in the film first do no harm who sings the song over the rainbow?

Answer 1

Believe it or not Aretha Franklin

Answer 2

Somewhere Over the Rainbow techno versions by : Marusha Cosmic Gate Happy Hardcore

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Answer 3

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Answer 4

Aretha Franklin

Answer 5

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Answer 6

Judy Garland was the singer, I think she sang it when she realised that she might be trapped there. Though I can't remember, it's been a long time since I saw that film. (wizard of Oz, anyway)

Answer 7

judy garland was the orignal singer of that song in the wizard of oz

Answer 8

2

Answer 9

1

Answer 10

The sonngwriter or writers are the most important part! Without them singers would be on the dole!!
So here we go
Over the Rainbow was written by Harold Arlen (Music)
with lyrics by E.Yip. Harburg
In this film the song is performed by Aretha Franklin - Queen of Soul and not her usual sort of song. She is equally brilliant as these writers I have to admit and her versions of songs have made many writers rich and famous!

In my view this is the most perfect song written! and I admire Harold Arlen whose birth name was actually Hyman Arluck!
Short biography
No American has written more first-rate songs than Arlen. He grew up in a musical family (his father was a cantor), and disappointed but didn't surprise his parents by dropping out of high school to become a musician. A stint as pianist and singer with a dance band, the Buffalodians, allowed him to escape Buffalo for New York City. Arlen stayed on after the band's demise; after some mostly unsuccessful attempts to conquer vaudeville or Broadway, Arlen stumbled onto a tune that, with lyrics by Ted Koehler, became "Get Happy", his first hit. With Koehler as lyricist, Arlen became the staff composer for Harlem's Cotton Club, a premiere showcase for African-American entertainers such as Cab Calloway and Ethel Waters. They wrote "I've Got the World on a String" and "Ill Wind", among dozens of others. Arlen's second important collaborator was E.Y. Harburg, with whom he composed the score for _Wizard of Oz, The (1939)_, celebrated specialty numbers for Bert Lahr and Groucho Marx, and two Broadway musicals. In the 1940s, Arlen reached the peak of his popularity with his third major partner, Johnny Mercer; most of their hits, such as "Blues in the Night", "My Shining Hour" and "One for My Baby (and One More for the Road)", were written for the movies, as Hollywood replaced the stage as the songwriters' most lucrative market. As he aged, Arlen grew increasingly frustrated with Hollywood's waste of material and Broadway's rigmarole; his personal life in this period was also unhappy. His best songs, though, in renditions by performers li ke Judy Garland and Frank Sinatra and later cabaret singers and jazz musicians, have continued to be seen as classics.

E Yip Harburg is equally famous
His birth name was Isidore Hochberg
His nickname was Yip
Short biography
One of the great lyricists of American song, Harburg grew up (as Irwin Hochberg) in the working-class Jewish ghetto of Manhattan's Lower East Side. In high scho ol he befriended Ira Gershwin, later his collaborator on student literary ventures at City College of New York; both also contributed to F.P. Adams' colu mn in the daily New York World, the city's leading outlet for light verse. After graduation in 1917, during the wartime manpower shortage, Harburg landed a lucrative job in Uruguay with the Swift & Co. meat-packing firm. In 1920 he returned to New York, where he became a partner in an appliance business that thrived for most of the 1920s but failed around the time of the 1929 stock market crash. Harburg determined to make a living at lyric writing; Gershwin provided a $500 lo an and an introduction to the composer Jay Gorney. They collaborated on songs for Broadway revues and a number that Helen Morgan sang in two early film musicals; in 1932 they wrote Harburg's breakthrough, the unemployment anthem "Brother, Can You Spare a Dime?" In that year, for Broadway shows opening a f ew days apart, Harburg wrote "April in Paris" (with Vernon Duke) and, with Harold Arlen, "It's Only a Paper Moon". For the next twelve years, for theater and movies, Arlen was Harburg's most important collaborator; the partnership peaked with The Wizard of Oz (1939). Although he contributed to a number of films in the 1940s, Harburg's best work in those years was for Broadway's "Bloomer Girl" (with Arlen) and, with Burton Lane, "Finian's Rainbow". Both shows featured Harburg's lyrical dexterity ("when I'm not facing the face that I fancy, I fancy the face I face") and social commentary (both shows satirized racism and capitalism). His liberalism led to Harburg's blacklisting by Hollywood in the 1950s, helping to ensure that "Finian" would not be filmed for decades. Harburg continued to write, with Jule Styne, Earl Robinson and others, into his eighties.