what were the name's of all of Stevie Ray Vaughan's guitars?

Question

not Fender i mean the names he gave them

Answer 1

Number One or First Wife
Lenny
Charley
Red
Groove Master

I think those were the most famous ones.

*edit- nice cut and paste jivesucka, where did you get that info, Wikipedia?

Answer 2

There are many myths about Stevie's stage equipment but here are the facts as reported by his guitar technician René Martinez, who worked with Stevie's equipment for many years and also went on to become guitar technician for Carlos Santana.

For guitars, Stevie used some acoustics and a Hamiltone Custom, but he mainly used Fender Stratocasters. His most famous was a Strat with a Brazilian rosewood "veneer" fingerboard; it had "1962" stamped on the neck and body, but "1959" written on the pickups. Unlike what was widely believed, he never used bass frets, but did use "jumbo" Dunlop 6105s. On this particular guitar, he also had a left-handed tremolo installed and was known as "Number One" or "First Wife", at least once being called "First Wife" in an interview with Stevie. It had a D-shaped thick neck that was perfect for his large hands and thick fingers. The guitar was meticulously examined by Fender Custom Shop workers to gather specifications for a run of 100 exact copies in early 2004, and these facts were verified as can be read in an issue of Guitar World magazine[citation needed]. The pickups were never overwound purposely, but were from a batch of pickups made at Fender in 1959 that had been mistakenly overwound, producing "Number One's" distinctive sound. This also puts to bed the rumor that it was buried with Stevie. Jimmie Vaughan, Stevie's older brother, has possession of all of Stevie's guitars, save for the only one released to the public, "Lenny". It was sold in the Eric Clapton guitar auction for more than $600,000.

"Lenny" was a 1963 maple-neck that was named after his wife, Lenora. It had a very bright, thin sound. Supposedly, Stevie found this guitar in a pawnshop, but couldn't afford to buy it. One of Stevie's roadies, Byron Barr, bought it and he and Lenora presented it to Stevie for his birthday in 1976. According to the story, Lenora was supposed to pay Byron for the guitar; she started a pool with her friends to collect the money, but it was Stevie who eventually settled the debt, with cash and a leather jacket. Its neck was originally a thin rosewood, but Stevie replaced it with a thicker non-Fender maple neck. "Lenny" can be seen and heard on "Live at the El Mocambo". He plays it at the end of the set during the encore, playing the song of the same name. Stevie also used the guitar during the song "Riviera Paridise", this can also be seen and heard on the DVD "Live in Austin Texas".

"Charley" was a Stratocaster built for him by the late Charley Wirz, a friend and owner of Charley's Guitars in Dallas, Texas. Three Danelectro "lipstick tubes" are the pickups, and it had a hardtail bridge.

"Red" was a 1964 with a lefty neck that let him emulate the sounds of Otis Rush and Jimi Hendrix. This setup was able to give Stevie not only the sound he wanted, but the feel that lacked from a right hand neck.

Vaughan also played a guitar made by deceased Minneapolis, Minn., luthier, Roger Benedict. A semi-hollow, Alder-built guitar called the "Groove Master" was a model of choice for Vaughan. It is a seafoam-green Stratocaster-shaped guitar with three lipstick pickups.

He used a Dallas Arbiter Fuzz Face, many different Ibanez Tube Screamers (most notably the TS-808, but he also used a TS-9 for solos sometimes), Vox or Dunlop Cry Baby wahs (one of which was owned and used by Jimi Hendrix), and at one point a Univibe, though he usually used his rotating Leslie speaker cabinet. Sometimes he used two wahs duct-taped together, so they moved in unison.

His amps were a blonde '62 Fender Twin, a 100-watt Marshall JCM 800 half stack, a 150-watt Dumble Steel String Singer, two '64 Fender Vibroverbs (they are consecutively numbered: 5 and 6; Stevie was very proud of having obtained such low serial numbers). He also had a pair of 4x10 Fender Super Reverbs. At some venues he also had several Marshall full stacks for volume.