What is that line in marry popin's?

Answer 1

Well, If your looking for the script here it is, its long,

================= MARY POPPINS =================
CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE A SWEEP IS AS
LUCKY AS LUCKY CAN BE CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO
GOOD LUCK WILL RUB OFF WHEN HE SHAKES HANDS WITH
YOU CHIM CHIMINY CHIM CHIM CHEREE, CHIM CHEROO
RUM DIDDLY-DIDDLY-DIDDLY RUM DIDDLE-DIE RUM DIDDLY-DIDDLY-
DIDDLY RUM DIDDLE-DIE ALL RIGHT, LADIES AND GENTS,
COMICAL POEMS SUITABLE FOR THE OCCASION, EXTEMPORIZED AND THOUGHT
UP BEFORE YOUR VERY EYES. ALL RIGHT, HERE WE GO. ROOM HERE FOR
EVERYONE GATHER AROUND THE CONSTABLE'S "RESPONSTABLE." NOW,
HOW DOES THAT SOUND? HELLO, MISS LARK I GOT ONE FOR YOU MISS LARK
LIKES TO WALK IN THE PARK WITH ANDREW. HELLO, ANDREW. AH, MRS. CORY
A STORY FOR YOU YOUR DAUGHTERS WERE SHORTER THAN YOU, BUT
THEY GREW. DEAR MISS PERSIMMON-- YES? WIND'S IN THE EAST MIST COMIN'
IN. LIKE SOMETHING IS BREWIN' ABOUT TO BEGIN CAN'T PUT
ME FINGER ON WHAT LIES IN STORE BUT I FEEL WHAT'S TO HAPPEN,
ALL HAPPENED BEFORE. I'M SORRY. WHERE WAS I? THANK YOU, ONE AND
ALL, FOR YOUR KIND SUPPORT. AH, MISS LARK, THANK YOU. CRIKEY.
BLESS YOU, GUV. GENEROSITY ITSELF, THAT'S WHAT YOU ARE.
NO CHARGE. OH, IT'S YOU! HELLO. NUMBER 17 CHERRY TREE LANE,
YOU SAY? ALL RIGHT. COME ALONG WITH ME.
THIS HERE'S CHERRY TREE LANE. NICE LITTLE SPOT, YOU MIGHT SAY.
NUMBER 17'S JUST DOWN A BIT. NOW, THIS IMPOSING EDIFICE
WHAT FIRST GREETS THE EYE... IS THE HOME OF ADMIRAL BOOM, LATE
OF HIS MAJESTY'S NAVY. LIKES HIS HOUSE SHIPSHAPE, HE
DOES, SHIPSHAPE AND BRISTOL FASHION AT ALL TIMES.
- TIME GUN READY? - READY AND CHARGED, SIR. - THREE MINUTES
AND SIX SECONDS. - AYE, AYE, SIR. WHAT HE'S FAMOUS
FOR IS PUNCTUALITY. THE WHOLE WORLD TAKES ITS TIME FROM GREENWICH.
BUT GREENWICH, THEY SAY, TAKES ITS TIME FROM ADMIRAL BOOM. WHAT
CHEER, ADMIRAL? GOOD AFTERNOON TO YOU, YOUNG MAN. WHERE ARE
YOU BOUND? NUMBER 17. GOT SOME PARTIES HERE IN TOW WHAT WANTS TO SEE
IT. - ENTER THAT IN THE LOG. - AYE, AYE, SIR. A WORD OF
ADVICE, YOUNG MAN: STORM SIGNALS ARE UP AT NUMBER 17.
BIT OF HEAVY WEATHER BREWING THERE. THANK YOU, SIR. KEEP
AN EYE SKINNED. HERE WE ARE. NUMBER 17 CHEERY TREE LANE.
RESIDENCE OF GEORGE BANKS, ESQUIRE. HELLO, HELLO, HELLO.
THE ADMIRAL'S RIGHT. HEAVY WEATHER BREWIN' AT NUMBER 17, AND
NO MISTAKE. - LEAVE HER ALONE! - SHUT UP! I'LL SHOW YOU.
DON'T YOU BE TRYING TO STOP THE WRETCHED CREATURE!
LET HER GO, THAT'S WHAT I SAY, AND GOOD RIDDANCE! I NEVER
LIKED HER FROM THE MOMENT SHE SET FOOT IN THE DOOR. BUT WHO GETS
STUCK WITH THE CHILDREN WITH NO NANNY IN THE HOUSE? ME, THAT'S
WHO! HER AND HER HIGH AND MIGHTY WAYS! AND THAT FACE OF HER THAT WOULD
STOP A COAL BARGE, IT WOULD. INDEED, MRS. BRILL! I WOULDN'T
STAY IN THIS HOUSE ANOTHER MINUTE, NOT IF YOU HEAP ME WITH
ALL THE JEWELS IN CHRISTENDOM. NO, NO, KATIE NANNA, DON'T GO!
STAND AWAY FROM THAT DOOR, MY GIRL! BUT
WHAT AM I GONNA TELL THE MASTER ABOUT THE CHILDREN? IT'S NO CONCERN
OF MINE. THOSE LITTLE BEASTS HAVE RUN AWAY FROM ME FOR THE
LAST TIME. THEY MUST BE SOMEWHERE. DID YOU LOOK AROUND THE ZOO IN
THE PARK? YOU KNOW HOW JANE AND MICHAEL IS. COO! YOU DON'T THINK
THE LION COULD'VE GOT AT THEM, DO YA? YOU KNOW HOW FOND THEY WAS
OF HANGIN' AROUND THE CAGE. I SAID MY SAY, AND THAT'S ALL
I'LL SAY. I'VE DONE WITH THIS HOUSE FOREVER. WELL,
HIP, HIP, HOORAY! AND DON'T STUMBLE ON THE WAY OUT, DEARIE.
NOW, NOW, KATIE NANNA! MRS. BANKS! SHE'S HOME! OUR DAUGHTER'S DAUGHTERS
WILL ADORE US AND WE'LL SING IN GRATEFUL CHORUS "WELL
DONE, SISTER SUFFRAGETTE" GOOD EVENING, KATIE NANNA,
ELLEN. WE HAD THE MOST GLORIOUS MEETING! MRS. WHITBOURNE-ALLEN CHAINED
HERSELF TO THE WHEEL OF THE PRIME MINISTER'S CARRIAGE. - YOU
SHOULD'VE BEEN THERE. - MRS. BANKS, I WOULD LIKE A WORD WITH YOU.
AND MRS. AINSLIE, SHE WAS CARRIED OFF TO PRISON, SINGING
AND SCATTERING PAMPHLETS ALL THE WAY! I'M GLAD
YOU'RE HOME, MADAM. I'VE ALWAYS GIVEN THE BEST THAT'S IN ME--
ON, THANK YOU, KATIE NANNA. I ALWAYS KNEW YOU WERE ONE
OF US. WE'RE CLEARLY SOLDIERS IN PETTICOATS AND DAUNTLESS
CRUSADERS FOR WOMEN'S VOTES THOUGH WE ADORE MEN INDIVIDUALLY
WE AGREE THAT AS A GROUP THEY'RE RATHER STUPID - MRS. BANKS.
- CAST OFF THE SHACKLES OF YESTERDAY SHOULDER
TO SHOULDER INTO THE FRAY OUR DAUGHTER'S DAUGHTERS WILL ADORE
US AND THEY'LL SING IN GRATEFUL CHORUS "WELL DONE,
SISTER SUFFRAGETTE" BEING THAT AS IT MAY, I DO NOT WISH TO OFFEND,
BUT I-- FROM KENSINGTON TO BILLINGSGATE ONE HEARS THE RESTLESS
CRIES FROM EVERY CORNER OF THE LAND WOMANKIND ARISE
POLITICAL EQUALITY AND EQUAL RIGHTS WITH MEN TAKE HEART
FOR MRS. PANKHURST HAS BEEN CLAPPED IN IRONS AGAIN NO MORE THE MEEK
AND MILD SUBSERVIENTS WE WE'RE FIGHTING FOR OUR RIGHTS
MILITANTLY NEVER YOU FEAR IF I MAY HAVE A WORD,
MRS. BANKS. - SO CAST OFF THE SHACKLES OF YESTERDAY
- MRS. BANKS! AND SHOULDER TO SHOULDER INTO
THE FRAY OUR DAUGHTER'S DAUGHTERS WILL ADORE US
AND THEY'LL SING IN GRATEFUL CHORUS - "WELL DONE" - MRS. BANKS.
- "WELL DONE" - MRS. BANKS. - "WELL DONE, SISTER SUF--" - MRS. BANKS!
- WHAT IS IT, KATIE NANNA? - MRS. BANKS, I HAVE SOMETHING
TO SAY TO YOU. - WHERE ARE THE CHILDREN? - THE CHILDREN,
MADAM, TO BE PRECISE, ARE NOT HERE. THEY'VE DISAPPEARED AGAIN.
KATIE NANNA, THIS IS REALLY TOO CARELESS OF YOU. DOESN'T IT
MAKE THE THIRD TIME THIS WEEK? THE FOURTH, MADAM. AND I FOR
ONE HAVE HAD MY FILL OF IT. I'M NOT ONE TO SPEAK ILL OF THE
CHILDREN, BUT-- OH, PLEASE, WHEN DO YOU EXPECT THEM HOME?
I REALLY COULDN'T SAY. AND NOW IF YOU'D BE GOOD ENOUGH TO COMPUTE
MY WAGES, I'LL-- OH, GRACIOUS, KATIE NANNA! YOU'RE NOT LEAVING?
WHAT WILL MR. BANKS SAY? HE'S GOING TO BE CROSS ENOUGH AS
IT IS TO COME HOME AND FIND THE CHILDREN MISSING. ELLEN, PUT
THESE THINGS AWAY. YOU KNOW HOW THE CAUSE INFURIATES MR. BANKS.
YES, MA'AM. KATIE NANNA, I BESEECH YOU. PLEASE RECONSIDER.
THINK OF THE CHILDREN. THINK OF MR. BANKS. HE WAS JUST
BEGINNING TO GET USED TO YOU. POSTS, EVERYONE! FOUR, THREE, TWO,
ONE. FIRE! -KATIE NANNA, I DO BESEECH YOU-- -MY WAGES,
IF YOU PLEASE. BIT EARLY TONIGHT, AREN'T YOU, ADMIRAL? NONSENSE.
BANG ON THE DOT, AS USUAL. HOW ARE THINGS IN THE
WORLD OF FINANCE? NEVER BETTER. MONEY'S SOUND. CREDIT RATES ARE
MOVING UP, UP, UP. AND THE BRITISH POUND IS
THE ADMIRATION OF THE WORLD. - GOOD MAN. - HOW DO THINGS
LOOK FROM WHERE YOU STAND? BIT CHANCY, I'D SAY. THE WIND'S COMING
UP AND THE GLASS IS FALLING. - DON'T LIKE THE LOOK OF IT. - GOOD,
GOOD, GOOD. BANKS, SHOULDN'T WONDER IF YOU WEREN'T STEERING
INTO A NASTY PIECE OF WEATHER. BANKS! DO YOU HEAR ME? HELLO, KATIE
NANNA. THAT MUST BE HEAVY. ALLOW ME. HMPH! WHAT A VERY PRETTY HAT.
I FEEL A SURGE OF DEEP SATISFACTION MUCH AS A KING
ASTRIDE HIS NOBLE STEED THANK YOU. WHEN I RETURN FROM
DAILY STRIFE TO HEARTH AND WIFE HOW PLEASANT IS THE LIFE
I LEAD - DEAR, IT'S ABOUT THE CHILDREN. - YES, YES, YES.
I RUN MY HOME PRECISELY ON SCHEDULE AT 6:01 I MARCH
THROUGH MY DOOR MY SLIPPERS, SHERRY AND PIPE ARE DUE AT 6:02
CONSISTENT IS THE LIFE I LEAD - GEORGE, THEY'RE MISSING.
- SPLENDID. SPLENDID. IT'S GRAND TO BE AN ENGLISHMAN IN 1910
KING EDWARD'S ON THE THRONE IT'S THE AGE OF MEN I'M THE LORD
OF MY CASTLE THE SOVEREIGN, THE LIEGE I TREAT MY SUBJECTS, SERVANTS
CHILDREN, WIFE WITH A FIRM BUT GENTLE HAND NOBLESSE
OBLIGE IT'S 6:03 AND THE HEIRS TO MY DOMINION
ARE SCRUBBED AND TUBBED AND ADEQUATELY FED AND SO I'LL PAT THEM
ON THE HEAD AND SEND THEM OFF TO BED AH, LORDLY IS THE LIFE
I LEAD - WINIFRED, WHERE ARE THE CHILDREN? - THEY'RE
NOT HERE, DEAR. WHAT? WELL, OF COURSE THEY'RE HERE! WHERE ELSE WOULD
THEY BE? - I DON'T KNOW, GEORGE. - YOU DON'T KNOW? WELL, THEY'RE
MISSING. KATIE NANNA HAS LOOKED EVERYWHERE. VERY WELL. I'LL DEAL WITH
THIS AT ONCE. GIVE ME THE POLICE STATION, QUICKLY, PLEASE.
I DON'T THINK WE NEED BOTHER THE POLICE, DEAR. THE FACTS
OF THE MATTER-- KINDLY DO NOT ATTEMPT TO CLOUD THE ISSUE WITH FACTS.
ONE FACT, AND ONE FACT ALONE IS CRYSTAL CLEAR! KATIE NANNA'S FALTERED
AT HER POST. SHE'S LET THE FAMILY DOWN. AND I SHALL BRING
HER TO BO-- OH. SHE'S LEFT US, HASN'T SHE? YES, DEAR, ONLY
JUST. WHAT, UH-- YES. GEORGE BANKS HERE. YES. 17 CHERRY TREE LANE.
IT'S A MATTER OF SOME URGENCY. I SHOULD LIKE YOU TO SEND
A POLICEMAN AROUND IMMEDIATELY. THE POLICEMAN'S HERE, GEORGE!
WHAT? OH, HOW VERY PROMPT. WHAT WONDERFUL SERVICE. THANK
YOU SO MUCH. GOOD NIGHT. - COME IN, CONSTABLE. COME IN. - THANK
YOU, SIR. WHILE GOING ABOUT MY DUTIES ON THE OTHER
SIDE OF THE PARK, I NOTED SOME VALUABLES THAT HAD GONE ASTRAY. -
I BELIEVE THEY'RE YOURS, SIR. - VALUABLES? COME
ALONG, NOW. COME ALONG. JANE! MICHAEL! WINIFRED, PLEASE DON'T
BE EMOTIONAL. OH, I WOULDN'T BE TOO HARD ON 'EM, SIR. THEY'VE
HAD A LONG, WEARY WALK TODAY. CHILDREN, COME HERE AT ONCE.
- WELL? - I'M SORRY WE LOST KATIE NANNA, FATHER.
- YOU SEE, IT WAS WINDY. - AND THE KITE WAS TOO STRONG FOR
US. IN A MANNER OF SPEAKING, SIR, IT WAS THE KITE THAT RAN AWAY,
NOT THE CHILDREN. THANK YOU, CONSTABLE. I THINK I
CAN MANAGE THIS. ACTUALLY IT WASN'T A VERY GOOD KITE. WE MADE IT OURSELVES.
PERHAPS IF YOU HELPED US TO MAKE ONE-- AH, THAT'S THE
TICKET, SIR. KITES ARE SKITTISH THINGS. WHY, ONLY LAST WEEK WITH ME
OWN YOUNGSTERS-- I'M VERY GRATEFUL TO YOU, CONSTABLE, FOR
RETURNING THE CHILDREN. AND I'M SURE THAT IF YOU GO
TO THE KITCHEN, COOK'LL FIND YOU A PLATE OF SOMETHING. THANK YOU,
SIR. I SHALL NOW RETURN TO MY DUTIES. THANK YOU, CONSTABLE.
GOOD NIGHT, MISS. GOOD NIGHT, MA'AM. GOOD NIGHT, SIR. COOK'LL
FIND ME SOMETHING. I NEVER-- I'M AWFULLY SORRY ABOUT
THIS, GEORGE. I'LL EXPECT YOU'LL WANT TO DISCUSS IT. I WOULD
INDEED! ELLEN, TAKE JANE AND MICHAEL UPSTAIRS STRAIGHTAWAY.
YES, SIR. I KNEW IT. WHEN ALL'S SAID AND DONE, WHO BEARS THE BRUNT
OF EVERYTHING AROUND HERE? ME, THAT'S WHO! THEY DON'T WANT AN HONEST,
HARD-WORKIN' GIRL AROUND HERE. THEY NEED A RUDDY ZOOKEEPER.
I'M SORRY, DEAR, BUT WHEN I CHOSE KATIE NANNA, I THOUGHT SHE
WOULD BE FIRM WITH THE CHILDREN. SHE LOOKED SO SOLEMN AND
CROSS. WINIFRED, NEVER CONFUSE EFFICIENCY WITH A LIVER
COMPLAINT. I'LL TRY TO DO BETTER NEXT TIME. NEXT TIME?
MY DEAR, YOU'VE ENGAGED SIX NANNIES IN THE LAST FOUR MONTHS!
- AND THEY'VE ALL BEEN UNQUALIFIED DISASTERS. - I QUITE AGREE.
CHOOSING A NANNY FOR THE CHILDREN IS AN IMPORTANT AND
DELICATE TASK. IT REQUIRES INSIGHT, BALANCED JUDGMENT,
AND AN ABILITY TO READ CHARACTER. UNDER THE CIRCUMSTANCES,
I THINK IT MIGHT BE APROPOS TO TAKE IT UPON MYSELF TO, UH,
SELECT THE NEXT PERSON. - OH, WOULD YOU, GEORGE? - OBVIOUSLY THE
WAY TO FIND A PROPER NANNY... IS TO GO ABOUT IT IN A PROPER
FASHION. I SHALL PUT AN ADVERTISEMENT IN THETIMES. TAKE
THIS DOWN PLEASE. - YES, OF COURSE, DEAR. - WANTED.
UH, NO. UH, REQUIRED. NANNY: FIRM, RESPECTABLE, NO NONSENSE.
A BRITISH NANNY MUST BE A GENERAL THE FUTURE EMPIRE
LIES WITHIN HER HANDS AND SO THE PERSON THAT WE NEED TO MOLD
THE BREED IS A NANNY WHO CAN GIVE COMMANDS
- YOU GETTING THIS, WINIFRED? - OH, YES, DEAR. EVERY WORD. A BRITISH
BANK IS RUN WITH PRECISION A BRITISH HOME REQUIRES NOTHING
LESS TRADITION, DISCIPLINE AND RULES MUST BE THE TOOLS
WITHOUT THEM, DISORDER CATASTROPHE, ANARCHY IN SHORT YOU HAVE
A GHASTLY MESS SPLENDID, GEORGE! INSPIRATIONAL. THETIMES WILL
BE SO PLEASED. - FATHER? - YES? WE'VE DISCUSSED EVERYTHING,
AND WE'RE VERY SORRY ABOUT WHAT WE DID TODAY. I SHOULD CERTAINLY
THINK SO. - IT WAS WRONG TO RUN AWAY FROM KATIE NANNA.
- IT WAS INDEED. AND WE DO SO WANT TO GET ON WITH THE
NEW NANNY. VERY SENSIBLE. I SHALL BE GLAD TO HAVE YOUR HELP
IN THE MATTER. WE THOUGHT YOU WOULD. THAT'S WHY WE WROTE THIS ADVERTISEMENT.
- ADVERTISEMENT FOR WHAT? - FOR THE NEW NANNY. - YOU WROTE
AN ADVERT-- - GEORGE, I THINK WE SHOULD LISTEN. - YOU SAID
YOU WANTED OUR HELP. - BUT, I-- OH, VERY WELL. "WANTED: A NANNY
FOR TWO ADORABLE CHILDREN." "ADORABLE." WELL, THAT'S DEBATABLE,
I MUST SAY. IF YOU WANT THIS CHOICE POSITION HAVE A CHEERY DISPOSITION
- JANE, I DON'T-- - ROSY CHEEKS, NO WARTS - THAT'S THE PART
I PUT IN. - PLAY GAMES, ALL SORTS YOU MUST BE KIND YOU MUST BE
WITTY VERY SWEET AND FAIRLY PRETTY - WELL, OF ALL THE RIDIC-
- - GEORGE, PLEASE! TAKE US ON OUTINGS GIVE US TREATS
SING SONGS BRING SWEETS NEVER BE CROSS OR CRUEL NEVER GIVE US
CASTOR OIL OR GRUEL LOVE US AS A SON AND DAUGHTER AND NEVER
SMELL OF BARLEY WATER I PUT THAT IN, TOO. IF YOU WON'T SCOLD AND DOMINATE
US WE WILL NEVER YOU GIVE YOU CAUSE TO HATE US WE WON'T
HIDE YOUR SPECTACLES SO YOU CAN'T SEE PUT TOADS IN YOUR
BED OR PEPPER IN YOUR TEA HURRY, NANNY MANY THANKS SINCERELY JANE
AND MICHAEL BANKS THANK YOU. MOST INTERESTING. AND NOW I THINK
WE'VE HAD QUITE ENOUGH OF THIS NONSENSE. PLEASE RETURN TO THE
NURSERY. THEY WERE ONLY TRYING TO HELP. THEY'RE JUST CHILDREN.
I'M WELL AWARE THEY'RE JUST CHILDREN, WINIFRED. I ONLY CONGRATULATE
MYSELF THAT I DECIDED TO STEP IN AND TAKE A HAND. "PLAY
GAMES, SING SONGS, GIVE TREATS." RIDICULOUS. THERE'S NO
QUESTION IN MY MIND WHATSOEVER. NOW IS THE TIME FOR ACTION.
GIVE ME THETIMES, PLEASE. NO, I DO NOT KNOW THE NUMBER. OH,
GEORGE, YOU'RE ALWAYS SO FORCEFUL. THE TIMES?
GEORGE BANKS HERE. 17 CHERRY TREE LANE. I WISH TO PLACE
AN ADVERTISEMENT IN YOUR COLUMN. - TIME GUN READY?
- READY AND CHARGED, SIR. I'LL TAKE THE REPORT, MR. BINNACLE.
THE WIND HAS CHANGED, SIR. SEEMS TO BE COMIN' IN FROM
A NEW QUARTER. - SO IT IS. - SIR? - WHAT IS IT? BIT
OF SOMETHIN' OR OTHER TAKING PLACE OFF THE PORT BOW. GHASTLY LOOKING
CREW, I MUST SAY! COO! THERE'S A FAIR QUEUE OF NANNIES OUTSIDE,
SIR. SHALL I SHOW 'EM IN? ELLEN, I SAID 8:00, AND 8:00 IT
SHALL JOLLY WELL BE. YOU SEE? TWELVE SECONDS TO GO. -
TEN, NINE, EIGHT-- - POSTS! SEVEN, SIX, FIVE, FOUR, THREE,
TWO, ONE! ELLEN, IT IS NOW 8:00. YES, SIR. BUT I HAVE TOLD YOU
TIME AND TIME AGAIN, ELLEN, I DISLIKE BEING HURRIED INTO THINGS.
I DON'T UNDERSTAND. THEY'RE NOT WHAT WE ADVERTISED FOR AT
ALL. MICHAEL, LOOK! PERHAPS IT'S A WITCH. OF COURSE NOT. WITCHES
HAVE BROOMS. IT'S HER. IT'S THE PERSON. SHE'S ANSWERED OUR ADVERTISEMENT.
ROSY CHEEKS AND EVERYTHING. ELLEN, YOU MAY NOW SHOW THEM
IN, ONE AT A TIME. YES, SIR. - YOU MAY COME IN ONE
AT A TIME. - THANK YOU. OH. YOU ARE THE FATHER
OF JANE AND MICHAEL BANKS, ARE YOU NOT? I SAID, YOU ARE THE FATHER
OF JANE AND MICHAEL BANKS. WELL, WELL YE-- YES, OF COURSE,
I MEAN. UH-- YOU BROUGHT YOUR REFERENCES, I PRESUME. MAY I SEE THEM?
OH, I MAKE IT A POINT NEVER TO GIVE REFERENCES. A VERY OLD-FASHIONED
IDEA TO MY MIND. IS THAT SO? WE'LL HAVE TO SEE ABOUT
THAT THEN, WON'T WE? NOW THEN, THE QUALIFICATIONS. "ITEM
ONE: A CHEERY DISPOSITION." I AM NEVER CROSS. "ITEM TWO:
ROSY CHEEKS." OBVIOUSLY. "ITEM THREE: PLAY GAMES, ALL SORTS."
WELL, I'M SURE THE CHILDREN WILL FIND MY GAMES EXTREMELY DIVERTING.
MAY I? EH, THIS PAPER? WHERE DID YOU GET IT FROM? I THOUGHT
I TORE IT UP. EXCUSE ME. "ITEM FOUR: YOU MUST BE KIND." I AM
KIND, BUT EXTREMELY FIRM. - HAVE YOU LOST SOMETHING? - AH!
YEAH. THAT PAPER, YOU SEE. I THOUGHT THAT I-- - YOU
ARE GEORGE BANKS, ARE YOU NOT? - WHAT? AND
YOU DID ADVERTISE FOR A NANNY, DID YOU NOT? - GEORGE BANKS. -
VERY WELL THEN. I TORE IT UP, TURNED IT OVER. TORE IT UP AGAIN
AND THREW IT IN THERE. YES. I BEG YOUR PARDON. ARE YOU ILL?
I HOPE NOT. NOW, ABOUT MY WAGES. THE REFERENCE HERE IS
VERY OBSCURE. - VERY OBSCURE. - WE MUST BE VERY CLEAR ON
THAT POINT, MUSTN'T WE? - YES, WE MUST INDEED. - I SHALL REQUIRE
EVERY SECOND TUESDAY OFF. EVERY TUESDAY. ON SECOND THOUGHTS,
I BELIEVE A TRIAL PERIOD WOULD BE WISE. HMM. I'LL GIVE YOU ONE WEEK.
I'LL KNOW BY THEN. I'LL SEE THE CHILDREN NOW. THANK YOU.
CLOSE YOUR MOUTH PLEASE, MICHAEL. WE ARE NOT
A CODFISH. WELL, DON'T STAND THERE STARING. BEST FOOT FORWARD.
SPIT SPOT! - GEORGE? - AAH! GEORGE, WHAT ON EARTH ARE
YOU DOING? - I THOUGHT YOU WERE INTERVIEWING NANNIES. -
I WAS! I WAS! YOU MEAN YOU'VE SELECTED ONE ALREADY?
- YES, IT'S DONE. IT'S, IT'S ALL DONE. - WELL, WHERE IS SHE?
WHAT? WELL, EH, SHE'S IN THE NURSERY OF COURSE, I MEAN. - I
PUT HER TO WORK STRAIGHTAWAY, I MEAN. - HOW CLEVER OF YOU!
I WOULD HAVE MUDDLED THE WHOLE THING. TELL ME, IS SHE EVERYTHING
THAT WE'D HOPED SHE BE? WELL, I-IT ALL HAPPENED RATHER QUICKLY.
I MEAN, I-- I, UH-- WILL SHE BE FIRM? WILL SHE GIVE COMMANDS?
WILL SHE MOLD OUR YOUNG BREED? YOU KNOW, WINIFRED, I THINK SHE
WILL. - I THINK SHE WILL. - IN THAT CASE, PERHAPS YOU'D BETTER
TELL ELLEN TO DISMISS THE OTHERS. - THE OTHERS? OH, YES. ELLEN?
- Y-YES, SIR? TELL THE OTHER APPLICANTS THEY MAY GO.
THE POSITION HAS BEEN FILLED. - THE OTHERS, SIR? - YES, THE
OTHERS. HOW MANY N-NANNIES DOES SHE THINK WE NEED IN THIS HOUSE?
THE POSITION HAS BEEN FILLED. I'M AFRAID THE NURSERY ISN'T VERY
TIDY. IT IS RATHER LIKE A BEAR PIT, ISN'T IT? - THAT'S A
FUNNY SORT OF BAG. - CARPET. - YOU MEAN TO CARRY
CARPETS IN? - NO. MADE OF. THIS IS YOUR ROOM, AND
THERE'S A LOVELY VIEW OF THE PARK. HMM. WELL, IT'S NOT EXACTLY
BUCKINGHAM PALACE. STILL, IT'S CLEAN. YES, I THINK IT WILL BE
QUITE SUITABLE. JUST NEEDS A TOUCH HERE AND THERE. WELL,
FIRST THINGS FIRST. I ALWAYS SAY, THE PLACE TO HANG A HAT
IS ON A HAT STAND. AH! THIS WILL NEVER DO! I MUCH PREFER SEEING
ALL OF MY FACE AT THE SAME TIME. THERE-- BUT THERE WAS NOTHING
IN IT. NEVER JUDGE THINGS BY THEIR APPEARANCE. EVEN CARPETBAGS.
I'M SURE I NEVER DO. A THING OF BEAUTY IS A JOY FOREVER. MMM,
A LITTLE MORE LIGHT, PERHAPS. WE BETTER KEEP AN EYE
ON THIS ONE. - SHE'S TRICKY. - SHE'S WONDERFUL. MUCH BETTER!
NOW, LET ME SEE. THAT'S FUNNY. I ALWAYS CARRY IT WITH
ME. IT MUST BE HERE SOMEWHERE. - WHAT? - MY TAPE MEASURE.
- WHAT DO YOU WANT IT FOR? - I WANT TO SEE HOW YOU TWO MEASURE UP.
WELL, THAT'S THE FUNNIEST THING I EVER SAW. I KNOW
IT'S DOWN HERE SOMEWHERE. AH, HA-HA, HA-HA! HERE IT
IS. GOOD. COME ALONG, THEN. QUICKLY. HEAD UP,
MICHAEL. DON'T SLOUCH. JUST AS I THOUGHT. EXTREMELY STUBBORN AND
SUSPICIOUS. - I AM NOT! - SEE FOR YOURSELF. "EXTREMELY
STUBBORN AND SUS--" SUSPICIOUS. NOW YOU, JANE. MMM. "RATHER
INCLINED TO GIGGLE. DOESN'T PUT THINGS AWAY." HOW 'BOUT YOU?
VERY WELL. HOLD THIS FOR ME. AS I EXPECTED. "MARY POPPINS.
PRACTICALLY PERFECT IN EVERY WAY." MARY POPPINS! IS THAT YOUR
NAME? IT'S LOVELY. THANK YOU. I'VE ALWAYS
LIKED IT. - NOW, SHALL WE GET ON WITH IT? - GET ON WITH WHAT?
IN YOUR ADVERTISEMENT, DID YOU NOT SPECIFICALLY REQUEST TO
PLAY GAMES? - OH, YES! - VERY WELL, THEN. OUR FIRST GAME
IS CALLED "WELL BEGUN IS HALF DONE." I DON'T LIKE THE SOUND
OF THAT. OTHERWISE ENTITLED, "LET'S TIDY UP THE NURSERY."
I TOLD YOU SHE WAS TRICKY. - SHALL WE BEGIN? - IT IS
A GAME, ISN'T IT, MARY POPPINS? WELL, IT DEPENDS ON YOUR
POINT OF VIEW. YOU SEE, IN EVERY JOB THAT MUST BE DONE... THERE IS
AN ELEMENT OF FUN. YOU FIND THE FUN, AND SNAP! THE JOB'S A
GAME. AND EVERY TASK YOU UNDERTAKE BECOMES A PIECE OF CAKE
A LARK, A SPREE IT'S VERY CLEAR TO SEE THAT A SPOONFUL OF SUGAR
HELPS THE MEDICINE GO DOWN THE MEDICINE GO DOWN MEDICINE
GO DOWN JUST A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN
IN A MOST DELIGHTFUL WAY A ROBIN FEATHERING HIS NEST HAS VERY LITTLE
TIME TO REST WHILE GATHERING HIS BITS OF TWINE AND TWIG THOUGH
QUITE INTENT IN HIS PURSUIT, HE HAS A MERRY TUNE TO TOOT HE KNOWS
A SONG WILL MOVE THE JOB ALONG FOR A SPOONFUL OF SUGAR HELPS
THE MEDICINE GO DOWN THE MEDICINE GO DOWN MEDICINE GO DOWN JUST
A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN IN A MOST DELIGHTFUL
WAY THE HONEYBEES THAT FETCH THE NECTAR FROM THE FLOWERS TO
THE COMB NEVER TIRE OF EVER BUZZING TO AND FRO BECAUSE
THEY TAKE A LITTLE NIP FROM EVERY FLOWER THAT THEY SIP - AND HENCE
- AND HENCE - THEY FIND - THEY FIND THEIR TASK IS NOT A GRIND
CHEEKY. DON'T BE ALL DAY ABOUT IT, PLEASE. LET ME OUT! LET ME OUT!
LET ME OUT! WELL, THAT WAS VERY-- THANK YOU NOW-- WHEN YOU'VE
QUITE FINISHED! THANK YOU. THAT WILL BE QUITE SUFFICIENT. HATS AND
COATS, PLEASE. IT'S TIME FOR OUR OUTING IN THE PARK.
I DON'T WANT AN OUTING. I WANT TO TIDY UP THE NURSERY AGAIN.
ENOUGH IS AS GOOD AS A FEAST. COME ALONG, PLEASE. LET ME
LOOK AT YOU. WELL, YOU'RE NOT AS WELL TURNED OUT AS I'D LIKE.
STILL, THERE'S TIME. THERE'S TIME. SPIT SPOT! AND OFF WE
GO. FOR A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN THE MEDICINE
GO DOWN MEDICINE GO DOWN JUST A SPOONFUL OF SUGAR HELPS THE MEDICINE
GO DOWN IN THE MOST DELIGHTFUL WAY CHIM CHIMINY, CHIM CHIMINY CHIM
CHIM CHEROO I DOES WHAT I LIKES AND I LIKES WHAT
I DO HELLO, ART LOVERS. TODAY I'M A SCREEVER AND AS YOU CAN SEE
A SCREEVER'S AN ARTIST OF HIGHEST DEGREE AND IT'S ALL ME OWN WORK
FROM ME OWN MEMORY WELL, NOT ROYAL ACADEMY, I SUPPOSE.
STILL THEY'RE BETTER THAN A FINGER IN YOUR EYE, AIN'T THEY?
CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO I DRAWS WHAT
I LIKES AND I LIKES WHAT I DREW NO REMUNERATION DO I ASK OF YOU
BUT ME CAP WOULD BE GLAD OF A COPPER OR TWO ME CAP WOULD BE
GLAD OF A COPPER OR TWO WAIT! DON'T MOVE. DON'T MOVE A MUSCLE.
STAY RIGHT WHERE YOU ARE. I'D KNOW THAT SILHOUETTE ANYWHERE! MARY POPPINS!
IT'S NICE TO SEE YOU AGAIN, BERT. I EXPECT YOU KNOW JANE AND MICHAEL.
WELL, I'VE SEEN 'EM HERE AND ABOUT. CHASIN' A KITE LAST
TIME, WEREN'T IT? MARY POPPINS IS TAKING US TO THE PARK.
TO THE PARK? NOT IF I KNOW MARY POPPINS. OTHER NANNIES
TAKE CHILDREN TO THE PARK. WHEN YOU'RE WITH MARY POPPINS,
SUDDENLY YOU'RE IN PLACES YOU'VE NEVER DREAMED OF. AND QUICK
AS YOU CAN SAY "BOB'S YOUR UNCLE," THE MOST UNUSUAL THINGS BEGIN
TO HAPPEN. I'M SURE I HAVEN'T THE FAINTEST IDEA WHAT YOU'RE
TALKING ABOUT. WELL MIND, IT'S NOT MY PLACE TO SAY, BUT WHAT SHE'S
PROBABLY GOT IN MIND... IS A JOLLY HOLIDAY SOMEWHERES
OR OTHER. SOMETHING ALONG THESE LINES, I SHOULDN'T BE SURPRISED.
"PUNTING ON THE THAMES." THAT'S ALWAYS GOOD IF YOU LIKE AN OUTING.
HERE WE GO. THE CIRCUS. HOW ABOUT A LOVELY CIRCUS? LIONS AND TIGERS.
WORLD-FAMOUS ARTISTES PERFORMING DEATH-DEFYIN' FEATS...
OF DEXTERITY AND SKILL BEFORE YOUR VERY EYES. TA-DA! TA-DA!
OH, THAT'S LOVELY. IF YOU PLEASE, I'D MUCH RATHER
GO THERE. BEAUTIFUL, AIN'T IT? A TYPICAL ENGLISH COUNTRYSIDE...
AS DONE BY A TRUE AND LOVIN' HAND. THOUGH YOU CAN'T SEE IT,
THERE'S A LITTLE COUNTRY FAIR... DOWN THAT ROAD AND UH, OVER THE
HILL. I DON'T SEE ANY ROAD. WHAT? NO ROAD? JUST WANTS A BIT OF
SOMETHIN' HERE, AND A BIT OF SOMETHIN' THERE. THERE. A COUNTRY
ROAD SUITABLE FOR TRAVEL AND HIGH ADVENTURE. PLEASE MAY WE GO,
MARY POPPINS? PLEASE? SUCH A LOVELY PLACE. DON'T YOU THINK IT'S LOVELY,
MARY POPPINS? NOW'S THE TIME, MARY POPPINS. NO ONE'S LOOKIN'.
- PLEASE, MARY POPPINS. PLEASE! - PLEASE, MARY POPPINS. PLEASE!
I HAVE NO INTENTION OF MAKING A SPECTACLE OF MYSELF, THANK YOU. ALL
RIGHT, I'LL DO IT MYSELF. - DO WHAT? - BIT OF MAGIC.
- A BIT OF MAGIC? - IT'S EASY. LET'S SEE. YOU THINK. YOU WINK.
YOU DO A DOUBLE BLINK. YOU CLOSE YOUR EYES AND JUMP. IS
SOMETHING 'SPOSED TO HAPPEN? BERT, WHAT UTTER NONSENSE! OHH!
WHY DO YOU ALWAYS COMPLICATE THINGS THAT ARE REALLY QUITE
SIMPLE? GIVE MY YOUR HAND, PLEASE, MICHAEL. DON'T SLOUCH. ONE,
TWO. MARY POPPINS, YOU LOOK BEAUTIFUL. - DO YOU REALLY THINK
SO? - CROSS MY HEART YOU DO. LIKE THE DAY I MET YA. YOU LOOK FINE,
TOO, BERT. I THOUGHT YOU SAID THERE WAS A FAIR. SO
I DID. DOWN THE ROAD BEHIND THE HILL, REMEMBER? COME ON! I HEAR
THE MERRY-GO-ROUND. - TELL 'EM BERT SENT YA. - DON'T FALL AND SMUDGE
THE DRAWING. AIN'T IT A GLORIOUS DAY RIGHT AS A MORNIN'
IN MAY I FEEL LIKE I COULD FLY NOW, BERT. NONE
OF YOUR LARKING ABOUT. HAVE YOU EVER SEEN THE GRASS SO GREEN
OR A BLUER SKY OH, IT'S A JOLLY HOLIDAY WITH MARY
- MARY MAKES YOUR HEART SO LIGHT - YOU HAVEN'T CHANGED A BIT,
HAVE YOU? WHEN THE DAY IS GRAY AND ORDINARY
- MARY MAKES THE SUN SHINE BRIGHT - OH, HONESTLY!
OH, HAPPINESS IS BLOOMIN' ALL AROUND HER THE DAFFODILS
ARE SMILIN' AT THE DOVE WHEN MARY HOLDS YOUR HAND YOU FEEL SO GRAND
YOUR HEART STARTS BEATIN' LIKE A BIG BRASS BAND - YOU
ARE LIGHTHEADED. - IT'S A JOLLY HOLIDAY WITH MARY NO WONDER
THAT IT'S MARY THAT WE LOVE OH, IT'S A JOLLY HOLIDAY WITH
MARY MARY MAKES YOUR HEART SO LIGHT WHEN
THE DAY IS GRAY AND ORDINARY MARY MAKES THE SUN SHINE BRIGHT
OH, HAPPINESS IS BLOOMIN' ALL AROUND HER THE DAFFODILS
ARE SMILING AT THE DOVE OINK, OINK. WHEN MARY
HOLDS YOUR HAND YOU FEEL SO GRAND YOUR HEART STARTS BEATIN'
LIKE A BIG BRASS BAND IT'S A JOLLY HOLIDAY WITH MARY
NO WONDER THAT IT'S MARY THAT WE LOVE - THANK YOU.
- OUR PLEASURE, MARY POPPINS. OH, IT'S A JOLLY HOLIDAY
WITH YOU, BERT - GENTLEMEN LIKE YOU ARE FEW - A VANISHING
BREED, THAT'S ME. THOUGH YOU'RE JUST A DIAMOND IN THE ROUGH,
BERT - UNDERNEATH YOUR BLOOD IS BLUE - COMMON KNOWLEDGE.
YOU'D NEVER THINK OF PRESSING YOUR ADVANTAGE -
FORBEARANCE IS THE HALLMARK OF YOUR CREED - TRUE.
A LADY NEEDN'T FEAR WHEN YOU ARE NEAR YOUR SWEET
GENTILITY IS CRYSTAL CLEAR OH, IT'S A JOLLY HOLIDAY WITH YOU, BERT
A JOLLY, JOLLY HOLIDAY WITH YOU WAITER! WAITER!
NOW THEN, WHAT'D BE NICE? WE'LL START WITH RASPBERRY ICE
AND THEN SOME CAKES AND TEA - ORDER WHAT YOU WILL - THERE'LL
BE NO BILL IT'S COMPLIMENTARY YOU'RE VERY KIND. ANYTHING FOR YOU,
MARY POPPINS. YOU'RE OUR FAVORITE PERSON. RIGHT YOU ARE.
IT'S TRUE THAT MAVIS AND SYBIL HAVE WAYS THAT ARE WINNIN'
AND PRUDENCE AND GWENDOLYN SET YOUR HEARTS SPINNIN' PHOEBE'S
DELIGHTFUL MAUDE IS DISARMING - JANICE - FELICIA - LYDIA - CHARMING
CYNTHIA'S DASHING, VIVIAN'S SWEET, STEPHANIE'S SMASHING PRISCILLA A
TREAT - VERONICA - MILLICENT - AGNES - AND JANE CONVIVIAL
COMPANY TIME AND AGAIN DORCAS AND PHYLLIS AND GLYNIS ARE SORTS
I'LL AGREE THEY'RE THREE JOLLY GOOD SPORTS BUT CREAM OF THE CROP
TIP OF THE TOP IS MARY POPPINS AND THERE WE STOP WHEN MARY
HOLDS YOUR HAND YOU FEEL SO GRAND YOUR HEART STARTS BEATIN'
LIKE A BIG BRASS BAND IT'S A JOLLY HOLIDAY WITH MARY
NO WONDER THAT IT'S MARY THAT WE LOVE NO WONDER THAT
IT'S MARY THAT WE LOVE NO WONDER THAT IT'S MARY THAT WE
LOVE YA-HOO! YA-HOO! YA-HOO! YA-HOO! -YA-HOO!
-OUR OWN PRIVATE MERRY-GO-ROUND. VERY NICE. VERY NICE,
INDEED, IF YOU DON'T WANNA GO NOWHERE. WHO SAYS WE'RE NOT GOING
ANYWHERE? OH, GUARD! RIGHTO, MARY POPPINS. THANK YOU. THEY'RE
OFF! IT'S MARY POPPINS LEADIN' BY TWO LENGTHS. JANE IS SECOND
BY A LENGTH. MICHAEL THIRD. MY HORSE IS THE FASTEST.
DO YOU HEAR THAT, MATE? DO YOU WANNA PUT UP WITH THAT? THAT'S
THE TICKET! COME ON, MY LAD. IS THAT THE BEST
YOU CAN DO? HURRY UP, BOY. HURRY UP! NOT SO FAST, PLEASE. MICHAEL!
NOW REALLY, BERT. YOU'RE AS BAD AS THE CHILDREN.
SORRY. WHOA, BOY! WHOA! - WHOA. - EASY,
BOY. WHOA. WHOA. JUST A BIT OF HIGH SPIRITS, MARY POPPINS.
PLEASE CONTROL YOURSELF. WE ARE NOT ON A RACECOURSE. FOLLOW
ME, PLEASE. - GOOD MORNING. - OH, YES, QUITE. WHA-- I SAY!
HAVE YOU EVER? NEVER! VIEW HALLOO! OH, YES, DEFINITELY. A VIEW HALLOO.
VIEW HALLOO? FAITH AND BEGORRA! 'TIS THEM REDCOATS AGAIN!
VIEW HALLOO! VIEW HALLOO! VIEW HALLOO! OH, MUSHA, MUSHA. POOR LIT'L
BLOKE. LET'S GIVE HIM A HAND. SAINTS PRESERVE US! YIKES! TALLY
HO! DA-DOO, DA-DOO! UP YOU GO. NOW HANG ON. WOULD YOU LOOK
AT THAT NOW? 'TIS AN ELEGANT MERRY-GO-ROUND HORSE. COME ON AND FIGHT,
YOU DIRTY OMADHAUNS. I CAN LICK THE LOT OF YA'S. FASTER, ME
BEAUTY! FASTER! OH, RIDERS, WOULD YOU BE SO KIND AS TO
LET ME PASS? CERTAINLY, MA'AM. - THANK YOU. - NOT AT ALL,
MA'AM. EXCELLENT TIME, GENTLEMEN. - OH, YES, QUITE.
- PERFECT DAY FOR IT, OF COURSE. OH. OH, HOW NICE.
HOORAY! HOORAY! HOORAY! HOORAY! HOORAY! HOORAY! HOORAY! HOLD
STILL, NOW. WATCH FOR THE DICKIE BIRD. UH, HOW DOES IT FEEL,
MARY POPPINS, WINNING THE RACE? - OH, WELL I--
- GAINING FAME AND FORTUNE. - UH, YES. - HAVING
YOUR PICTURE TAKEN FOR THE NEWSPAPER. UH, OH, ACTUALLY, I'M
DELIGHTED. BESIDES HAVING YOUR EXTREME GOOD LOOKS, IF I MAY SAY
SO. - OH, WELL, I WOULDN'T GO-- - THERE PROBABLY AREN'T WORDS TO
DESCRIBE YOUR EMOTIONS. NOW, NOW, NOW, NOW, GENTLEMEN, PLEASE. ON
THE CONTRARY, THERE'S A VERY GOOD WORD. - AM I RIGHT, BERT?
- TELL 'EM WHAT IT IS. RIGHT! IT'S SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
EVEN THOUGH THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS
IF YOU SAY IT LOUD ENOUGH YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRA
GILISTIC- EXPIALIDOCIOUS UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE
DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE DIDDLE UM DIDDLE
AY BECAUSE I WAS AFRAID TO SPEAK WHEN I WAS JUST A LAD
ME FATHER GAVE ME NOSE A TWEAK AND TOLD ME I WAS BAD
BUT THEN ONE DAY I LEARNED A WORD THAT SAVED ME ACHIN' NOSE
THE BIGGEST WORD YOU EVER HEARD AND THIS IS HOW IT GOES
OH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS EVEN THOUGH THE
SOUND OF IT IS SOMETHING QUITE ATROCIOUS IF YOU SAY IT LOUD ENOUGH
YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE
DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY HE'S TRAVELED
ALL AROUND THE WORLD AND EVERYWHERE HE WENT HE'D USE HIS WORD
AND ALL WOULD SAY, "THERE GOES A CLEVER GENT" WHEN DUKES AND MAHARAJAHS
PASS THE TIME OF DAY WITH ME I'D SAY ME SPECIAL WORD AND THEN
THEY'D ASK ME OUT TO TEA OOH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
EVEN THOUGH THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS
IF YOU SAY IT LOUD ENOUGH YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRA
GILISTIC- EXPIALIDOCIOUS UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY YOU KNOW,
YOU CAN SAY IT BACKWARDS, WHICH IS... DOCIOUSALIEXPIISTIC- FRAGILCALIRUPUS.
- BUT THAT'S GOING A BIT TOO FAR, DON'T YOU THINK? - INDUBITABLY.
SO WHEN THE CAT HAS GOT YOUR TONGUE
THERE'S NO NEED FOR DISMAY - HEAR, HEAR! - JUST
SUMMON UP THIS WORD AND THEN YOU'VE GOT A LOT TO SAY BUT BETTER
USE IT CAREFULLY OR IT COULD CHANGE YOUR LIFE - FOR EXAMPLE. - YES?
ONE NIGHT I SAID IT TO ME GIRL, AND NOW ME GIRL'S ME WIFE.
OW! AND A LOVELY THING SHE IS, TOO. SHE'S SUPERCALIFRAGILISTI
C- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS JANE! MICHAEL! STAY CLOSE NOW. OH, BERT,
ALL YOUR FINE DRAWINGS. WELL, THERE'S MORE WHERE THEY
CAME FROM. MEANTIME, I'M CHANGING BUSINESSES. THIS HERE IS
LOVELY HOT CHESTNUT WEATHER. - COME ALONG, CHILDREN. - BYE, BERT.
- BYE-BYE. - BYE, BERT. BYE. - BYE, JANE AND MICHAEL.
- BYE, BERT. CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO
LA DUM DA DA DUM DA DA DA DA DUM NO, NO, I WON'T TAKE YOUR
NASTY MEDICINE! DO WE HAVE TO, MARY POPPINS? PEOPLE WHO GET THEIR
FEET WET, MUST LEARN TO TAKE THEIR MEDICINE.
- I DON'T WANT IT. I'M NOT GONNA-- - OH! LIME
CORDIAL! DELICIOUS! STRAWBERRY! MMM! R-R-RUM PUNCH. QUITE SATISFACTORY.
MARY POPPINS, YOU WON'T EVER LEAVE US, WILL YOU? - DO YOU HAVE A
HANDKERCHIEF UNDER YOUR PILLOW? - MM-HMM.
WILL YOU STAY IF WE PROMISE TO BE GOOD? OCH! THAT'S
A PIECRUST PROMISE. EASILY MADE, EASILY BROKEN. WHATEVER WOULD
WE DO WITHOUT YOU? I SHALL STAY UNTIL THE WIND CHANGES.
BUT, MARY POPPINS, HOW LONG WILL THAT BE? SILENCE, PLEASE.
IT'S TIME TO GO TO SLEEP. OH, WE COULDN'T POSSIBLY GO TO SLEEP!
SO MANY LOVELY THINGS HAVE HAPPENED TODAY. - DID THEY?
- YES! WHEN WE JUMPED INTO BERT'S CHALK PICTURE. AND
WE RODE THE MERRY-GO-ROUND, AND ALL THE HORSES JUMPED OFF, AND--
AND WE ALL WENT RIDING IN THE COUNTRYSIDE!
- TALLY HO! TCHUNGA! TCHUNGA! YIKES! - REALLY?
MARY POPPINS, DON'T YOU REMEMBER? YOU
WON THE HORSE RACE! A RESPECTABLE PERSON LIKE ME IN A HORSE RACE? HOW
DARE YOU SUGGEST SUCH A THING. BUT I SAW YOU DO IT! NOW, NOT
ANOTHER WORD OR I SHALL HAVE TO SUMMON THE POLICEMAN. IS THAT CLEAR?
IT DID HAPPEN! I SAW IT! - GO TO SLEEP.
- NO, I DON'T WANT TO GO TO SLEEP. MARY POPPINS, WE'RE
MUCH TOO EXCITED! VERY WELL, SUIT YOURSELVES. STAY AWAKE DON'T
REST YOUR HEAD DON'T LIE DOWN UPON YOUR BED WHILE THE MOON DRIFTS
IN THE SKIES STAY AWAKE DON'T CLOSE YOUR EYES THOUGH THE WORLD
IS FAST ASLEEP THOUGH YOUR PILLOW'S SOFT AND DEEP YOU'RE NOT SLEEPY
AS YOU SEEM STAY AWAKE DON'T NOD AND DREAM STAY AWAKE DON'T NOD
AND DREAM GLORIOUS DAY, MR. BINNACLE. GLORIOUS!
NO ONE SLEEPS THIS MORNING. PUT IN A DOUBLE CHARGE OF POWDER. A
DOUBLE CHARGE? AYE, AYE, SIR. SHAKE THINGS UP A BIT, WHAT?
- LOVELY, LOVELY MORNING, ELLEN. - INDEED IT IS, MA'AM.
- HAVE YOU PUT THE SPOILED EGGS IN MY CARRYALL?
- YES, MA'AM. AFTER OUR MEETING AT THE
ALBERT HALL, WE'RE ALL GOING TO DOWNING STREET... TO THROW THINGS
AT THE PRIME MINISTER. OH, HOW DISTINGUISHED YOU LOOK
THIS MORNING, GEORGE. WHAT'S ALL THAT FEARFUL CATERWAULING IN
THE KITCHEN? - IT'S COOK SINGING. - COOK SINGING? WHAT'S
WRONG WITH HER? SHE'S HAPPY AS A CRICKET. AS A MATTER OF FACT,
SINCE YOU HIRED MARY POPPINS, THE MOST EXTRAORDINARY THING... -
SEEMS TO HAVE COME OVER THE HOUSEHOLD. - IS THAT SO?
TAKE ELLEN FOR INSTANCE. SHE HASN'T BROKEN A DISH ALL MORNING.
- REALLY? WELL, THAT IS EXTRAORDINARY. - AND
ANOTHER THING. SHE AND COOK USUALLY FIGHT LIKE CATS AND DOGS, BUT
TODAY-- - LET ME HOLD THE DOOR FOR YOU, ELLEN DEAR.
- THANKS EVER SO, DUCKS. ELLEN, STOP MAKING THAT
OFFENSIVE NOISE! AND SHUT THE WINDOW! THAT BIRD'S GIVING ME A HEADACHE.
YES, SIR. QUIET! YOU'RE GIVING THE MASTER A HEADACHE.
I'M SO SORRY YOU'RE NOT FEELING WELL THIS MORNING,
GEORGE. WHO SAID I'M NOT FEELING WELL? I'M FIT AS A FIDDLE.
I JUST DON'T UNDERSTAND WHY EVERYONE'S SO CONFOUNDEDLY
CHEERFUL! SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS -SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
- HOW LOVELY. THANK YOU, MY DARLING. SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
- STOP! STOP! STOP! - GOOD MORNING, FATHER. - GOOD MORNING.
- MARY POPPINS TAUGHT US THE MOST WONDERFUL WORDS. SUPERCALIFR
AGILISTIC- EXPIALIDOCIOUS WHAT ON EARTH ARE YOU TALKING
ABOUT? SUPERCALI-- SUPER-- OR WHATEVER THE INFERNAL THING IS. IT'S
SOMETHING TO SAY WHEN YOU DON'T KNOW WHAT TO SAY. YES, WELL,
I ALWAYS KNOW WHAT TO SAY. GO ON, HURRY ALONG, PLEASE. YES, FATHER.
SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS WINIFRED, WILL
YOU BE GOOD ENOUGH TO EXPLAIN THIS UNSEEMLY HULLABALOO? I DON'T
THINK THERE'S ANYTHING TO EXPLAIN. DO YOU? IT'S OBVIOUS
THAT YOU'RE OUT OF SORTS THIS MORNING. THE CHILDREN JUST CAME IN
TO MAKE YOU FEEL BETTER. I SHOULD LIKE TO MAKE ONE THING QUITE CLEAR,
ONCE AND FOR ALL. I AM NOT OUT OF SORTS. I AM IN A PERFECTLY EQUABLE
MOOD. I DON'T REQUIRE BEING MADE TO FEEL BETTER! BUT YOU'RE
ALWAYS SAYING THAT YOU WANTED A CHEERFUL AND PLEASANT HOUSEHOLD.
WINIFRED, I SHOULD LIKE TO MAKE A SLIGHT DIFFERENTIATION...
BETWEEN THE WORD CHEERFUL AND JUST PLAIN GIDDY IRRESPONSIBILITY.
EXCUSE ME, DEAR. POSTS, EVERYONE, PLEASE! I HAVE NO OBJECTION
TO ANYONE BEING CHEERFUL OR PLEASANT. BUT I DO EXPECT A CERTAIN
DECORUM. I CAN TELL YOU ONE THING, WINIFRED. I DON'T PROPOSE STANDING
IDLY BY... AND LETTING THAT WOMAN, MARY POPPINS,
UNDERMINE THE DISCIPLINE AND-- THERE'S SOMETHING ODD,
I MAY SAY EXTREMELY ODD... ABOUT THE BEHAVIOR OF THIS HOUSEHOLD
SINCE THAT WOMAN ARRIVED. - AND I WANT YOU TO KNOW THAT I'VE
NOTICED IT! - YES, DEAR. - ONE THING MORE. - YES, DEAR?
I SUGGEST YOU HAVE THIS PIANO REPAIRED. WHEN I SIT DOWN
TO AN INSTRUMENT, I LIKE TO HAVE IT IN TUNE. BUT,
GEORGE, YOU DON'T PLAY. MADAM, THAT IS ENTIRELY BESIDE THE POINT!
NOW, LET ME SEE. FIRST OF ALL, WE MUST GO TO THE PIANO TUNERS.
AND THEN WE GO TO MRS. CORY'S SH-- MRS. CORY'S SHOP FOR SOME
GINGERBREAD. AH, GINGERBREAD! AND THEN WE GO TO THE FISHMONGER'S,
I THINK, FOR A NICE DOVER SOLE... AND A PINT OF PRAWNS. UH, MICHAEL,
STOP STRAVAGING ALONG BEHIND. AHOY, THERE! AHOY!
- GOOD DAY TO YOU! - GOOD MORNING, ADMIRAL. MICHAEL, WHAT
FINE ADVENTURE ARE WE OFF UPON TODAY? GOING TO FIGHT THE HOTTENTOTS?
DIG FOR BURIED TREASURE? WE'RE GOING TO BUY SOME FISH.
VERY GOOD! PROCEED AT FLANK SPEED. AYE, AYE, SIR.
LET'S PUT OUR BACKS INTO IT, LAD. MORE SPIT AND POLISH. THAT'S
WHAT'S WANTED AROUND HERE. IT'S ANDREW! UH, NOT SO FAST, PLEASE.
I CAN'T UNDERSTAND A WORD YOU'RE SAYING. AGAIN? OCH! OH, THE
POOR MAN! BLESS YOU. WELL, YES, OF COURSE. THERE'S NOT A MOMENT
TO LOSE. I'LL GO STRAIGHTAWAY. AND THANK YOU VERY MUCH. -
WHAT DID HE SAY? - HE SAID, "YOU'RE WELCOME." -WHAT ELSE
DID HE SAY? -I DON'T THINK HE SAID ANYTHING. YOU KNOW BEST,
AS USUAL. -I THOUGHT WE WERE GONNA BUY SOME FISH.
-THERE'S BEEN A CHANGE OF PLANS. COME ALONG, PLEASE.
DON'T STRAGGLE. ANDREW, WORRYING WON'T HELP ANYONE. WHY DON'T
YOU GO HOME AND PUT YOUR FEET UP? -OH, BERT,
I'M GLAD YOU'RE HERE. -I CAME OVER THE MOMENT I HEARD.
WELL, HOW IS HE? - I'VE NEVER SEEN HIM AS BAD AS THIS, AND THAT'S
THE TRUTH. - OH! HOW ABOUT THEM?
IT'S CONTAGIOUS, YOU KNOW. - SHALL WE GET SPOTS? - OH, HIGHLY
UNLIKELY. - OH, UNCLE ALBERT! - OH, BLESS ME. BLESS MY SOUL.
IT'S MARY POPPINS! I'M DELIGHT-- -I'M DELIGHTED TO SEE YOU, MARY.
-UNCLE ALBERT, YOU PROMISED! OH, I KN-- I KNOW, I-- BUT I TRIED.
REALLY, I DID, MY DEAR. I-- BUT I SO ENJOY LAUGHING,
YOU KNOW? AND, WELL-- AND WHEN I START, IT'S ALL UP WITH THE-
- THAT'S WHAT HAPPENS TO ME. I LOVE TO LAUGH! OH, MY GOODNESS! I
CAN'T HELP IT. YOU CAN SEE THAT. I JUST LIKE LAUGHING, THAT'S ALL.
JANE, DON'T YOU DARE! YOU'LL ONLY MAKE HIM WORSE.
- IT'S REALLY QUITE SERIOUS! - YES, WHATEVER YOU DO, KEEP A STRAIGHT
FACE. LAST TIME, IT TOOK US THREE DAYS TO GET HIM DOWN.
I LOVE TO LAUGH LOUD AND LONG AND CLEAR I LOVE TO LAUGH IT'S GETTING
WORSE EVERY YEAR THE MORE I LAUGH THE MORE I FILL
WITH GLEE - YOU'RE NO HELP AT ALL. -THE MORE THE GLEE THE MORE
I'M A MERRIER ME IT'S EMBARRASSING. THE MORE I'M A
MERRIER ME SOME PEOPLE LAUGH THROUGH THEIR NOSES SOUNDING SOMETHING
LIKE THIS DREADFUL! SOME PEOPLE LAUGH THROUGH THEIR TEETH,
GOODNESS SAKES HISSING AND FIZZING LIKE SNAKES NOT AT ALL
ATTRACTIVE TO MY WAY OF THINKING. SOME LAUGH TOO FAST SOME ONLY BLAST
OTHERS, THEY TWITTER LIKE BIRDS YOU KNOW, YOU'RE AS BAD
AS HE IS. THEN THERE'S THAT KIND WHAT CAN'T
MAKE UP THEIR MIND WHEN THINGS STRIKE ME AS FUNNY I CAN'T HIDE
IT INSIDE AND SQUEAK AS THE SQUEAKELERS DO I'VE GOT TO
LET GO WITH A HO HO HO HO AND LAUGH TOO HOW NICE! I WAS HOPING
YOU'D TURN UP. - TURN UP! - WE ALWAYS HAVE SUCH A
JOLLY TIME. WE LOVE TO LAUGH LOUD AND LONG AND CLEAR WE LOVE TO LAUGH
SO EVERYBODY CAN HEAR THE MORE YOU LAUGH WHOOPS, DON'T YOU TWO START.
COME BACK DOWN HERE. THE MORE YOU FILL WITH GLEE
THE MORE THE GLEE THE MORE WE'RE A MERRIER WE OH, WELCOME,
CHILDREN! WELCOME! MAKE YOURSELVES COMFORTABLE. THAT'S RIGHT.
PULL UP A CHAIR. OH, PULL UP-- I MUST SAY, YOU'RE A SIGHT, THE LOT
OF YOU! SPEAKING OF SIGHT, IT REMINDS ME OF ME
BROTHER. HE'S GOT A NICE CUSHY JOB IN A WATCH FACTORY. IN A
WATCH FACTORY? WHAT DOES HE DO? HE STANDS ABOUT ALL DAY AND MAKES
FACES! HE MAKES FACES IN A WATCH FACT-- YOU MADE THAT UP.
I KNOW. THAT'S SO GOOD! SUCH BEHAVIOR! WELL, IT'S THE MOST
DISGRACEFUL SIGHT I'VE EVER SEEN, OR MY NAME ISN'T MARY POPPINS.
SPEAKING OF NAMES, I KNOW A MAN WITH A WOODEN LEG NAMED SMITH. WHAT'S
THE NAME OF HIS OTHER LEG? WASN'T THAT FUNNY? WHAT'S
THE NAME OF HIS OTHER-- NOW, THEN, CHILDREN, IT'S TIME FOR TEA.
I WILL NOT HAVE MY SCHEDULE INTERRUPTED. OH, PLEASE STAY. LOOK,
I HAVE A SPLENDID TEA ALL READY FOR YOU. AND IT'S GETTING COLD! WELL,
I HAD HOPED THAT MAYBE, THAT YOU WOULD JUST, THAT-- SPLENDID!
THANK YOU VERY MUCH! KEEP YOUR FEET BACK. MIND THE BREAD
AND BUTTER. NOW, WATCH IT, CHILDREN. I KNEW SHE COULD BRING IT OFF.
AND A PROPER TEA IT IS, TOO. NEXT THING, I SUPPOSE, YOU'LL BE WANTING
ME TO POUR OUT. OH, WELL. IF I MUST, I MUST. IF YOU'LL
JUST STOP BEHAVING LIKE A PACK OF LAUGHING HYENAS! - TWO LUMPS,
UNCLE ALBERT? - YES, PLEASE. - UH, BERT? -
UH, NO, NO, THANK YOU. NO SUGAR FOR ME. I'M SO GLAD YOU CAME.
IT WOULDN'T BE ANY FUN WITHOUT YOU. HERE, AND YOU MAY POUR
SOME MILK FOR MICHAEL AND YOURSELF. NICE WEATHER WE'RE HAVING
THIS TIME OF YEAR, DON'T YOU THINK? OH, YEAH. UH, SPEAKING
OF WEATHER, THE OTHER DAY WHEN IT WAS SO COLD, A FRIEND OF
MINE WENT TO BUY SOME LONG UNDERWEAR, YOU KNOW. THE SHOPKEEPER SAID
TO HIM, "HOW LONG DO YOU WANT IT?" AND MY FRIEND SAID, "WELL,
FROM ABOUT SEPTEMBER TO MARCH." JANE! CONTROL YOURSELF! CHILDREN,
WILL YOU PLEASE SIT UP PROPERLY AT THE TABLE? - YOUR TEA, UNCLE
ALBERT. - OH, THANK YOU, MY DEAR. I'M HAVING SUCH A GOOD TIME. I WISH
THAT YOU COULD ALL STAY UP HERE ALL THE TIME. WE'LL JOLLY WELL
HAVE TO. THERE'S NO WAY TO GET DOWN. OH, NO, THERE IS A WAY. FRANKLY
I, I DON'T LIKE TO MENTION IT, BECAUSE YOU HAVE TO
THINK OF SOMETHING SAD. THEN DO GET ON WITH IT, PLEASE!
LET ME SEE. I'VE GOT THE VERY THING. YESTERDAY WHEN
THE LADY NEXT DOOR ANSWERED THE BELL, THERE WAS A MAN THERE.
AND THE MAN SAID TO THE LADY, "I'M TERRIBLY SORRY. I JUST
RAN OVER YOUR CAT." - OH, THAT'S SAD. - THE POOR CAT. AND THEN
THE MAN SAID, "I'D LIKE TO REPLACE YOUR CAT." AND THE LADY
SAID, "THAT'S ALL RIGHT WITH ME, BUT HOW ARE YOU AT CATCHING
MICE?" WELL, YOU KNOW I STARTED OUT SAD. I, I TRY, REALLY I DO. BUT,
BUT EVERYTHING ENDS UP SO HILARIOUS, I CAN'T-- I CAN'T HELP--
THAT WILL BE QUITE ENOUGH OF THAT! IT'S TIME TO GO
HOME. - OH, THAT IS SAD. - OH, NO! OH, THAT'S SAD. THAT'S
THE SADDEST THING I EVER HEARD. COME ALONG, CHILDREN. SPIT SPOT!
MUST YOU REALLY GO? YOU KNOW, PEOPLE COME TO SEE ME ALL
THE TIME, YOU KNOW. AND, AND WE HAVE SUCH A LOVELY TIME,
AND THEN THEY HAVE TO GO HOME. AND, AND I'M VERY, VERY SAD ABOUT
THE WHOLE THING. DON'T WORRY. WE'LL COME BACK SOON.
WE HAD A LOVELY TIME. UH, KEEP AN EYE ON UNCLE ALBERT, WILL YOU, BERT?
- I'LL SIT WITH HIM A WHILE. - THANK YOU. COME ON.
UNCLE ALBERT, I GOT A JOLLY JOKE I SAVED FOR JUST
SUCH AN OCCASION. - WOULD YOU LIKE TO HEAR IT? - I'D BE SO GRATEFUL.
RIGHTO. WELL, IT'S ABOUT ME GRANDDAD, SEE? AND ONE NIGHT,
HE HAD A NIGHTMARE, HE DID. - SO SCARED THAT HE CHEWED
HIS PILLOW TO BITS. - YES. - TO BITS.
- YES. - NEXT MORNING I SAYS, - "HOW DO YOU
FEEL, GRANDDAD?" - YES. HE SAYS, "OH, NOT BAD.
A LITTLE DOWN IN THE MOUTH!" YEAH, I ALWAYS SAY THERE'S NOTHING
LIKE A GOOD JOKE. NO. AND THAT WAS NOTHING LIKE A GOOD JOKE! THAT-
- BIT LATE TONIGHT, AREN'T YOU, BANKS? I SAY, BANKS!
IS ANYTHING THE MATTER, BANKS? BANKS! - OH, FATHER,
WE'RE SO GLAD YOU'RE HOME! - WANT TO HEAR A JOKE? WE
HAD THE MOST WONDERFUL AFTERNOON WITH MARY POPPINS. SPEAKING OF
AFTERNOONS, THE JOKE GOES LIKE THIS. I KNOW A MAN WITH A WOODEN LEG
NAMED SMITH. SMITH? WE DON'T KNOW ANYONE CALLED SMITH.
AND THERE WAS A SECOND CHAP, AND THE SECOND CHAP SAYS,
"WHAT'S THE NAME OF HIS OTHER LEG?" AND WE HAD A LOVELY TEA
PARTY ON THE CEILING! OH, CHILDREN, PLEASE BE QUIET.
MARY POPPINS SAYS IF WE'RE GOOD, SHE'LL TAKE US THERE AGAIN.
OH. OH, MARY POPPINS SAID THAT, DID SHE? WILL YOU PLEASE RETURN TO
YOUR ROOM. MARY POPPINS, WILL YOU BE KIND ENOUGH
TO COME WITH ME? AS YOU WISH. MARY POPPINS, I VERY MUCH REGRET WHAT
I MUST SAY TO YOU. - GOOD EVENING, GEORGE. IS ANYTHING
THE MATTER? - I'M AFRAID THERE IS. I, I'D LOVE TO STAY, BUT
I HAVE TO DRESS FOR MY RALLY IN HAMPSTEAD. WINIFRED, IT IS MY
WISH THAT YOU BE PRESENT! OH, YES, GEORGE, OF COURSE. MARY
POPPINS, I MUST CONFESS I AM EXTREMELY DISAPPOINTE
D IN YOU. SHE'S FOR IT NOW. I'VE HEARD THE MASTER DO THIS SPEECH BEFORE.
I DON'T DENY THAT I AM PARTIALLY RESPONSIBLE FOR ALLOWING
THE CHILDREN... TO SPEND THEIR DAYS ON WORTHLESS FRIVOLITY
TO THE EXCLUSION OF ALL ELSE! BUT IT IS HIGH TIME THEY LEARNED
THE SERIOUSNESS OF LIFE! BUT, GEORGE, THEY'RE ONLY
CHILDREN. PRECISELY. AND IN THE LIGHT OF WHAT HAS HAPPENED--
GEORGE, ARE YOU CERTAIN YOU KNOW WHAT YOU'RE DOING? I BELIEVE I
DO, WINIFRED. A BRITISH BANK IS RUN WITH PRECISION A
BRITISH HOME REQUIRES NOTHING LESS TRADITION, DISCIPLINE AND
RULES MUST BE THE TOOLS WITHOUT THEM DISORDER, CHAOS
MORAL DISINTEGRATION -IN SHORT YOU HAVE A GHASTLY MESS - I QUITE
AGREE. THE CHILDREN MUST BE MOLDED SHAPED AND TAUGHT
THAT LIFE'S A LOOMING BATTLE TO BE FACED AND FOUGHT IN SHORT,
I AM DISTURBED TO HEAR MY CHILDREN TALKING ABOUT... POPPING IN
AND OUT OF CHALK PAVEMENT PICTURES, CONSORTING WITH RACEHORSE
PERSONS, FOX HUNTING. YES, WELL I DON'T MIND THAT QUITE SO MUCH.
AT ANY RATE, IT'S TRADITIONAL. BUT TEA PARTIES ON THE CEILING?
I ASK YOU. HAVING TEA PARTIES ON THE CEILING
AND HIGHLY-QUESTIONABLE OUTINGS OF EVERY OTHER KIND! IF THEY MUST
GO ON OUTINGS THESE OUTINGS OUGHT TO BE FRAUGHT WITH PURPOSE YES,
AND PRACTICALITY THESE SILLY WORDS LIKE SUPERCA-- SUPER-- - SUPERCA-
- - SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS. YES,
WELL DONE. YOU SAID IT. AND POPPING THROUGH PICTURES HAVE
LITTLE USE FULFILL NO BASIC NEED THEY'VE GOT TO LEARN THE HONEST
TRUTH DESPITE THEIR YOUTH THEY MUST LEARN -ABOUT THE LIFE
YOU LEAD - EXACTLY. THEY MUST FEEL THE THRILL
OF TOTTING UP A BALANCED BOOK -A THOUSAND CIPHERS NEATLY IN A ROW
- QUITE RIGHT. WHEN GAZING AT A GRAPH THAT SHOWS THE PROFITS
UP -THEIR LITTLE CUP OF JOY SHOULD OVERFLOW - PRECISELY!
-IT'S TIME THEY LEARNED TO WALK IN YOUR FOOTSTEPS -
MY FOOTSTEPS. -TO TREAD YOUR STRAIGHT AND NARROW
PATH WITH PRIDE - WITH PRIDE. TOMORROW JUST AS YOU
SUGGEST PRESSED AND DRESSED JANE AND MICHAEL WILL BE
AT YOUR SIDE SPLENDID! YOU HIT THE NAIL RIGHT
ON THE-- AT MY SIDE? WHERE ARE WE GOING? TO THE BANK, OF COURSE,
EXACTLY AS YOU PROPOSED. - I PROPOSED? - OF COURSE. NOW, IF YOU'LL
EXCUSE ME. TOMORROW'S AN IMPORTANT DAY FOR THE CHILDREN.
I SHALL SEE THEY HAVE A PROPER NIGHT'S SLEEP. GOOD NIGHT. WINIFRED,
DID I SAY THAT I WAS GOING TO TAKE THE CHILDREN TO THE BANK?
- IT CERTAINLY SOUNDED THAT WAY, DEAR. - OH.
AND WHY NOT? A CAPITAL IDEA! JUST THE MEDICINE THEY NEED
FOR ALL THIS SLIPSHOD, SUGARY... FEMALE THINKING THEY GET AROUND
HERE ALL DAY LONG. QUITE RIGHT. GOOD IDEA. QUITE RIGHT.
GOOD IDEA. QUITE RIGHT. MARY POPPINS, WE WON'T LET YOU GO!
GO? WHAT ON EARTH ARE YOU TALKING ABOUT? - DIDN'T YOU GET SACKED?
- SACKED? CERTAINLY NOT! I AM NEVER SACKED! - OH, MARY POPPINS!
- HURRAH, HURRAY, HURRAY, - HURRAY, HURRAY, HURRAY-- -
NEITHER AM I A MAYPOLE. KINDLY STOP SPINNING ABOUT ME. - BUT?
- GOATS BUTT, BIRDS FLY, AND CHILDREN WHO ARE GOING
ON AN OUTING WITH THEIR FATHER MUST GET SOME SLEEP. -
COME ALONG, PLEASE. - AN OUTING WITH FATHER? - YES.
- I DON'T BELIEVE IT. - HE'S NEVER TAKEN US ON AN OUTING
BEFORE. - HE'S NEVER TAKEN US ANYWHERE. - HOWEVER DID YOU
MANAGE IT? - MANAGE WHAT? YOU MUST'VE PUT THE IDEA IN
HIS HEAD SOMEHOW. WHAT AN IMPERTINENT THING TO SAY!
ME PUTTING IDEAS INTO PEOPLE'S HEADS? REALLY! - WHERE'S HE
TAKING US? - TO THE BANK. OH, MICHAEL, THE CITY! AND
WE'LL SEE ALL THE SIGHTS, AND FATHER CAN POINT THEM OUT TO US.
WELL, MOST THINGS HE CAN. BUT SOMETIMES A PERSON WE LOVE THROUGH NO
FAULT OF HIS OWN, - CAN'T SEE PAST THE END OF HIS NOSE.
- PAST THE END OF HIS NOSE? YES. SOMETIMES A LITTLE THING CAN
BE QUITE IMPORTANT. OH, LOOK! THE CATHEDRAL. FATHER PASSES
THAT EVERY DAY. HE SEES THAT. EARLY EACH DAY
TO THE STEPS OF ST. PAUL'S THE LITTLE OLD BIRD WOMAN COMES
IN HER OWN SPECIAL WAY TO THE PEOPLE SHE CALLS COME BUY MY BAGS
FULL OF CRUMBS COME FEED THE LITTLE BIRDS SHOW THEM YOU CARE AND
YOU'LL BE GLAD IF YOU DO THEIR YOUNG ONES ARE HUNGRY
THEIR NESTS ARE SO BARE ALL IT TAKES IS TUPPENCE FROM YOU
FEED THE BIRDS TUPPENCE A BAG TUPPENCE, TUPPENCE TUPPENCE A BAG
FEED THE BIRDS THAT'S WHAT SHE CRIES WHILE OVERHEAD HER BIRDS FILL
THE SKIES ALL AROUND THE CATHEDRAL THE SAINTS AND APOSTLES LOOK DOWN
AS SHE SELLS HER WARES ALTHOUGH YOU CAN'T SEE IT YOU
KNOW THEY ARE SMILING EACH TIME SOMEONE SHOWS THAT HE CARES
THOUGH HER WORDS ARE SIMPLE AND FEW LISTEN, LISTEN SHE'S CALLING
TO YOU FEED THE BIRDS TUPPENCE A BAG TUPPENCE, TUPPENCE TUPPENCE
A BAG THOUGH HER WORDS ARE SIMPLE AND FEW LISTEN, LISTEN SHE'S CALLING
TO YOU FEED THE BIRDS TUPPENCE A BAG TUPPENCE, TUPPENCE TUPPENCE
A BAG NOW REMEMBER THAT A BANK IS A QUIET AND DECOROUS PLACE,
SO WE MUST BE ON OUR BEST BEHAVIOR. -BUT I THOUGHT IT WAS YOUR BANK.
-YES, WELL, I'M ONE OF THE YOUNGER OFFICERS, SO
IN A SENSE IT IS, SORT OF. MICHAEL, LOOK! - IT'S HER!
- WHO? -IT'S WHO? -THE BIRD WOMAN. JUST
WHERE MARY POPPINS SAID SHE WOULD BE. - YOU DO SEE HER,
DON'T YOU, FATHER? - WELL, OF COURSE I CAN SEE
HER. DO YOU THINK I CAN'T SEE PAST THE END OF MY NOSE? LISTEN, FATHER,
SHE'S SAYING IT. FEED THE BIRDS. TUPPENCE A BAG. WELL, OF COURSE
SHE'S SAYING IT. WHAT ELSE WOULD SHE BE SAYING? - PLEASE MAY WE FEED
THE BIRDS? - WHATEVER FOR? - I HAVE TUPPENCE
FROM MY MONEY BOX. - JUST THIS ONCE, PLEASE? WASTE YOUR MONEY
ON A LOT OF RAGAMUFFIN BIRDS? CERTAINLY NOT. - BUT MARY POPPINS-
- - I AM NOT INTERESTED IN WHAT MARY POPPINS SAYS.
NOR DO I WISH TO KEEP HEARING HER NAME FOR THE REMAINDER OF THE
DAY. NOW COME ALONG! BUT IT'S MY TUPPENCE! MICHAEL, I WILL NOT PERMIT
YOU TO THROW YOUR MONEY AWAY! WHEN WE GET TO THE BANK,
I SHALL SHOW YOU WHAT MAY BE DONE WITH YOUR TUPPENCE. AND
I THINK YOU'LL FIND IT EXTREMELY INTERESTING. HELLO, BANKS.
WHAT'S ALL THIS ABOUT? - THESE ARE MY CHILDREN, MR. DAWES.
- WELL, SO I ASSUMED. - BUT WHY ARE THEY HERE?
- THEY WISH TO OPEN AN ACCOUNT, SIR. -
OH, INDEED? - YES. AND JUST HOW MUCH MONEY DO YOU HAVE, YOUNG
MAN? - TUPPENCE. BUT I WANT IT TO FEED THE BIRDS. - SHH, SHH,
SHH, SHH, SHH. TUPPENCE? TUPPENCE? PRECISELY HOW I
STARTED. THAT'S THE CHAIRMAN OF THE BANK, THE ELDER MR. DAWES.
A GIANT IN THE WORLD OF FINANCE. - A GIANT?
- SHH, SHH, SHH. UH, FATHER, THESE ARE BANKS'S CHILDREN. - THEY
WANT TO OPEN AN ACCOUNT. - OH, THEY DO, DO THEY, BOY? EXCELLENT.
EXCELLENT. WE CAN AL-ALWAYS USE, AL-ALWAYS USE MORE MONEY TO, TO PUT
TO WORK FOR THE BANK, CAN'T WE, BOY?
laserdiscside3
SO, YOU HAVE TUPPENCE?
MAY I BE PERMITTED TO SEE IT? NO. I WANT IT TO FEED THE
BIRDS! FIDDLESTICKS, BOY! FEED THE BIRDS AND WHAT HAVE YOU GOT? FAT
BIRDS! BUT IF YOU INVEST YOUR TUPPENCE WISELY
IN THE BANK SAFE AND SOUND SOON THAT TUPPENCE SAFELY INVESTED
IN THE BANK WILL COMPOUND AND YOU'LL ACHIEVE THAT SENSE OF CONQUEST
AS YOUR AFFLUENCE EXPANDS IN THE HANDS OF THE DIRECTORS
WHO INVEST AS PROPRIETY DEMANDS - MAY I, SIR? - CARRY ON, BANKS.
YOU SEE, MICHAEL, YOU'LL BE PART OF... -RAILWAYS THROUGH AFRICA
- EXACTLY! -DAMS ACROSS THE NILE - THE SHIPS. TELL THEM
ABOUT THE SHIPS. -FLEETS OF OCEAN GREYHOUNDS - MORE, TELL THEM
MORE! MAJESTIC SELF-AMORTIZING CANALS OH, IT FIRES
THE IMAGINATION! PLANTATIONS OF RIPENING TEA ALL FROM TUPPENCE
PRUDENTLY THRIFTILY, FRUGALLY -INVESTED IN THE -TO BE SPECIFIC IN
THE DAWES, TOMES MOUSLEY, GRUBBS FIDELITY FIDUCIARY BANK - VERY
WELL, MY BOY, GIVE ME THE MONEY. - NO, I WON'T! I WANT IT
TO FEED THE BIRDS. - BANKS! - YES, SIR. NOW,
MICHAEL. WHEN YOU DEPOSIT TUPPENCE IN A BANK ACCOUNT - GO
ON! -SOON YOU'LL SEE - TELL HIM MORE! -THAT IT
BLOOMS INTO CREDIT OF A GENEROUS AMOUNT SEMIANNUALLY AND YOU'LL
ACHIEVE THAT SENSE OF STATURE AS YOUR INFLUENCE EXPANDS
TO THE HIGH FINANCIAL STRATA THAT ESTABLISHED CREDIT NOW COMMANDS
YOU CAN PURCHASE FIRST AND SECOND TRUST DEEDS.
THINK OF THE FORECLOSURES! BONDS, CHATTELS, DIVIDENDS, SHARES.
- BANKRUPTCIES. - DEBTOR SALES. - OPPORTUNITIES. - ALL MANNER
OF PRIVATE ENTERPRISE. - SHIPYARDS. - THE MERCANTILE.
- COLLIERIES. - TANNERIES. - CORPORATIONS. - AMALGAMATIONS. - BANKS!
WHILE STAND THE BANKS OF ENGLAND, ENGLAND STANDS.
OH, OH, OH, OH! WHEN FALL THE BANKS OF ENGLAND, ENGLAND
FALLS! YOU SEE, MICHAEL? ALL FOR THE LACK OF... TUPPENCE
PATIENTLY, CAUTIOUSLY TRUSTINGLY INVESTED IN THE TO
BE SPECIFIC IN THE DAWES, TOMES, MOUSLEY, GRUBBS FIDELITY
FIDUCIARY BANK WELCOME TO OUR JOYFUL FAMILY OF INVESTORS.
GIVE IT BACK! GIMME BACK MY MONEY! - MICHAEL, BEHAVE. - BANKS!
- GIVE IT TO ME! - MICHAEL, BEHAVE. JANE! JANE! - GIMME
BACK MY MONEY! JANE! MICHAEL! MICHAEL! MICHAEL! - GIMME
BACK MY MONEY! - MICHAEL! THERE'S SOMETHING WRONG. THE
BANK WON'T GIVE SOMEONE THEIR MONEY! WELL, I'M GOING
TO GET MINE! COME ALONG, YOUNG MAN! I WANT EVERY PENNY!
- AND MINE, TOO! - AND GIVE ME MINE, TOO! STOP ALL PAYMENTS.
STOP ALL PAYMENTS. - MICHAEL! JANE! - GIVE ME MY MONEY! - CHILDREN,
COME BACK HERE. - STOP THOSE CHILDREN. - JANE! MICHAEL!
GIMME MY MONEY BACK! I WANT MY MONEY! COME ON. STOP THOSE
CHILDREN! STOP THOSE CHILDREN! COME WITH ME, MY DEARS. GRANNY'LL HIDE
YOU! - HERE, HERE, HALF A MO. - LEAVE HER ALONE! LEAVE
MY SISTER ALONE! EASY, NOW. YOUR OLD FRIEND AIN'T GONNA HURT YA.
BERT, IT'S YOU! IN THE FLESH, AND AT YOUR SERVICE. - YOU'RE
FILTHY! - OH, PERHAPS A SMUDGE OR TWO. IT SO HAPPENS
THAT TODAY I'M A CHIMNEY SWEEP. OH, BERT, WE'RE SO FRIGHTENED.
NOW, NOW, DON'T TAKE ON SO. BERT'LL TAKE CARE OF YOU LIKE
I WAS YOUR OWN FATHER. - NOW, WHO'S AFTER YOU? - FATHER IS.
- WHAT? - HE BROUGHT US TO SEE HIS BANK.
I DON'T KNOW WHAT WE DID, BUT IT MUST'VE BEEN SOMETHING DREADFUL.
HE SENT THE POLICE AFTER US, AND THE ARMY AND EVERYTHING. MICHAEL,
DON'T EXAGGERATE. WELL, NOW, THERE MUST BE SOME MISTAKE.
YOUR DAD'S A FINE GENTLEMAN AND HE LOVES YA! I DON'T THINK
SO. YOU SHOULD'VE SEEN THE LOOK ON HIS FACE. HE DOESN'T LIKE US
AT ALL. WELL, NOW THAT DON'T SEEM LIKELY, DOES IT? IT'S
TRUE. LET'S SIT DOWN. YOU KNOW, BEGGING YOUR PARDON, BUT
THE ONE MY HEART GOES OUT TO IS YOUR FATHER. THERE HE IS IN
THAT COLD, HEARTLESS BANK DAY AFTER DAY, HEMMED IN BY MOUNDS
OF COLD, HEARTLESS MONEY. I DON'T LIKE TO SEE ANY LIVING
THING CAGED UP. FATHER IN A CAGE? THEY MAKES CAGES IN ALL SIZES
AND SHAPES, YOU KNOW. BANK-SHAPED SOME OF 'EM, CARPETS AND ALL.
FATHER'S NOT IN TROUBLE. WE ARE. OH, SURE ABOUT
THAT, ARE YOU? LOOK AT IT THIS WAY. YOU'VE GOT YOUR MOTHER
TO LOOK AFTER YOU. AND MARY POPPINS, AND CONSTABLE JONES
AND ME. WHO LOOKS AFTER YOUR FATHER? TELL ME THAT.
WHEN SOMETHING TERRIBLE HAPPENS, WHAT DOES HE DO? FENDS
FOR HIMSELF, HE DOES. WHO DOES HE TELL ABOUT IT? NO ONE!
DON'T BLAB HIS TROUBLES AT HOME.
HE JUST PUSHES ON AT HIS JOB, UNCOMPLAINING AND ALONE AND SILENT.
- HE'S NOT VERY SILENT! - MICHAEL, BE QUIET. BERT, DO YOU THINK
FATHER REALLY NEEDS OUR HELP? WELL, NOT MY PLACE TO SAY.
I ONLY OBSERVE THAT A FATHER CAN ALWAYS DO WITH A BIT OF HELP.
COME ON, I'LL TAKE YOU HOME. CHIM CHIMINY, CHIM CHIMINY
CHIM CHIM CHEREE A SWEEP IS AS LUCKY AS LUCKY CAN BE
CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO GOOD LUCK WILL
RUB OFF WHEN I SHAKES HANDS WITH YOU OR BLOW ME A KISS AND
THAT'S LUCKY TOO NOW AS THE LADDER OF LIFE HAS BEEN STRUNG
YOU MIGHT THINK A SWEEP'S ON THE BOTTOMMOST RUNG THOUGH I SPENDS
ME TIME IN THE ASHES AND SMOKE IN THIS WHOLE WIDE WORLD THERE'S NO
HAPPIER BLOKE CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE
A SWEEP IS AS LUCKY AS LUCKY CAN BE CHIM CHIMINY, CHIM CHIMINY
CHIM CHIM CHEROO GOOD LUCK WILL RUB OFF WHEN I SHAKES
HANDS WITH YOU CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE
A SWEEP IS AS LUCKY AS LUCKY CAN BE CHIM CHIMINY, CHIM CHIMINY
CHIM CHIM CHEROO GOOD LUCK WILL RUB OFF WHEN I SHAKES
HANDS WITH YOU OH, ELLEN, SEE WHO THAT IS, AND SEND THEM AWAY.
- I'M DREADFULLY LATE! - YES, MA'AM. - WELL, I'LL BE
GETTIN' ALONG NOW. - OH, PLEASE STAY 'TIL
FATHER COMES HOME. HE'LL FEEL MUCH BETTER IF YOU SHAKE HANDS
WITH HIM. - IT'S THE CHILDREN, MA'AM. - OH, I THOUGHT THEY WERE
WITH THEIR FATHER. YOU HAVEN'T BEEN RUNNING OFF AGAIN, HAVE
YOU? YOU KNOW HOW TERRIBLY IT UPSETS ME. OH, THEY HAVEN'T EXACTLY
BEEN RUNNING AWAY, MA'AM. THEY HAVE HAD BIT OF A FRIGHT,
THOUGH. NEED SOMEONE TO LOOK AFTER 'EM. OH, OF COURSE!
MARY POPPINS WILL. OH, NO, IT'S HER DAY OFF! - ELLEN, I WONDER
IF YOU WOULD-- - NO, MA'AM. I HAVEN'T DONE ME BRASSES YET.
- WELL, WILL YOU ASK MRS. BRILL? - NOT FOR A HUNDRED QUID,
MA'AM. THIS HERE IS BAKING DAY, AND YOU KNOW HOW COOK IS! WHAT ABOUT
YOU, SIR? YOU'VE BEEN SO KIND IN LOOKING AFTER THE CHILDREN.
WH-- UH, ME, MA'AM? W-WELL, WELL, I-I-I HAVE TO BE MOVING ALONG.
THE LORD MAYOR'S GOT A STOPPED-UP CHIMNEY. CHIMNEY.
HOW CLEVER OF YOU TO KNOW. OUR DRAWING ROOM CHIMNEY'S
IN THE MOST GHASTLY CONDITION. SMOKES INCESSANTLY. - W-
W-- - THANK YOU SO MUCH! - BUT-- - BESIDES,
IT'LL AMUSE THE CHILDREN. THE LORD MAYOR'S GONNA BE TERRIBLE
PUT OUT. OH, THANK YOU SO MUCH. I DO APPRECIATE IT. I MUST
HURRY. OUR GALLANT LADIES IN PRISON ARE WAITING FOR ME TO LEAD THEM
IN SONG! GOOD-BYE, MY DARLINGS. SEE YOU SOON.
I CHOOSE ME BRISTLES WITH PRIDE, YES, I DO A BROOM FOR THE SHAFT
AND A BRUSH FOR THE FLUE OH, IT'S AWFULLY DARK AND GLOOMY UP THERE.
THERE NOW. YOU SEE HOW WRONG PEOPLE CAN BE? THAT THERE IS WHAT
YOU MIGHT CALL A DOORWAY TO A PLACE OF ENCHANTMENT. UP WHERE
THE SMOKE IS ALL BILLOWED AND CURLED 'TWEEN PAVEMENT AND STARS
IS THE CHIMNEY SWEEP WORLD WHEN THERE'S HARDLY
NO DAY NOR HARDLY NO NIGHT THERE'S THINGS HALF IN SHADOW AND HALFWAY
IN LIGHT ON THE ROOFTOPS OF LONDON COO, WHAT A SIGHT. I DO WISH
WE COULD GO UP THERE. SO DO I! I LIKE CHIMNEYS.
OH, RIGHTLY SO! A CHIMNEY IS A WONDROUS THING. SHE'S
BUILT TALL RIGHT UP THERE ON THE ROOF. WHEN THE WIND IS
JUST RIGHT, IT BLOWS ACROSS HER TOP, THEN DRAWS THE SMOKE RIGHT
UP THE FLUE. HERE. FEEL THE PULL ON THE END OF THAT BRUSH.
IT'S LIKE I GOT A WHALE ON THE END OF THE LINE, AIN'T IT? MICHAEL,
BE CAREFUL. YOU NEVER KNOW WHAT MAY HAPPEN AROUND A FIREPLACE.
OH, BOTHER! MICHAEL! MICHAEL, COME BACK DOWN HERE. MICHAEL!
MICHAEL, WHERE ARE YOU? WELL, THAT'S A BIT AWKWARD. I
MUST SAY! BERT, I'LL THANK YOU TO STOP PUTTING IDEAS
IN THEIR HEADS! - THERE GOES THE OTHER ONE. - SHALL I GO AFTER 'EM?
WELL, WE CAN'T HAVE THEM GALLIVANTING UP THERE LIKE KANGAROOS,
CAN WE? MICHAEL, DON'T BE FRIGHTENED. EVERYTHING'S GOING--
WILL YOU PUT YOUR THINGS ON AT ONCE? HURRY UP,
PLEASE. SPIT SPOT! - HERE YOU ARE! I THOUGHT YOU'D
LEFT US. - WE DIDN'T MEAN TO. WELL, NO HARM DONE. THE TRUTH IS...
THIS IS WHAT YOU MIGHT CALL A FORTUITOUS CIRCUMSTANCE. LOOK THERE.
A TRACKLESS JUNGLE JUST WAITING TO BE EXPLORED. - WHY NOT,
MARY POPPINS? - OH, PLEASE, MARY POPPINS? - PLEASE!
OH, WELL. IF WE MUST, WE MUST. FALL IN. LOOK LIVELY,
LOOK LIVELY. JUMP TO IT! JUMP TO IT! GET IN LINE. ATTENTION!
A-SHOW ARMS! A-RIGHT TURN! QUICK MARCH! HELLO THERE! IT'S JUST
GOOD, CLEAN SOOT, MICHAEL. - AS FAR AS WE GO, RIGHT?
- NOT AT ALL. WHAT DID I TELL YA? THERE'S THE WHOLE WORLD
AT YOUR FEET. AND WHO GETS TO SEE IT, BUT THE BIRDS, THE STARS AND
THE CHIMNEY SWEEPS? QUITE NICE, BUT WE SHOULD ALL GET IN OUT
OF THE NIGHT AIR. FOLLOW ME, PLEASE. CHIM CHIMINY, CHIM CHIMINY CHIM
CHIM CHEREE WHEN YOU'RE WITH A SWEEP YOU'RE IN GLAD COMPANY
NOWHERE IS THERE A MORE HAPPIER CREW THEN THEM WHAT SINGS
CHIM CHIM CHEREE, CHIM CHEROO CHIM CHIMINY CHIM CHIM CHEREE
CHIM CHEROO - CHEROO! - CHEROO! - CHEROO! - CHEROO! - CHEROO! - CHEROO!
IT'S ALL ME PALS! STEP IN TIME! STEP IN TIME! - STEP IN TIME! - STEP
IN TIME! - STEP IN TIME! STEP IN TIME! STEP IN TIME, STEP IN TIME
COME ON, MATEYS, STEP IN TIME STEP IN TIME STEP IN TIME, STEP
IN TIME STEP IN TIME, STEP IN TIME NEVER NEED A REASON
NEVER NEED A RHYME WE STEP IN TIME, WE STEP IN TIME
- KICK YOUR KNEES UP! -KICK YOUR KNEES UP STEP IN TIME KICK
YOUR KNEES UP, STEP IN TIME NEVER NEED A REASON NEVER NEED
A RHYME KICK YOUR KNEES UP STEP IN TIME - ROUND
THE CHIMNEY! -ROUND THE CHIMNEY STEP IN TIME ROUND THE CHIMNEY,
STEP IN TIME NEVER NEED A REASON NEVER NEED A RHYME
ROUND THE CHIMNEY WE STEP IN TIME - CLAP LIKE A BIRDIE.
-CLAP LIKE A BIRDIE STEP IN TIME CLAP LIKE A BIRDIE, STEP
IN TIME NEVER NEED A REASON NEVER NEED A RHYME
CLAP LIKE A BIRDIE IN TIME - UP ON THE RAILING. -
UP ON THE RAILING STEP IN TIME UP ON THE RAILING, STEP IN TIME
NEVER NEED A REASON NEVER NEED A RHYME UP
ON THE RAILING STEP IN TIME - OVER THE ROOFTOPS! -OVER THE ROOFTOPS
STEP IN TIME OVER THE ROOFTOPS, STEP IN TIME NEVER NEED A REASON
NEVER NEED A RHYME STEP IT TIME, OVER THE
ROOFTOPS OVER THE ROOFTOPS LINK YOUR ELBOWS! LINK
YOUR ELBOWS, STEP IN TIME LINK YOUR ELBOWS, STEP IN TIME LINK YOUR
ELBOWS, LINK YOUR ELBOWS, LINK YOUR ELBOWS STEP IN TIME, STEP
IN TIME STEP IN TIME, STEP IN TIME NEVER NEED A REASON NEVER NEED
A RHYME WHEN YOU STEP IN TIME YOU STEP IN TIME MARY POPPINS,
STEP IN TIME! THERE YOU GO, MARY POPPINS! LUCKY OLD BERT! COME ON,
MARY POPPINS! HERE WE GO, MATE! HERE WE GO! MAKE ROOM FOR HER! GO!
- AIN'T SHE MARVELOUS? - AIN'T SHE BEAUTIFUL? LOVELY. TELL
YOUR MUM! HELLO, HELLO, HELLO! - MORE! MORE! - MARY,
DO IT AGAIN! - COME ON, MARY, DO IT AGAIN. HERE WE GO. -
WE'RE BEING ATTACKED BY HOTTENTOTS! - AYE, AYE, SIR.
CHEEKY DEVILS! GIVE 'EM WHAT FOR! - EMPTY THE SHOT LOCKERS! - AYE,
AYE, SIR! MOVE ALONG, MR. BINNACLE. HANDSOMELY NOW.
TEACH THE BEGGARS A LESSON. - GUN READY, SIR. - STAND BY.
FIRE! FIRE! WELL HIT, SIR! VERY WELL HIT! AAH! THEY'RE AT IT
AGAIN! THEY'RE AT IT AGAIN STEP IT TIME, AT IT AGAIN STEP IN
TIME THEY'RE AT IT AGAIN STEP IT TIME - OW!
-OW, STEP IN TIME OW, STEP IN TIME NEVER NEED A REASON
NEVER NEED A RHYME - WHOA! -STEP IN TIME OH, ELLEN,
WHEN YOU HAVE A SECOND. VOTES FOR WOMEN, STEP IN TIME VOTES
FOR WOMEN, STEP IN TIME OH, NO, REALLY, NOT AT THE MOMENT. -VOTES
FOR WOMEN - VOTES FOR WOMEN! - IT'S THE MASTER! -IT'S
THE MASTER, STEP IN TIME IT'S THE MASTER, STEP IN TIME - WHAT'S ALL
THIS? -WHAT'S ALL THIS - WHAT'S ALL THIS? -WHAT'S ALL THIS WHAT'S
ALL THIS WHAT'S ALL THIS WHAT'S ALL THIS -LINK YOUR ELBOWS, STEP IN
TIME - WHAT'S ALL THIS? -KICK YOUR KNEES UP - WHAT'S
ALL THIS? -STEP IN TIME -KICK YOUR KNEES UP KICK YOUR KNEES
UP - BERT. -KICK YOUR KNEES UP KICK YOUR KNEES UP IN TIME
- GOOD LUCK, GUV'NOR. - LOVELY TIME! HAD AN ELEGANT
TIME, GUV'NOR. GOOD LUCK, GUV'NOR. OH, FATHER, EVERY ONE
OF THOSE SWEEPS SHOOK YOUR HAND. YOU'RE GOING TO BE THE LUCKIEST
PERSON IN THE WORLD! - COME ALONG, CHILDREN. SPIT SPOT.
- JUST A MOMENT, MARY POPPINS. WHAT IS THE MEANING
OF THIS OUTRAGE? - I BEG YOUR PARDON? - WILL YOU BE GOOD ENOUGH
TO EXPLAIN ALL THIS? FIRST OF ALL, I WOULD LIKE TO MAKE ONE
THING QUITE CLEAR. YES? I NEVER EXPLAIN ANYTHING. YES. BANKS HERE.
MR. DAWES! I'M MOST DREADFULLY SORRY, SIR, ABOUT WHAT HAPPENED AT
THE BANK TODAY. I CAN ASSURE YOU THAT-- TONIGHT, SIR?
YES, BANKS. WE'LL EXPECT YOU AT 9:00 PRECISELY.
- WITHOUT FAIL. - WITHOUT FAIL. WHY, YES, BANKS. IT'S EXTREMELY
SERIOUS. WE REGRET THIS COURSE OF ACTION. WE REGRET
THIS COURSE OF ACTION. AFTER ALL, YOU HAVE BEEN WITH US
A GOOD MANY YEARS. - AFTER ALL, YOU HAVE BEEN
WITH US A GOOD MANY YEARS. - AS WAS YOUR FATHER BEFORE YOU. AS
WAS YOUR FATHER BEFORE YOU. YES, MR. DAWES. I SHALL
BE THERE AT 9:00. A MAN HAS DREAMS OF WALKING WITH GIANTS.
TO CARVE HIS NICHE IN THE EDIFICE OF TIME. BEFORE THE MORTAR OF
HIS ZEAL HAS A CHANCE TO CONGEAL THE CUP IS DASHED FROM HIS
LIPS! THE FLAME IS SNUFFED A-BORNING. HE'S BROUGHT TO
WRACK AND RUIN IN HIS PRIME. LIFE IS A RUM GO, GUV'NOR. AND THAT'S
THE TRUTH. YOU KNOW WHAT I THINK? IT'S THAT WOMAN MARY
POPPINS. FROM THE MOMENT SHE STEPPED INTO THIS HOUSE,
THINGS BEGAN TO HAPPEN TO ME! - MARY POPPINS? - YES, YES, OF
COURSE. MY WORLD WAS CALM WELL-ORDERED EXEMPLARY. THEN CAME THIS
PERSON WITH CHAOS IN HER WAKE AND NOW MY LIFE'S AMBITIONS GO
WITH ONE FELL BLOW IT'S QUITE A BITTER PILL TO TAKE. IT'S THAT
POPPINS WOMAN! SHE DID IT! I KNOW THE VERY PERSON YOU
MEAN. MARY POPPINS. SHE'S THE ONE WHAT SINGS...
A SPOONFUL OF SUGAR THAT IS ALL IT TAKES IT CHANGES BREAD AND
WATER INTO TEA AND CAKES YOU SEE? THAT'S EXACTLY
WHAT I MEAN! CHANGING BREAD AND WATER INTO TEA AND CAKES! INDEED!
NO WONDER EVERYTHING'S HIGGLEDY-PIGGLEDY HERE. A SPOONFUL OF SUGAR
GOES A LONG, LONG WAY HAVE YOURSELF A HEALTHY HELPIN' EVERYDAY
AN HEALTHY HELPIN' OF TROUBLE, IF YOU ASK ME. DO YOU
KNOW WHAT SHE DID? I REALIZE IT NOW. SHE TRICKED ME INTO TAKING
JANE AND MICHAEL TO THE BANK. THAT'S HOW ALL THE TROUBLE
STARTED. - TRICKED YOU INTO TAKING THE CHILDREN ON AN OUTING?
- YES. OUTRAGEOUS! A MAN WITH ALL THE IMPORTANT
THINGS YOU HAVE TO DO. SHAMEFUL! YOU'RE A MAN OF HIGH POSITION.
ESTEEMED BY YOUR PEERS. AND WHEN YOUR LITTLE TYKES ARE CRYIN'
YOU HAVEN'T TIME TO DRY THEIR TEARS AND SEE THEM GRATEFUL
LITTLE FACES SMILIN' UP AT YOU BECAUSE THEIR DAD HE ALWAYS KNOWS
JUST WHAT TO DO - WELL, I MEAN, LOOK, I, I DON'T THINK I CA-- -
LIKE YOU SAY, GUV'NOR. YOU'VE GOT TO GRIND, GRIND, GRIND
AT THAT GRINDSTONE THOUGH CHILDHOOD SLIPS LIKE SAND THROUGH
A SIEVE AND ALL TOO SOON THEY'VE UP AND GROWN AND THEN THEY'VE
FLOWN AND IT'S TOO LATE FOR YOU TO GIVE JUST THAT SPOONFUL
OF SUGAR TO HELP THE MEDICINE GO DOWN THE MEDICINE GO
DOWN MEDICINE GO DOWN WELL, GOOD-BYE, GUV'NOR. SORRY TO HAVE TROUBLED
YOU. FATHER? WE'RE SORRY ABOUT THE TUPPENCE. WE DIDN'T KNOW IT
WOULD CAUSE YOU SO MUCH TROUBLE. HERE, FATHER, YOU
CAN HAVE THE TUPPENCE. WILL THAT MAKE EVERYTHING ALL RIGHT?
THANK YOU. COME IN! TAKE YOUR HAT OFF, BANKS.
GOOD EVENING, GENTLEMEN. WELL, GET ON WITH IT. GO ON.
UH, YES, FATHER. IN 1773, AN OFFICIAL OF THIS BANK... UNWISELY
LOANED A LARGE SUM OF MONEY... TO FINANCE A SHIPMENT OF TEA
TO THE AMERICAN COLONIES. - DO YOU KNOW WHAT HAPPENED? - YES,
SIR. YES, I THINK I DO. UH, UH, AS THE SHIP LAY IN BOSTON HARBOR,
UH, A PARTY OF THE COLONISTS DRESSED AS RED INDIANS... UH,
BOARDED THE VESSEL, BEHAVED VERY RUDELY, AND, AND THREW ALL THE
TEA OVERBOARD. THIS MADE THE TEA UNSUITABLE FOR DRINKING,
EVEN FOR AMERICANS. PRECISELY. THE LOAN WAS DEFAULTED.
PANIC ENSUED WITHIN THESE WALLS. THERE WAS A RUN ON THE BANK!
FROM THAT TIME TO THIS, SIR, THERE HAS NOT BEEN A RUN ON THIS
BANK... UNTIL TODAY! A RUN, SIR, CAUSED BY THE DISGRACEFUL
CONDUCT OF YOUR SON. - DO YOU DENY IT? - I DO NOT DENY IT, SIR.
AND I SHALL BE ONLY TOO GLAD TO ASSUME RESPONSIBILITY FOR MY SON.
- WHAT ARE YOU WAITING FOR? GET ON WITH IT!
- UH, Y-YES, FATHER. - NO, NOT THAT! - STEADY ON.
WELL, DO YOU HAVE ANYTHING TO SAY, BANKS? WELL, SIR,
THEY DO SAY THAT... WHEN THERE'S NOTHING TO SAY, ALL YOU CAN SAY I-
- CONFOUND IT, BANKS! I SAID, DO YOU HAVE ANYTHING TO SAY?
- JUST ONE WORD, SIR. - YES? SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS. WHAT? SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS.
MARY POPPINS WAS RIGHT. IT'S EXTRAORDINARY. IT
DOES MAKE YOU FEEL BETTER! WHAT ARE YOU TALKING ABOUT, MAN? THERE'S
NO SUCH WORD. OH, YES. IT IS A WORD. A PERFECTLY
GOOD WORD, ACTUALLY. DO YOU KNOW WHAT THERE'S NO SUCH THING AS?
IT TURNS OUT, WITH DUE RESPECT, WHEN ALL IS SAID AND DONE,
THAT THERE'S NO SUCH THING AS YOU! - IMPERTINENCE, SIR!
- SPEAKING OF IMPERTINENCE, WOULD YOU LIKE TO HEAR A PERFECTLY
MARVELOUS JOKE? - A REAL SNAPPER! - JOKE? SNAPPER? YES. THERE ARE
THESE TWO WONDERFUL YOUNG PEOPLE, JANE AND MICHAEL. AND THEY
MEET ONE DAY ON THE STREET, AND JANE SAYS TO MICHAEL,
"I KNOW A MAN WITH A WOODEN LEG NAMED SMITH." AND MICHAEL
SAYS, "REALLY? WHAT'S THE NAME OF HIS OTHER LEG?" THE
MAN'S GONE MAD. CALL THE GUARD! SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS. I'M FEELING BETTER ALL THE TIME!
BANKS, DON'T YOU DARE STRIKE MY FATHER! THERE'S THE TUPPENCE.
THE WONDERFUL, FATEFUL... SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
TUPPENCE. - GUARD IT WELL. GOOD-BYE! - BANKS, WHERE ARE YOU GOING?
I DON'T KNOW. I MIGHT POP THROUGH A CHALK PAVEMENT
PICTURE, AND GO FOR AN OUTING IN THE COUNTRY. OR I MIGHT SEIZE
A HORSE OFF A MERRY-GO-ROUND, AND WIN THE DERBY! OR I MIGHT
JUST FLY A KITE! ONLY POPPINS WOULD KNOW! - POPPINS?
- MY NANNY. SHE'S THE ONE WHO SINGS THAT RIDICULOUS SONG.
A SPOONFUL OF SUGAR MAKES THE MEDICINE GO DOWN THE MEDICINE
GO DOWN THE MEDICINE GO DOWN THE MEDICINE-- MAD AS A MARCH HARE.
A WOODEN LEG NAMED SMITH. A WOODEN LEG NAMED SMITH. A WOODEN LE--
FATHER? FATHER! FATHER, COME DOWN! DADDY! DADDY, COME BACK! WIND'S
COME AROUND, BLOWING DEAD ON FROM THE WEST! SHE DOESN'T
CARE WHAT HAPPENS TO US. SHE ONLY PROMISED TO STAY 'TIL THE
WIND CHANGED. ISN'T THAT RIGHT, MARY POPPINS? WILL YOU BRING
ME MY HAT STAND, PLEASE? MARY POPPINS, DON'T YOU LOVE US?
AND WHAT WOULD HAPPEN TO ME, MAY I ASK, IF I LOVED
ALL THE CHILDREN I SAID GOOD-BYE TO? YES, SIR, THAT'S RIGHT.
GEORGE W. BANKS. 17 CHERRY TREE LANE. ABOUT SIX FOOT ONE, I'D
SAY, SIR. OH, YES, WE RANG UP HIS BANK FIRST THING THIS MORNING.
THE ONLY THING WE DISCOVERED WAS, HE'D BEEN DISCHARGED LAST NIGHT.
NO TELLING WHAT HE MIGHT DO IN A FIT OF DESPONDENCY.
WOULDN'T HURT TO HAVE THEM DRAG THE RIVER. THERE'S A
NICE SPOT THERE BY SUFFOLK BRIDGE. POPULAR WITH JUMPERS.
REALLY, ELLEN! HE SEEMED TO HAVE BEEN A FINE, STABLE GENTLEMAN,
SIR. NO HANKY-PANKY, IF YOU KNOW WHAT I MEAN. - OH, REGULAR
HABITS, SIR. WELL, FAR AS ANYONE KNOWS. -THE MEDICINE GO DOWN
THE MEDICINE GO DOWN -JUST A SPOONFUL OF SUGAR - IT'S HIM!
-HELPS THE MEDICINE - OR SOMETHING THAT SOUNDS
LIKE HIM. -GO DOWN - MRS. BANKS, COULD
WE HAVE A LITTLE LESS NOISE... -ON THE PREMISES? I CAN'T MAKE
OUT WHAT THE INSPECTOR'S SAYIN'. -IN THE MOST DELIGHTFUL WAY
JUST A SPOONFUL OF SUGAR -MAKES THE MEDICINE GO DOWN -
GEORGE! OH, GEORGE, YOU DIDN'T JUMP IN THE RIVER.
HOW SENSIBLE OF YOU. IT'S ALL RIGHT, SIR. HE'S BEEN
FOUND! NO, ALIVE! OR SO I PRESUME. HE'S A-KISSIN'
A-MRS. BANKS. I'VE BEEN SO WORRIED. WHAT HAPPENED AT THE BANK?
I'VE BEEN SACKED, DISCHARGED, FLUNG INTO THE STREET. A SPOONFUL
OF SUGAR MAKES THE MEDICINE GO DOWN GONE OFF HIS CRUMPET. THAT'S
WHAT HE'S DONE. -THE MEDICINE GO DOWN - DOTTY AS YOU PLEASE. GEORGE,
WHAT ON EARTH WERE YOU DOING IN THE CELLAR? YOU'LL SEE IN A
MOMENT. WHERE ARE THE CHILDREN? JANE? MICHAEL? - YOUR FATHER'S CALLING
YOU. - IT DOESN'T SOUND LIKE FATHER. - JANE? MICHAEL? - RUN
ALONG. SPIT SPOT! YOU WON'T GO, MARY POPPINS, WILL YOU?
SPIT SPOT. HE MENDED IT! - IT'S WONDERFUL! - HOWEVER
DID YOU MANAGE IT? WITH TUPPENCE FOR PAPER AND STRINGS
YOU CAN HAVE YOUR OWN SET OF WINGS WITH YOUR FEET ON THE
GROUND YOU'RE A BIRD IN FLIGHT WITH YOUR FIST HOLDING
TIGHT TO THE STRING OF YOUR KITE OH, OH, OH LET'S GO FLY A KITE
UP TO THE HIGHEST HEIGHT LET'S GO FLY A KITE AND SEND IT SOARING
UP THROUGH THE ATMOSPHERE UP WHERE THE AIR IS CLEAR OH,
LET'S GO FLY A KITE A PROPER KITE NEEDS A PROPER TAIL,
DON'T YOU THINK? THAT'S WHAT I SAID, SIR. GO FLY A KITE!
OH, NO, SIR. NO, I, I DON'T MEAN YOU PERSONALLY. LET'S GO
FLY A KITE UP TO THE HIGHEST HEIGHT LET'S GO FLY A KITE AND
SEND IT SOARING UP THROUGH THE ATMOSPHERE UP WHERE THE
AIR IS CLEAR OH, LET'S GO FLY A KITE WHEN YOU SEND IT FLYING
UP THERE ALL AT ONCE YOU'RE LIGHTER THAN AIR YOU CAN DANCE
ON THE BREEZE OVER HOUSES AND TREES WITH YOUR FIST HOLDING
TIGHT TO THE STRING OF YOUR KITE -OH, OH, OH - NOW! LET'S
GO FLY A KITE UP TO THE HIGHEST HEIGHT LET'S GO FLY A KITE AND
SEND IT SOARING OH, THERE YOU ARE, BANKS. I WANT TO CONGRATULATE YOU.
CAPITAL BIT OF HUMOR. WOODEN LEG NAMED SMITH. OR JONES
OR WHATEVER IT WAS. FATHER DIED LAUGHING. - OH, I'M SO SORRY, SIR.
- OH, NO, NONSENSE. NOTHING TO BE SORRY ABOUT. NEVER
SEEN HIM HAPPIER IN HIS LIFE. HE LEFT AN OPENING FOR A NEW
PARTNER. CONGRATULATIONS. THANK YOU, SIR. THANK YOU
VERY MUCH INDEED, SIR. UP THROUGH THE ATMOSPHERE UP WHERE
THE AIR IS CLEAR OH, LET'S GO FLY A KITE THAT'S GRATITUDE FOR
YOU. - DIDN'T EVEN SAY GOOD-BYE. - NO, THEY DIDN'T. LOOK
AT THEM. YOU KNOW, THEY THINK MORE OF THEIR FATHER THAN THEY
DO OF YOU. - THAT'S AS IT SHOULD BE. - WELL, DON'T YOU CARE?
PRACTICALLY PERFECT PEOPLE NEVER PERMIT SENTIMENT TO MUDDLE THEIR
THINKING. IS THAT SO? WELL, I'LL TELL YOU ONE THING, MARY POPPINS,
YOU DON'T FOOL ME A BIT. -OH, REALLY?
-YES, REALLY. I KNOW EXACTLY HOW YOU FEEL ABOUT THESE CHILDREN.
AND IF YOU THINK I'M GONNA KEEP MY MOUTH SHUT ANY LONGER, I-- THAT
WILL BE QUITE ENOUGH OF THAT, THANK YOU. GOOD-BYE, MARY POPPINS.
DON'T STAY AWAY TOO LONG.
.......................................................................
Supplement:
OH, OH, OH LET'S GO FLY A KITE UP TO
THE HIGHEST HEIGHT LET'S GO FLY A KITE AND SEND IT SOARING UP
THROUGH THE ATMOSPHERE UP WHERE THE AIR IS CLEAR OH, LET'S
GO FLY A KITE MARY POPPINS OPENED ON AUGUST 27, 1964... AT
THE CHINESE THEATER IN HOLLYWOOD. COME WITH US NOW AND RELIVE
THAT HISTORICAL NIGHT... AS HOLLYWOOD GOES TO A WORLD PREMIERE.
TONIGHT, ALL OF HOLLYWOOD AWAITS THE WORLD PREMIERE... OF WALT
DISNEY'S MARY POPPINS, ACCLAIMED BY EVERYONE AS HIS GREATEST
ACHIEVEMENT, AND STARRING JULIE ANDREWS AND DICK VAN DYKE.
HERE IN THE FORECOURT OF THE RENOWNED GRAUMAN'S CHINESE
THEATER, THERE'S A SURGE OF EXCITEMENT. FAMOUS STARS ARE CHEERED
BY THE CROWDS... AND ARE CAUGHT CANDIDLY BY NEWS PHOTOGRAPHERS...
AND THE TV AND MOTION PICTURE CAMERAS. ARRIVING NOW
IS JAMES FRANCISCUS. CAESAR ROMERO. CHARMING VERA MILES.
OPERA STAR LAURITZ MELCHIOR. MARY TYLER MOORE. VIBRANT MAUREEN
O'HARA. HERE COMES DAVY CROCKETT'S SIDEKICK, BUDDY EBSEN. IN THE
GRAND TRADITION, BRIAN KEITH... AND ACADEMY AWARD WINNER
CELESTE HOLM SIGN AUTOGRAPHS. THAT GOOD LUCK CHARM OF DISNEY
FILMS, ED WYNN. OVER THERE, THOSE TWO FINE YOUNG ACTORS, TOM TRYON
AND RODDY MCDOWELL. AT THE MICROPHONE IS VIVACIOUS ANNETTE.
GEORGE MURPHY. THAT WONDERFUL STAR OF FILMS AND TELEVISION, WALTER
BRENNAN. DANCER ANN MILLER AND SONGSTRESS CATHERINE GREYSON.
LOVELY CAROL LYNLEY. EPHREM ZIMBALIST, JR. ENCHANTING ANGIE DICKINSON.
THERE'S BRIGHT, BOUNCY CONNIE STEVENS. NOW, HERE COMES DICK
VAN DYKE, ONE OF THE BRIGHT STARS OFMARY POPPINS. AND WITH
HIM IS HIS WONDERFUL FAMILY. ONE OF THE HIGHLIGHTS
OF THE SHOW IS THE DANCE... THAT DICK DOES WITH A GROUP OF COMICAL
PENGUINS. WHEE! WHEE! WHEE! WHEE! WHEE! WHEE! GEE, YOU GOT
A LOVELY FAMILY. IS THIS ALL OF 'EM, DICK? NO, I HAVE A TWO-AND-
A-HALF- YEAR-OLD GIRL WHO WAS TOO YOUNG TO COME, LOUIE. I
WISH SHE WAS HERE. SHE'S WATCHING RIGHT NOW. - HI, CARRIE BETH.
- AW, THAT'S SWEET. YOU KNOW, DICK, WE JUST LEARNED THAT YOU NOT ONLY
LEAR-- HAD TO LEARN TO DANCE WITH PENGUINS, BUT YOU
HAD TO LEARN TO SING IN A WHOLE NEW LANGUAGE... THAT WAS, UH, UH-
- OH, IT HAD A WORD IN IT LIKE, UH, SUPER, S-- - MAYBE YOU CAN TELL
THEM. - OH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS. OH,
SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS EVEN THOUGH THE SOUND
OF IT IS SOMETHING QUITE ATROCIOUS IF YOU SAY IT LOUD ENOUGH
YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE
DIDDLE UM DIDDLE AY UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY HE'S TRAVELED
ALL AROUND THE WORLD AND EVERYWHERE HE WENT HE'D USE HIS WORD
AND ALL WOULD SAY, THERE GOES A CLEVER GENT WHEN DUKES AND MAHARAJAHS
PASS THE TIME OF DAY WITH ME I'D SAY ME SPECIAL WORD AND THEN
THEY'D ASK ME OUT TO TEA OOH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
EVEN THOUGH THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS
IF YOU SAY IT LOUD ENOUGH YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGI
LISTIC- EXPIALIDOCIOUS UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY
UM DIDDLE DIDDLE DIDDLE UM DIDDLE AY YOU KNOW,
YOU CAN SAY IT BACKWARDS, WHICH IS... DOCIOUSALIEXPIISTIC- FRAGILCALIRUPUS.
- BUT THAT'S GOING A BIT TOO FAR, DON'T YOU THINK? - INDUBITABLY.
SO WHEN THE CAT HAS GOT YOUR TONGUE
THERE'S NO NEED FOR DISMAY - HEAR, HEAR! - JUST
SUMMON UP THIS WORD AND THEN YOU'VE GOT A LOT TO SAY BUT BETTER
USE IT CAREFULLY OR IT CAN CHANGE YOUR LIFE UH, SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS
SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS WELL, IT'S MY THIRD MOTION PICTURE, BUT
THE BEST ONE I'VE EVER BEEN IN, THE BEST ONE... I EVER WILL BE IN,
IF I LIVE TO BE 150 YEARS OLD. TO ME, THIS IS
THE GREATEST FAMILY CLASSIC OF ALL TIME, LOUIE. I'M SO PROUD
TO BE IN THIS PICTURE, I CAN'T STAND IT. NOW, A MOMENT OF EXCITEMENT.
FROM THE REACTION OF THE CROWD, IT APPEARS... THAT WALT
DISNEY IS ARRIVING. WALT DISNEY, THE MAN WHO MADE IT ALL POSSIBLE...
BY BRINGINGMARY POPPINS TO THE SCREEN. HE'S MAKING HIS
WAY THROUGH THE ADMIRING CROWD, SURROUNDED BY HIS WONDERFUL
DISNEYLAND CHARACTERS. WALT'S LAST PREMIERE WAS IN 1937...
FORSNOW WHITE AND THE SEVEN DWARFS. - HELLO, WALT. HOW
ARE YOU? - THIS IS MRS. DISNEY. HELLO. HOW DO YOU DO? - HOW'S
EVERYTHING GOING? - WALT, IT'S JUST BEEN THE GREATEST NIGHT...
THAT I'VE EVER SEEN IN HOLLYWOOD AND I'VE BEEN HERE 33 YEARS.
WELL, PEOPLE THAT HAVE SEEN IT JUST SAY THAT IT'S FABULOUS. - YEAH,
WE HAD FOUR OF THEM THERE - JUST FABULOUS. SAY, I'M LOOKING
UP AND I SEE SOMETHING HAPPENING IN THE SKY. HERE COMES MARY
POPPINS NOW! - PERHAPS IT'S A WITCH. - OF COURSE NOT. WITCHES
HAVE BROOMS. IT'S JULIE ANDREWS, INCOMPARABLE BROADWAY STAR...
OFMY FAIR LADY AND CAMELOT, NOW STARRING IN HER FIRST MOTION
PICTURE, AS MARY POPPINS. HOW DID YOU PICK JULIE FOR THE PART?
WELL, UH, I WENT, UH, TO NEW YORK, AND I CAUGHT THE
PERFORMANCE OFCAMELOT. OF COURSE, I'D HEARD HER
RECORDS AND THINGS, BUT IT WASCAMELOT THAT I SAW HER IN. AND THEN
I WENT BACKSTAGE AND I TRIED... TO TALK HER INTO THE THING,
AND, UH, I TRIED TO CONVINCE HER... I WAS CAPABLE OF MAKING A, A
PICTURE WITH, UH, LIVE ACTORS AS WELL AS CARTOONS. I DIDN'T
KNOW WHAT SHE THOUGHT OF ME AND EVERYTHING. I THINK I PUT
ON QUITE A, UH, AN ACT THERE THAT NIGHT, DIDN'T I? I WAS VERY IMPRESSED,
WALT. WELL, YOU MUST HAVE BEEN IMPRESSED, BECAUSE
ALL I CAN TELL YOU... IS THE GENIUS OF JULIE ANDREWS AND THE GENIUS
OF WALT DISNEY... HAVE MADE PROBABLY ONE OF THE ALL-TIME GREAT...
MOTION PICTURES THAT WE'VE EVER MADE IN THIS CRAZY TOWN OF
HOLLYWOOD. YOU KNOW, JULIE, "SPOONFUL OF SUGAR"
THAT YOU SING SUMS UP... - THE WHOLE PERSONALITY OF MARY POPPINS
IN THE PICTURE. - YES, IT DOES. SHE TRIES TO BRING
HAPPINESS TO EVERYONE. AND RIGHT NOW WE'RE GOING TO SHOW OUR
AUDIENCE THAT SONG. FOR A SPOONFUL OF SUGAR HELPS THE MEDICINE GO
DOWN THE MEDICINE GO DOWN MEDICINE GO DOWN JUST A SPOONFUL OF
SUGAR HELPS THE MEDICINE GO DOWN IN A MOST DELIGHTFUL WAY THE HONEYBEES
THAT FETCH THE NECTAR FROM THE FLOWERS TO THE COMB NEVER
TIRE OF EVER BUZZING TO AND FRO BECAUSE THEY TAKE A
LITTLE NIP FROM EVERY FLOWER THAT THEY SIP - AND HENCE - AND HENCE
- THEY FIND - THEY FIND THEIR TASK IS NOT A GRIND CHEEKY. SO,
FOR HOLLYWOOD, IT'S A NIGHT OF DAZZLING STARS, EXCITEMENT
AND COLORFUL CELEBRATION. FOR WALT DISNEY, ANOTHER TRIUMPH
IN THE WORLD OF MOTION PICTURES. AND FORMARY POPPINS, AN ENTHUSIASTIC
GREETING... AS HOLLYWOOD GOES TO A WORLD PREMIERE.

laserdiscside4
MICHAEL, LOOK! - PERHAPS IT'S A WITCH. - OF COURSE NOT.
- WITCHES HAVE BROOMS. - IT'S THAT POPPINS WOMAN! MARY POPPINS! OH, OF COURSE.
MARY POPPINS. MARY POPPINS-- IS THAT YOUR NAME? THAT'S HER NAME.
AND HERE'S THE BEHIND-THE-SCENES STORY OF THE MAKING... OF WALT DISNEY'S
SUPERCALIFRAG- ILISTICEXPIALIDOCIOUS MASTERPIECE.
"MARY POPPINS. PRACTICALLY PERFECT IN EVERY WAY." MARY
POPPINS-- WHICH WAS FILMED ON THIS SOUND STAGE-- WAS THE
STUDIO'S TRIUMPH OF SPECIAL EFFECTS, ANIMATION AND LIVE ACTION.
IT ALSO WON FIVE OSCARS-- MORE THAN ANY SINGLE DISNEY FILM HAD, BEFORE
OR SINCE. BUT THOSE OF US WHO WORKED ON THE FILM,
AND ALL OF US WHO HAVE COME TO LOVE IT, KNOW IT WAS THE STORY
BENEATH THE SPECIAL EFFECTS... THAT TURNED THE MOVIE INTO
AN ENDURING CLASSIC. IN A WAY, MARY POPPINS IS THE CULMINATION OF WALT'S
CAREER, IN THAT IT DRAWS ON EVERYTHING HE LEARNED HOW TO DO:
BLENDING ANIMATION AND LIVE ACTION, INTEGRATING SONGS WITH STORY,
AND OF COURSE, NOT THE LEAST, HIS GREAT EYE FOR TALENT.
BECAUSE, AFTER ALL, HE'S THE ONE WHO BROUGHT JULIE ANDREWS... TO
HOLLYWOOD-- FOR THE FIRST TIME-- TO MAKE THIS FILM. WHAT MANY
PEOPLE DON'T REALIZE IS THAT WALT'S DISNEY'S... INTEREST IN MARY
POPPINS DATED BACK TO 1939. MARY POPPINS HAD BEEN PUBLISHED
IN 1934... AND WAS WILDLY POPULAR IN ENGLAND. WALT'S BROTHER,
ROY DISNEY, BEGAN NEGOTIATIONS... WITH THE AUTHOR, P.L. TRAVERS,
IN 1944, WHILE TRAVERS WAS LIVING IN NEW YORK... TO ESCAPE
THE NAZI BOMBINGS OF LONDON. MANY YEARS WENT BY, BUT
THE TENACIOUS MRS. TRAVERS... FINALLY RELEASED THE FILM RIGHTS...
TO THE EQUALLY DETERMINED MR. DISNEY IN 1961. MARY POPPINS
IS A LIVE MUSICAL FANTASY. THE WHOLE STORY IS-IS CARRIED OUT
BY ACTORS, AND IT'S, UH-- OF COURSE WE HAVE A LOT OF TRICKS
OF THE TRADE HERE... THAT WE INCORPORATE INTO MARY POPPINS. INSTEAD
OF GIVING THE BOOK TO A SCREENWRITER OR ANIMATION DIRECTOR,
WALT FIRST CALLED UPON SONGWRITERS TO LOOK ATMARY
POPPINS. OUR SONGWRITERS, DICK AND BOB SHERMAN. THE SHERMAN BROTHERS
HAD STARTED WORKING FOR WALT... DOING INCIDENTAL SONGS, BUT WHEN
HE CAME TO THEM AND PROPOSEDMARY POPPINS, THIS WAS ON A-- AGAIN,
ON A DIFFERENT PLATEAU. HE KNEW IT, AND HE MADE THEM KNOW IT TOO.
HE GOT THEM INVOLVED IN HELPING TO BUILD THE STORY. THE
SONGS CAME OUT OF THE STORY, AND THE STORY LED TO THE SONGS. IT WAS
A PERFECT INTEGRATION OF MUSIC AND STORYTELLING. ONE DAY WALT HANDED
US A BOOK, AND IT WASMARY POPPINS, AND HE SAID, UH, "READ IT
AND TELL ME WHAT YOU FELLAS THINK ABOUT IT." WE CIRCLED
SIX CHAPTERS. - AN AMAZING THING HAPPENED. - WALT OPENED HIS COPY
OF THE BOOK... - AND HE HAD CIRCLED THE SAME
SIX CHAPTERS. - WHAT A FEELING. THE SHERMAN BROTHERS SET TO
WORK WITH STORY MAN DON DAGRADI, WHO DEVELOPED THEIR STORY IDEAS
THROUGH DRAWINGS. DON DAGRADI CAME IN ONE DAY WITH A SKETCH...
OF A LITTLE CHIMNEY SWEEP... CARRYING HIS BROOMS AND WHISTLING,
AND I SAID, "THIS IS A SONG." CHIM CHIMINY, CHIM CHIMINY
CHIM CHIM CHEREE A SWEEP IS AS LUCKY AS LUCKY CAN BE
CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEROO GOOD LUCK WILL
RUB OFF WHEN I SHAKES HANDS WITH YOU IN CASTING THE PIVOTAL ROLE
OF THE MAGIC NANNY, A BRIGHT YOUNG MUSICAL STAR CAUGHT WALT'S
EYE. IT'S JULIE ANDREWS, INCOMPARABLE BROADWAY STAR...
OFMY FAIR LADY ANDCAMELOT. HOW DID YOU PICK JULIE FOR THE PART?
WELL, UH, I WENT, UH, TO NEW YORK... AND I CAUGHT
THE PERFORMANCE OFCAMELOT. OF COURSE, I'D HEARD HER
RECORDS AND THINGS, BUT IT WASCAMELOT THAT I SAW HER IN. AND
THEN I WENT BACKSTAGE AND I TRIED TO TALK HER INTO THE THING, AND,
UH, I TRIED TO CONVINCE HER I WAS, UH, CAPABLE OF MAKING
A-- A PICTURE WITH LIVE ACTORS AS WELL AS CARTOONS. I DIDN'T
KNOW WHAT SHE THOUGHT OF ME AND EVERYTHING. I THINK I PUT
ON QUITE A, UH, - AN ACT THERE THAT NIGHT, DIDN'T I?
- I WAS VERY IMPRESSED, WALT. FOR A SPOONFUL OF SUGAR HELPS
THE MEDICINE GO DOWN - THE MEDICINE GO DOWN - WHEN YOU SEE JULIE
ANDREWS INMARY POPPINS... SHE'S SO PERFECT, SHE'S SO WONDERFUL,
YOU WONDER HOW ANYBODY COULD HAVE TURNED HER DOWN-- FOR ANYTHING-
- AND YET, THE GREAT IRONY WAS, THAT WAS THE SAME YEAR THAT
MY FAIR LADY CAME TO THE SCREEN, AND THAT WAS THE ROLE... THAT SHE
HAD MADE HER OWN ON BROADWAY, BUT JACK WARNER... OF WARNER BROTHERS
PASSED HER BY FOR THE MOVIE. HE DIDN'T THINK THAT SHE WAS MOVIE
MATERIAL. IN A CASTING CHOICE THAT MANY CRITICS THOUGHT ODD, WALT
CHOSE ALL-AMERICAN DICK VAN DYKE... AS MARY POPPINS'
COCKNEY COMPANION, BERT. WELL, IT'S MY THIRD MOTION PICTURE,
BUT THE BEST ONE I'VE EVER BEEN IN, THE BEST ONE... I EVER WILL BE
IN, IF I LIVE TO BE 150 YEARS OLD. OH, IT'S A JOLLY HOLIDAY
WITH MARY MARY MAKES YOUR HEART SO LIGHT
YOU HAVEN'T CHANGED A BIT, HAVE YOU? DICK VAN DYKE WAS KNOWN
BY THEN AS THE STAR... OF HIS WEEKLY TV COMEDY SERIES, AND, UH, HE
WAS WONDERFUL IN IT. BUT HE'D ALREADY BEEN ON BROADWAY AS A MUSICAL...
COMEDY STAR IN BYE BYE BIRDIE, AND... MARY POPPINS LET HIM
SHOW ALL HIS TALENTS. A NATURAL DANCER, A WONDERFUL SINGER, A
MAN OF JUST TREMENDOUS CHARM AND PRESENCE. CHILD ACTORS KAREN
DOTRICE AND MATTHEW GARBER, WHO HAD STARRED IN DISNEY'S THREE
LIVES OF THOMASINA, WERE CAST AS THE BANKS CHILDREN, JANE AND MICHAEL.
WE BETTER KEEP AN EYE ON THIS ONE. - SHE'S
TRICKY. - SHE'S WONDERFUL. FILM AND STAGE STAR GLYNIS JOHNS...
WAS CAST AS THE SUFFRAGETTE, MRS. BANKS. I DON'T
THINK WE NEED BOTHER THE POLICE, DEAR. - THE FACTS OF THE MATTER-
- - KINDLY DO NOT ATTEMPT TO CLOUD THE ISSUE WITH FACTS. PRIM
BRITISH ACTOR DAVID TOMLINSON... JOINED MARY POPPINS AS MR. BANKS.
DISNEY FAVORITE ED WYNN MADE A CAMEO APPEARANCE AS UNCLE ALBERT.
AND THE ROLE OF THE BIRD WOMAN WAS PLAYED BY JANE DARWELL,
BEST KNOWN FOR HER ROLE AS MA JOAD INTHE GRAPES OF WRATH. MARY
POPPINS WAS HER LAST FILM. BUT ESTABLISHING A DISTINGUISHED HUMAN
CAST FOR MARY POPPINS... WAS ONLY HALF THE JOB. THERE WAS AN ANIMATED
CAST OF COSTARS TOO, AND ALL OF THESE ACTORS HAD TO PERFORM
TOGETHER... IN A FANTASY WORLD. COMBINING ACTORS AND ANIMATED CHARACTERS ALLOWS YOU...
TO CREATE SCENES AND SITUATIONS... THAT COULD NEVER HAPPEN IN REAL LIFE.
LONG BEFORE ROGER RABBIT WAS JUST
A GLEAM IN AN ANIMATOR'S EYE, WALT DISNEY WAS EXPERIMENTING
WITH A WAY TO PLACE PEOPLE... IN AN ANIMATED WORLD. THIS RARE SILENT
FILM WAS MADE IN 1923. LIVE ACTION AND ANIMATION CAME TOGETHER...
IN SEAMLESS PERFECTION, IN A FILM THAT BECAME A CLASSIC.
THANK YOU. MENU HASN'T CHANGED IN 25 YEARS. YOU'VE PUT ON
A LITTLE WEIGHT THOUGH, MAX. LOOKING AT THAT SCENE FROMMARY POPPINS,
YOU MUST BE ASKING YOURSELF ONE OF TWO QUESTIONS: "HOW DID
THEY PUT JULIE AND ME IN THAT SCENE?" OR, "WHEN DID VAN DYKE'S HAIR
TURN WHITE?" WE'LL ATTACK THESE ONE AT A TIME. FIRST, THE
DASHING YOUNG PERFORMER IS FILMED... DANCING IN FRONT
OF A NEUTRAL BACKGROUND. NEXT, PENCIL SKETCHES OF THE ANIMATED
CHARACTERS... ARE CREATED AS A GUIDE. WHEE! WHEE! WHEE! THE PENGUINS
AND THE BACKGROUND ARE FULLY ANIMATED. AND FINALLY, THE
ELEMENTS ARE COMBINED. IT'S A JOLLY HOLIDAY WITH MARY
NO WONDER THAT IT'S MARY THAT WE LOVE THE WARM AND NOSTALGIC
LONDON SETTINGS FORMARY POPPINS... WERE ALSO CREATED BY MOVIE MAGIC,
ENTIRELY AT THE DISNEY STUDIO. IN THE '50S, WALT HAD ALSO
ACQUIRED THE SERVICES... OF A VERY TALENTED PAINTER NAMED PETER ELLENSHAW,
WHO BECAME THE UNDISPUTED MASTER OF THE MATTE PAINTING,
WHICH IS A PAINTING ON GLASS. YOU PAINT ON A PIECE OF
GLASS THAT'S THEN POSITIONED IN FRONT OF THE CAMERA. WHEN
THE CAMERA LOOKS AT THE PAINTING... AND THERE'S A PIECE OF GLASS
LEFT OPEN, THE PIECE OF GLASS THAT'S CLEAR SEES THE ACTUAL SET...
AND COMBINES IT WITH THE PAINTING. I PAINTED A VIEW OF
THE CITY OF LONDON AT-- IN LATE AFTERNOON, AND THE SUN HAD ALREADY
GONE DOWN IN THE PAINTING. AND BEHIND THE GLASS-- 'CAUSE I'D PAINTED
IT ON GLASS, AS I HAVE ON THIS, HAD ON THIS ONE-- MADE
LITTLE HOLES IN THE PAINT... SO THAT WE COULD PUT LIGHTS
BACK OF IT... AND THE LIGHTS WOULD ALL COME ON GRADUALLY, ALL
OVER THE CITY, OR APPEAR TO. IN MANY WAYS,MARY POPPINS... WAS
PETER ELLENSHAW'S MASTERPIECE AS WELL AS WALT'S... BECAUSE
HE PAINTED 102 GLASS PAINTINGS, AND THEY'RE JUST BRILLIANT. YOU
KNOW, THE CAST NEVER LEFT BURBANK. NOT ONLY DIDN'T THEY EVER
LEAVE BURBANK, THEY DIDN'T SET FOOT OUTDOORS. THEY NEVER WENT OUTSIDE
A SOUND STAGE, AND YET THIS FILM TAKES PLACE ON THE ROOFTOPS
OF LONDON, IN THE SKIES OVER LONDON, AND A VARIETY OF FANCIFUL
SETTINGS, AND MANY OF THOSE SETTINGS WERE MADE POSSIBLE... AND
TANGIBLE BY ELLENSHAW'S GREAT ARTISTRY. EVEN WALT'S NEWEST
TECHNOLOGY, AUDIO-ANIMATRONICS, HAD A FEATURED ROLE INMARY
POPPINS. THIS IS A LITTLE ROBIN THAT WE HAD IN MARY POPPINS,
- AH. I SEE. - AND THIS LITTLE BIRD SANG A DUET
WITH JULIE ANDREWS. MARK BREAUX AND DEE DEE WOOD, WHO HAD ASSISTED...
LEGENDARY CHOREOGRAPHER MICHAEL KIDD, WERE BROUGHT
ON TO DIRECT THE DANCING, NOT ONLY OF THE PRINCIPAL CAST,
BUT OF CHIMNEY SWEEPS, BANK EXECUTIVES, AND EVEN PENGUINS.
MARY POPPINS STEP IN TIME IN THIS RARE, NEVER-BEFORE-
SEEN FOOTAGE, THE CHIMNEY SWEEPS REHEARSE THE LIVELY "STEP IN TIME"
NUMBER... IN THE SUMMER HEAT ON THE DISNEY BACK LOT. CHOREOGRAPHER
DEE DEE WOOD STANDS IN FOR JULIE ANDREWS. THAT'S IT! HERE WE GO!
- AIN'T SHE MARVELOUS? - AIN'T SHE BEAUTIFUL? LOVELY TILL YA, MUM.
THIS RAUCOUS ROUTINE WAS SUGGESTED... BY ENGLISHMAN PETER ELLENSHAW,
AND BASED ON A TRADITIONAL BRITISH PUB DANCE, "KNEES UP, MOTHER
BROWN." WALT CAME, SAT DOWN. "ALL RIGHT. WHAT ARE YOU GONNA
DO?" I SAID, "WELL, IT'S THIS DANCE... THAT I LEARNED
IN ENGLAND, WALT." AND, UH, HE WAS A KIND OF COOL AUDIENCE.
IT WAS CALLED "KNEES UP, MOTHER," AND YOU LINK ARMS AND YOU
DANCE ACROSS THE ROOM. STEP IN TIME! STEP IN TIME! STEP IN TIME! COME ON, MATEY!
STEP IN TIME! - STEP IN TIME! - MARY POPPINS,
STEP IN TIME! ALL THROUGH 1964, EVERY SOUND STAGE AT THE DISNEY STUDIO...
BUSTLED WITH THE PRODUCTION OFMARY POPPINS. I NEVER SAW
A SAD FACE AROUND THE STUDIO. THIS MADE ME NERVOUS. THEN THE HORRIBLE
THOUGHT STRUCK ME-- SUPPOSE THE STAFF HAD
FINALLY CONCEDED THAT I KNEW WHAT I WAS DOING. THIS RARE OUTTAKE
EXEMPLIFIES THE HAPPY MOOD... OF THEMARY POPPINS PRODUCTION.
CHIM CHIMINY, CHIM CHIMINY CHIM CHIM CHEREE WHEN
YOU'RE WITH A SWEEP YOU'RE IN GLAD COMPANY NOWHERE IS THERE A
MORE HAPPIER CREW THEN THEM WHAT SINGS CHIM CHIM CHEREE CHIM CHEROO
- FIRE! - LIGHT UP THE SKY. IT'S THE ENTERTAINMENT
THRILL OF A LIFETIME. WHILEMARY POPPINS WAS IN PRODUCTION,
DISNEY GEARED UP ONE OF THE LARGEST AND MOST ENTHUSIASTIC...
PROMOTIONAL CAMPAIGNS IN THE HISTORY OF THE STUDIO. MARY POPPINS-
- THE FABULOUS ADVENTURES... OF THE WORLD'S MOST CHARMING
AND DELIGHTFULLY ECCENTRIC HEROINE. IN GRAND
HOLLYWOOD STYLE, MARY POPPINS MET THE WORLD. TONIGHT, ALL OF HOLLYWOOD
AWAITS THE WORLD PREMIERE... OF WALT DISNEY'S MARY POPPINS.
HERE IN THE FORECOURT OF THE RENOWNED GRAUMAN'S CHINESE
THEATER, THERE'S A SURGE OF EXCITEMENT. FAMOUS STARS ARE CHEERED
BY THE CROWDS. CRITICS GREETED THE FILM WITH RAVES UNLIKE
ANY... SEEN AT DISNEY SINCE SNOW WHITE AND THE SEVEN DWARFS.
IN 1965,MARY POPPINS WAS HONORED... WITH 13 ACADEMY AWARD NOMINATIONS
, AND WENT ON TO WIN FIVE OSCARS, INCLUDING BEST ACTRESS
FOR THE WOMAN... WHO WASN'T CONSIDERED "MOVIE MATERIAL,"
JULIE ANDREWS. OH, THIS IS LOVELY. UH, I KNOW YOU AMERICANS ARE FAMOUS FOR YOUR HOSPITALITY,
BUT THIS IS REALLY RIDICULOUS. IN 1991,
JULIE ANDREWS WAS HONORED... AT THE DISNEY STUDIO AS A "DISNEY
LEGEND." MARY POPPINS WAS THE FIRST FILM I EVER MADE.
UH, WALT WAS KIND ENOUGH TO BRING ME TO HOLLYWOOD, AND IT WAS THE
BEST LEARNING EXPERIENCE I COULD EVER HAVE HAD. APART FROM ANYTHING
ELSE, IT TAUGHT ME HOW TO FLY. MARY POPPINS ALSO WON AN OSCAR...
FOR ITS FANTASTIC VISUAL EFFECTS. THE SHERMAN BROTHERS'
MUSICAL SCORE WON AN ACADEMY AWARD, AS DID THEIR POPULAR SONG, "CHIM
CHIM CHER-EE." AWARDS AND ACCOLADES ASIDE, IN MARY POPPINS,
WALT DISNEY FOUND A SPECIAL MEANING THAT MOVED HIM DEEPLY.
THIS WAS WALT DISNEY'S OFFICE. AND OFTEN, ON FRIDAYS,
HE'D ASK US... TO COME DOWN AND, AND TALK WITH HIM. THEN
HE'D SAY, UH, HE'D LOOK TO ME AND SAY, "PLAY IT." AND, UH, I PRETTY
MUCH KNEW WHAT HE WANTED. HE WANTED TO HEAR HIS FAVORITE
SONG. EVERY TIME I PLAYED IT, HE WOULD SORT OF GO OUT, LOOK AT THE
WINDOW, LOOK OUTSIDE, AND GET A LITTLE MISTY-EYED. IT WAS
REALLY HIS VERY FAVORITE. AFTER HE WAS GONE, I'D STILL COME
DOWN... ON FRIDAY AFTERNOON AND PLAY IT FOR HIM. EARLY EACH DAY
TO THE STEPS OF SAINT PAUL'S THE LITTLE OLD BIRD WOMAN
COMES IN THE END, THE FILM THAT TOUCHED HIM SO PERSONALLY... WAS
ALSO WALT DISNEY'S GREATEST PROFESSIONAL TRIUMPH. I THINK HE
SAW-- AS HE ALWAYS HAD A KNACK OF SEEING-- HE SAW IN THIS MATERIAL
SOMETHING FAR ABOVE THE ORDINARY, SOMETHING THAT WAS
WORTH SPENDING TIME AND MONEY... TO TURN INTO SOMETHING THAT MIGHT
LIVE ON, AND MIGHT BE MORE THAN JUST ANOTHER GOOD MOVIE.
AND INDEED, THAT'S WHAT HE BUILT. HE BUILT HIMSELF A GREAT MOVIE
THAT I THINK IS HIS MASTERPIECE. GOOD-BYE, MARY POPPINS. DON'T
STAY AWAY TOO LONG. BEFORE SHOOTING BEGAN ONMARY POPPINS, THE
ENTIRE FILM WAS PLANNED OUT SHOT BY SHOT... IN STORYBOARD DRAWINGS.
THE FOLLOWING IS PART OF THE "JOLLY HOLIDAY" SEQUENCE FROM THE
COMPLETED FILM... SHOWN IN SPLIT SCREEN WITH THE CORRESPONDING
ORIGINAL... STORYBOARD DRAWINGS. NOW THEN, WHAT'D BE NICE?
WE'LL START WITH RASPBERRY ICE AND THEN SOME CAKES AND
TEA - ORDER WHAT YOU WILL - THERE'LL BE NO BILL IT'S COMPLIMENTARY
YOU'RE VERY KIND. ANYTHING FOR YOU, MARY POPPINS. YOU'RE OUR
FAVORITE PERSON. RIGHT YOU ARE. IT'S TRUE THAT MAVIS AND SYBIL
HAVE WAYS THAT ARE WINNIN' AND PRUDENCE AND GWENDOLYN
SET YOUR HEARTS SPINNIN' PHOEBE'S DELIGHTFUL MAUDE IS DISARMING
- JANICE - FELICIA - LYDIA - CHARMING CYNTHIA'S DASHING, VIVIAN'S
SWEET, STEPHANIE'S SMASHING PRISCILLA A TREAT - VERONICA
- MILLICENT - AGNES - AND JANE CONVIVIAL COMPANY TIME AND AGAIN
DORCAS AND PHYLLIS AND GLYNIS ARE SORTS I'LL AGREE THEY'RE
THREE JOLLY GOOD SPORTS BUT CREAM OF THE CROP TIP OF THE TOP
IT'S MARY POPPINS AND THERE WE STOP WHEN MARY HOLDS YOUR HAND
YOU FEEL SO GRAND YOUR HEART STARTS BEATIN' LIKE A BIG BRASS
BAND IT'S A JOLLY HOLIDAY WITH MARY NO WONDER THAT
IT'S MARY THAT WE LOVE NO WONDER THAT IT'S MARY THAT
WE LOVE NO WONDER THAT IT'S MARY THAT WE LOVE IN THE MAKING
OFMARY POPPINS, THE COMPLEX PROCEDURES... OF ANIMATION HAD TO
BE COMBINED WITH LIVE ACTION. THE FOLLOWING SHOWS THE
STEPS OF THIS PROCESS... AS IT APPEARS IN THE "JOLLY HOLIDAY"
SEQUENCE. OH, IT'S A JOLLY HOLIDAY WITH MARY MARY MAKES
YOUR HEART SO LIGHT WHEN THE DAY IS GRAY AND ORDINARY
MOO-ARY MAKES THE SUN SHINE BRIGHT OH, HAPPINESS
IS BLOOMIN' ALL AROUND HER THE DAFFODILS ARE SMILING AT
THE DOVE - OINK! OINK! -WHEN MARY HOLDS
YOUR HAND YOU FEEL SO GRAND YOUR HEART STARTS BEATIN' LIKE
A BIG BRASS BAND IT'S A JOLLY HOLIDAY WITH MARY NO
WONDER THAT IT'S MARY THAT WE LOVE - THANK YOU.
- OUR PLEASURE, MARY POPPINS. WAITER. WAITER? NOW THEN,
WHAT'D BE NICE? WE'LL START WITH RASPBERRY ICE AND THEN
SOME CAKES AND TEA - ORDER WHAT YOU WILL - THERE'LL BE NO
BILL IT'S COMPLIMENTARY YOU'RE VERY KIND. ANYTHING FOR YOU, MARY
POPPINS. YOU'RE OUR FAVORITE PERSON. WHEE! WHEE! WHEE!
WHEE! WHEE! WHEE! WHEN MARY HOLDS YOUR HAND YOU FEEL SO GRAND
YOUR HEART STARTS BEATIN' LIKE A BIG BRASS BAND WHOO! IT'S
A JOLLY HOLIDAY WITH MARY NO WONDER THAT IT'S MARY THAT
WE LOVE NO WONDER THAT IT'S MARY THAT WE LOVE NO WONDER
THAT IT'S MARY THAT WE LOVE - FIRE! - LIGHT UP THE SKY!
IT'S THE ENTERTAINMENT THRILL OF A LIFETIME. MARY POPPINS--
WALT DISNEY'S NEWEST AND MOST DELIGHTFULLY ENTERTAINING MOTION
PICTURE. STARRING THE TOAST OF BROADWAY'S MUSICAL STAGE,
THE INCOMPARABLE JULIE ANDREWS. FOR A SPOONFUL OF SUGAR HELPS
THE MEDICINE GO DOWN THE MEDICINE GO DOWN MEDICINE GO DOWN JUST A
SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN IN A MOST DELIGHTFUL
WAY AND AMERICA'S FABULOUS FUNNYMAN, DICK VAN DYKE, AS YOU'VE NEVER
SEEN HIM BEFORE. MARY POPPINS-- THE FABULOUS ADVENTURES OF THE WORLD'S...
MOST CHARMING AND DELIGHTFULLY ECCENTRIC HEROINE. I CAN
TELL YOU ONE THING, WINNIFRED. I DON'T PROPOSE STANDING IDLY BY...
AND LETTING THAT WOMAN, MARY POPPINS,
UNDERMINE THE DISCIPLINE AND-- THERE'S SOMETHING ODD, I MAY SAY
EXTREMELY ODD... ABOUT THE BEHAVIOR OF THIS HOUSEHOLD
SINCE THAT WOMAN ARRIVED. YES, DEAR? AH! THEY'RE AT IT AGAIN! YES,
THE WONDROUS AND MAGICAL WAYS OF WALT DISNEY'S MARY POPPINS,
SO COMPLETELY AND SO HILARIOUSLY DISCOMBOBULATE THE
FAMILY... WITH WHOM SHE COMES TO STAY, IN SUCH DELIGHTFULLY AMAZING
WAYS, THEIR LIVES ARE NEVER AGAIN QUITE THE SAME. AND
NOR WILL YOURS BE, WHEN YOU'VE BEEN TOUCHED... BY THE MAGIC OF
THIS MAGNIFICENT NEW MOTION PICTURE... FROM WALT DISNEY,
MARY POPPINS. OH, IT'S A JOLLY HOLIDAY WITH MARY
OH, SUPERCALIFRAGILISTIC- EXPIALIDOCIOUS EVEN THOUGH
THE SOUND OF IT IS SOMETHING QUITE ATROCIOUS IF YOU SAY IT LOUD ENOUGH
YOU'LL ALWAYS SOUND PRECOCIOUS SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS GOOD-BYE, MARY POPPINS. DON'T STAY AWAY TOO LONG.

Answer 2

I've been married twice before, so I don't care if I don't marry again, but I won't say that I "won't" marry again...it's not a priority at all, but I would love to have someone to share my Life with... I've been single for a long time now (the better part of the past 11 yrs) so I'm comfortable with it just being me, if that's how the rest of my life goes...I have friends and family and interests, so it's never boring (but sometimes it gets lonely)...

Answer 3

That would be ..'cor blimey Mary Popins as I live an' breathe!'

Gawd luv ya ducks

Dorothy Mills (Mrs)

Answer 4

SUPERCALIFRAGILISTIC-
EXPIALIDOCIOUS

Answer 5

Just a spoon full of Sugar Helps the Medicine Go Down?

Chim-chimney, Chim-chimney Chim-Chim Cheroo.....

Answer 6

Measuring the penis when it isn't erect is pointless, since the length and bulk are affected by various temporary factors, such as the ambient temperature. Even the largest male organ can shrink to virtually nothing if the man goes for a swim in cold water. However, at normal temperatures a non-erect p enis usually measures between 8.5 cm and 10.5 cm (3-4 inches) from tip to base.
Learn more about techniques to enlarge your penis https://tr.im/6I64q
The average figure is about 9.5 cm (3.75 inches). Of course, it's true that some men have big penises and some have smaller ones, just as some men have small feet and some have big feet, but the measurement is not – repeat not – an index of virility.

Answer 7

And if you say it backwards it's dociousalyispilisticfragicalirupus

Answer 8

Just a spoonful of sugar makes the medicine go down.

Answer 9

2

Answer 10

A spoonful of sugar help the medicine go down.

Answer 11

"Just a spoon full of sugar makes the medicine go down, medicine go down, medicine go down" (repeats)