Gorgons as bulls?

Question

In greek mytholgy gorgons were the name of the race of snake people. With Mudusa as their leader. On a couple occations I've seen gorgons portrayed as a bull. The bull can either turn it's victim to stone with a glare or with it's breath. I was wondering why it would be a bull and where it came from?

Answer 1

THE GORGONES (or Gorgons) were three powerful, winged daemons named Medousa (Medusa), Sthenno and Euryale. Of the three sisters only Medousa was mortal.The concept of the gorgon is at least as old in mythology as Perseus and Zeus. The name is Greek, being from gorgos, "terrible." There are a few cognates: Old Irish garg, "wild", Armenian karcr, "hard". Hoffman's suggested root is *gragnis; Émile Boisacq's, *greg-. The root would not be a commonly used one.
The name of the most senior "terrible one", Medusa, is better Greek, being the feminine present participle of medein, "to rule over." The masculine, Medon, "ruler", is a Homeric name. The Indo-European root, *me-, "measure", generates a large number of words.
The name of "queen" and the magical powers indicate Medusa was a bronze-age deity, and yet deities are not beheaded by mortals and terrible ones are not really terrible if they ward away enemies. The snakes are reminiscent of the Cretan snake goddess. It is possible that the story represents the subordination of a pre-Greek religious infrastructure by new Greek superstructures able to attribute the power of life and death to themselves.
On the other hand, Marija Gimbutas ("Language of the Goddess") believed she saw the prototype of the gorgoneion in Neolithic art motifs, especially in anthropomorphic vases and terra cotta masks inlaid with gold. The gorgon descends from the pre-Indo-European goddess of life and death, represented in various forms, of which the gorgoneion is one.
The motif is an accretion of motifs. The large eyes, as well as Athena's flashing eyes, are a symbol termed "the divine eyes" by Gimbutas (who did not originate the perception), appearing also in Athena's bird, the owl. They can be represented by spirals, wheels, concentric circles, and other ways. They radiate the sun's rays and weep the spring rains.
Snakes also possess the eyes. The fangs of the gorgoneion are snakes' fangs. Snakes are a symbol of propitiation and increase. The round face is the moon. Sometimes gorgoneia are endowed with birds' feet or bee wings, more symbols of regeneration. The mouth is open so that streams may flow from it. The lolling tongue is a symbol of death.
It cannot be said that these motifs belong exclusively to the European Neolithic and not to the Indo-Europeans. They appear among the Celts and Germans as well. The Balts kept snakes as household pets. As Gimbutas points out, masks with staring eyes are portrayed in Paleolithic cave art. Very likely, the goddess precedes any Indo-European/non-Indo-European
At Mycenae, traces of the ancient religion are found in elements considered characteristically Greek. A tholos tomb, there or elsewhere, is a symbol of the uterus. Solar discs studded the walls of some. The "death masks" of the shaft graves should probably more aptly be called life masks. In Paleolithic art, the dancer, who puts on a reindeer head with staring eyes, very likely became the reindeer in the dance. Similarly, a masked corpse overcame death by putting on the mask of life, a different concept from our death mask.
Gimbutas cites gorgoneia with bees' heads on some classical Attic pottery and with bees'heads, snake heads or owl faces on some Cycladic pottery. She regards them as transitional between the ancient and classical gorgoneia. As for the name, it is not from a solid Indo-European root. It could have been from a more ancient language, or could have translated a word in another language.
In Greek myth, only Perseus and Zeus (through Athena) own the gorgoneion. The two must be tied together in some way; that is, the king of Mycenae was the earthly counterpart of Zeus from whom he derived his authority. The Iliad clearly expresses this divine right of bronze-age kings, which the wrath of Achilles undermined. By assuming the gorgoneion, Perseus put on as a mask the power of life and death personified by Medusa, the cosmic queen.
Some say there was a but a single goat-like Gorgon, a daughter of the Sun-God, who was slain by Zeus at the start of the Titan-War to form his stormy aigis shield.
In older motifs the Gorgones were probably connected with Demeter Erinys (the Fury) and the three Erinyes. These were the bringers of drought, the withering of crops and the coming of famine. In myth the beheading of Medousa saw the release of two beings - Pegasos (of the springs) and Khrysaor (golden blade). This story might have represented the ending of drought with the release of the waters of springs (pegai) and the growth of golden (khryse) blades of grain. Demeter herself was titled Khrysaoros in Homeric poetry, further suggesting a close link between the name and blades of corn.
So that's mean goat like gorgon not bull,because bull shape creature only the minotaur.
The literary myth satisfied a Hellenic interpretation of Minoan myth and ritual. According to this, before Minos became king, he asked the Greek god Poseidon for a sign, to assure him that he, and not his brother, was to receive the throne (other acounts say that he boasted that the gods wanted him to be king). Poseidon agreed to send a white bull on condition Minos would sacrifice the bull to the god in return. Indeed, a bull of unmatched beauty came out of the sea. King Minos, after seeing it, found it so beautiful that he instead sacrificed another bull, hoping that Poseidon would not notice. Poseidon was very angry when he realized what had been done, so he caused Minos's wife, Pasiphae, to be overcome with a fit of madness in which she fell in love with the bull. Pasiphae went to Daedalus for assistance, and Daedalus devised a way for her to satisfy her passions. He constructed a hollow wooden cow covered with cowhide for Pasiphae to hide in and allow the bull to mount her. The result of this union was the Minotaur (the Bull of Minos), who some say bore the proper name Asterius (the Starry One). In some accounts, the white bull went on to become the Cretan Bull captured by Hercules as one of his labours.
The Minotaur had the body of a man and the head and tail of a bull. Pasiphae nursed him in his infancy, but he grew and became ferocious. Minos, after getting advice from the Oracle at Delphi, had Daedalus construct a gigantic labyrinth to hold the Minotaur. It was located under Minos' palace in Knossos.

Answer 2

um sure