The Motion Picture Production Code of 1930 (Hays Code)
If motion pictures present stories that will affect lives for the better, they can become the most powerful force for the improvement of mankind
A Code to Govern the Making of Talking, Synchronized and Silent Motion Pictures. Formulated and formally adopted by The Association of Motion Picture Producers, Inc. and The Motion Picture Producers and Distributors of America, Inc. in March 1930.
Motion picture producers recognize the high trust and confidence which have been placed in them by the people of the world and which have made motion pictures a universal form of entertainment.
They recognize their responsibility to the public because of this trust and because entertainment and art are important influences in the life of a nation.
Hence, though regarding motion pictures primarily as entertainment without any explicit purpose of teaching or propaganda, they know that the motion picture within its own field of entertainment may be directly responsible for spiritual or moral progress, for higher types of social life, and for much correct thinking.
During the rapid transition from silent to talking pictures they have realized the necessity and the opportunity of subscribing to a Code to govern the production of talking pictures and of re-acknowledging this responsibility.
On their part, they ask from the public and from public leaders a sympathetic understanding of their purposes and problems and a spirit of cooperation that will allow them the freedom and opportunity necessary to bring the motion picture to a still higher level of wholesome entertainment for all the people.
2006-10-29 04:31:12
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answer #1
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answered by ஐAldaஐ 6
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In the early 1920s, three major scandals had rocked Hollywood: the manslaughter trials of comedy star Roscoe 'Fatty' Arbuckle who was charged with being responsible for the death of actress Virginia Rappe at a wild party in San Francisco during Labor Day weekend of 1921; the murder of director William Desmond Taylor in February 1922 and the revelations regarding his bisexual lifestyle; the drug-related death of popular actor Wallace Reid in January 1923. Later drug-related deaths of stars Olive Thomas, Barbara La Marr, Jeanne Eagels, and Alma Rubens resulted in persistent calls for censorship and "cleaning up" of Hollywood all through the 20's. These stories were sensationalized in the press and grabbed headlines across the country. They appeared to confirm a widespread perception that many Americans had of Hollywood—that it was "Sin City".
Public outcry over perceived immorality, both in Hollywood and in the movies, led to the creation in 1922 of the Motion Pictures Producers and Distributors Association (which became the Motion Picture Association of America in 1945). Intended to project a positive image of the movie industry, the association was headed by Will H. Hays, who had previously been United States Postmaster General and the 1920 campaign manager for President Warren G. Harding. Hays pledged to establish a set of moral standards for the movies.
Hays spent eight years attempting to enforce a moral authority over Hollywood films, with little effect. The Hays office did issue a list of "Don'ts" and "Be Carefuls" in 1927, but filmmakers continued to do pretty much what they wanted, although in numerous cases, certain lines of dialogue, scenes, or shots would not make the final cut.
The Production Code (also known as the Hays Code) was a set of industry guidelines governing the production of American motion pictures. The Motion Pictures Producers and Distributors Association (MPPDA), which later became the Motion Picture Association of America (MPAA), adopted the code in 1930, began effectively enforcing it in 1934, and abandoned it in 1967 in favor of the subsequent MPAA film rating system. The Production Code spelled out what was and was not considered morally acceptable in the production of motion pictures for a public audience.
2006-10-29 04:59:07
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answer #2
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answered by micheleseptember 2
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