Facts about the Structure and Design of the Elizabethan amphitheatres
The exact dimensions of the amphitheatres have been lost in time, however, the picture of the Swan allows for an approximation.
Amphitheatre facts Open arena - the actors would also get wet if it rained!
Size of amphitheatre Up to 100 feet in diameter
Varying Shapes Octagonal, circular in shape having between 8 and 24 sides
Building materials Timber, nails, stone (flint), plaster and thatched roofs. Later amphitheatres had tiled roofs
Building Duration 6 months
Overall design The open air arena, called the 'pit' or the 'yard', had a raised stage at one end and was surrounded by three tiers of roofed galleries with balconies overlooking the back of the stage. The stage projected halfway into the 'pit'
Audience Capacity 1500 plus. Up to 3000 people would flock to the theatre and its grounds
The Grounds of the theatre Bustling with people. Stalls selling merchandise and refreshments. Attracted non playgoers to the market
Toilet Facilities None . People relieved themselves outside. Sewage was buried in pits or disposed of in the River Thames. All theatres closed during outbreaks of the Bubonic Plague - disease would have spread via the rats & fleas
The Entrance to the theater Usually one main entrance. Some later theatres had external staircases to access the galleries
The 'Box ' Playgoers put 1 penny in a box at the theatre entrance
Access to the Balconies & Galleries Two sets of stairs, either side if the theater. The first gallery would cost another penny in the box which was held by a collector at the front of the stairs. The second gallery would cost another penny
The 'Box Office' At the start of the play the admission collectors put the boxes in a room backstage - the box office.
The 'Housekeepers' The owners of the theatre
The interior design Design was similar but far smaller version (1500 -3000 crowd capacity) than the Coliseum of the Roman period (50,000 crowd capacity) allowing the maximum number if playgoers in the space available
Lighting Natural lighting as plays were produced in the afternoon. However there was some artificial lighting mainly intended to provide atmosphere for night scenes
Heating There was no heating. Plays were performed in the summer months and transferred to the indoor playhouses during the winter
Stage dimensions Varying from 20 foot wide 15 foot deep to 45 feet to 30 feet
The height of the stage A raised stage - 3 to 5 feet and supported by large pillars or trestles
The floor of the Stage Made of wood, sometimes covered with rushes. Trap doors would enable some special effects e.g. smoke
The rear of the Stage A roofed house-like structure was at the rear of the stage, supported by two large columns (pillars)
The 'Herculean' columns or pillars The 'Herculean' pillars were made of huge, single tree trunks. These were drilled through the centre to eliminate warping of the wood
The 'Heavens' - a roof area The pillars supported a roof called the 'Heavens'
The 'Heavens' The 'Heavens' served to create an area hidden from the audience. This area provided a place for actors to hide. A selection of ropes & rigging would allow for special effects, such as flying or dramatic entries
The stage wall called the 'Frons Scenae' taken from Latin Behind the pillars was the stage wall. A doorway to the left and right and a curtained central doorway from which the actors made their entrances. Above the door area was a highly decorative screen called the 'Frons Scenae' (taken from the name given by Imperial Rome to the stage walls of their amphitheatres)
The Stage Gallery above the Stage Wall - The ' Lord's rooms' Immediately above stage wall was the stage gallery that was used by actors (Juliet's balcony) & the rich the nobility - known as 'Lord's rooms.'
The stage wall called the 'Frons Scenae' taken from Latin Behind the pillars was the stage wall, covered by a curtain. Above the curtain was a highly decorative screen. The 'Frons Scenae' was the name given by Imperial Rome to the stage walls of their amphitheatres
The Balcony above the Stage Wall - The ' Lord's rooms' Immediately above stage wall was a balcony that was used either by actors (Juliet's balcony) or the rich the nobility - known as 'Lord's rooms.'
The 'Lord's rooms' Considered the best seats in the 'house' despite the poor view of the back of the actors. The audience would have a good view of the Lords. And the Lords were able to hear the actors clearly. The cost was 5 pence & cushioned seats were provided
Musicians Music was an extra effect added in the 1600's. The musicians would also reside in the Lords rooms
The 'Gentlemen's rooms' There were additional balconies on the left and right of the 'lord's rooms' which were called the 'Gentlemen's rooms. For rich patrons of the theater - the cost was 4 pence & cushioned seats were provided
The 'Tiring House' The stage wall contained at least two doors which lead to a leading to small structure, back stage, called the 'Tiring House'. The stage wall was covered by a curtain. The actors used this area to change their attire
The 'Hut' Above the 'Tiring House' was a small house-like structure called the 'hut' complete with roof. Used as covered storage space for the troupe
Elizabethan advertising Above the hut was a small tower with a flag pole. Flags were erected on the day of the performance displaying a picture advertising the next play to be performed. (See the top picture of the Globe)
The 'pit' (also referred to as the 'yard') The stage projected halfway into the 'pit', also called the 'yard' (if tiled or cobbled) where the commoners (groundlings) paid 1 penny to stand to watch the play. They would have crowded around the 3 sides of the stage.
Groundlings Commoners who paid 1 penny admission to stand to watch the play
'Stinkards' During the height of the summer the groundlings were also referred to as 'stinkards' for obvious reasons
Access to the Galleries Two sets of stairs, either side if the theater. The stairways could also be external to the main structure to give maximum seating space
Seats in the galleries - Three levels
The seats in each of the three levels of galleries were tiered with three rows of wooden benches, increasing in size towards the back, following the shape of the building. The galleries were covered affording some shelter from the elements.
2006-10-29 11:51:49
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answered by K 2
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Elizabethan Theatre Structure
2016-12-17 15:40:33
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answered by eichelberger 3
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Pink Floyd- Wish You Were Here The Beatles- Across The Universe/ Hey Jude/ Let It Be The Rolling Stones- Wild Horses/ Ruby Tuesday Alanis Morissette- Hand in My Pocket Youth Group- Forever Young The Smashing Pumpkins- Tonight, Tonight REM- It's the End of the World As We Know It Led Zeppelin- That's The Way/Going To California Neil Young- After The Gold Rush/ Hey Hey, My My
2016-03-19 01:32:35
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answer #3
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answered by ? 4
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Google the Globe Theatre, Shaekspeare, Stratford-upon-Avon, etc. for lots of interesting materials. When we were there, we were able to buy paper cutouts of the Globe. We assembled them and used them as instruction materials at all levele. Middle school, high school, and college literature class school students all found it very informative.
There is much rich material on this subject. Ask your librarian for assistance in using the card catalogue if you don't know how to research this subject. Good luck!
2006-10-29 12:32:25
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answer #4
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answered by Donald W 4
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2017-02-08 23:44:11
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answered by ? 4
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