbroken tradition. Its composition is usually dated to roughly between 1700–1100 BC.

The horse (Ashva) and cattle play an important role in the Rigveda. There are also references to the elephant (Hastin, Varana), Camel (Ustra, especially in Mandala 8), Buffalo (Mahisa), lion (Simha) and to the Gaur in the Rigveda. The peafowl (Mayura) and the Chakravaka (Anas casarca) are birds mentioned in the Rigveda.

Answer 8

The Rigveda is the oldest out of four vedas.

Answer 9

The Rig-Veda, 'the wisdom of the hymns', is the oldest Veda

Answer 10

The Rig-Veda ("Veda of verses"; from ric, or before sonants rig, "laudatory stanza") is the oldest and most important of these collections. In its present form it contains 1028 hymns (including eleven supplementary ones in the eighth book), arranged in ten mandalas (cycles), or books, which vary in extent, only the first and tenth being approximately equal. The poems themselves are of different authorship and date from widely different periods.

Answer 11

Rigveda isthe oldest of four vedas