The title Mona Lisa stems from the Giorgio Vasari biography of Leonardo da Vinci, published 31 years after Leonardo's death. In it, he identified the sitter as Lisa Gherardini, the wife of wealthy Florentine businessman Francesco del Giocondo. "Mona" is a common Italian contraction of "madonna," meaning "my lady," the equivalent of the English "Madam," so the title means "Madam Lisa." In modern Italian the short form of "madonna" is usually spelled "Monna," so the title is sometimes given as Monna Lisa.
The alternative title La Gioconda is the feminine form of Giocondo. In Italian giocondo also means 'light-hearted' ('jocund' in English), so "gioconda" means "light-hearted woman". Because of her smile, this version of the title plays on this double-meaning, as in the French "La Joconde."
Both Mona Lisa and La Gioconda became established as titles for the painting in the 19th century. Before these names became established, the painting had been referred to by various descriptive phrases, such as "a certain Florentine lady" and "a courtesan in a gauze veil."
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in 2004 the Italian scholar Giuseppe Pallanti published Monna Lisa, Mulier Ingenua (Mona Lisa: Real Woman), a book in which he gathered archival evidence in support of the traditional identification of the model as Lisa Gherardini. According to Pallanti the evidence suggests that Leonardo's father was a friend of Lisa's husband. "The portrait of Mona Lisa, done when Lisa Gherardini was aged about 24, was probably commissioned by Leonardo's father himself for his friends as he is known to have done on at least one other occasion".[4] Pallanti discovered that Lisa and Francesco had five children and that she outlived her husband. She lived at least into her 60s, though no record of her death was located. Most scholars now agree that she was indeed the model.
http://www.essential-architecture.com/DAVINCI/DV14.htm
2006-09-27 05:20:53
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answer #1
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answered by Anonymous
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Most famous objects/people create controversy, not because they are shrouded in mystery but because the claimants seek an association to the thing/person.
We have heard conjecture that the painting is actually of Leonardo himself; that the painting is his "love note" to the sitter whom he suppousedly had a notorious affair; that the portrait is not really of Madame Gioconda a/k/a/ Lisa Gherardini as it is commonly thought, but rather of Isabella of Aragon; that the portrait was commissioned by a Medici who was involved with Monna Lisa; and the list goes on.......and now, we understand that the sitter (Monna Lisa Gherardini) was actually pregnant at the time the portrait was done; which in itself is not new since this theory has been put forward before and given the fact that Monna Lisa was painted at age 24 and had 5 children...it's possible.
Just goes to show that after all this time, we really know very little about Leonardo and his works......Personally, I can't wait to hear what they put forward next........
2006-09-27 08:32:02
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answer #2
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answered by boston857 5
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Mona Lisa was a famous painting by Leonardo da Vichi and no one lived in this name it is only an imaginatory carector. Neither she was pregnent nor she was partner of the painter
Mona Lisa, or La Gioconda (La Joconde), is a 16th-century oil painting on poplar wood by Leonardo da Vinci, and is, perhaps, the most famous painting in Western art history or even the world. Few other works of art are as romanticised, celebrated, parodied or reproduced. It is owned by the French government and hangs in the Musée du Louvre in Paris.
The painting shows a woman looking out at the viewer with what is described as an "enigmatic smile".
Title of the painting
The title Mona Lisa stems from the Giorgio Vasari biography of Leonardo da Vinci, published 31 years after Leonardo's death. In it, he identified the sitter as Lisa Gherardini, the wife of wealthy Florentine businessman Francesco del Giocondo. "Mona" is a common Italian contraction of "madonna," meaning "my lady," the equivalent of the English "Madam," so the title means "Madam Lisa." In modern Italian the short form of "madonna" is usually spelled "Monna," so the title is sometimes given as Monna Lisa. This is rare in English, but more common in Romance languages.
The alternative title La Gioconda is the feminine form of Giocondo. In Italian giocondo also means 'light-hearted' ('jocund' in English), so "gioconda" means "light-hearted woman". Because of her smile, this version of the title plays on this double-meaning, as in the French "La Joconde."
Both Mona Lisa and La Gioconda became established as titles for the painting in the 19th century. Before these names became established, the painting had been referred to by various descriptive phrases, such as "a certain Florentine lady" and "a courtesan in a gauze veil."
2006-09-27 06:41:55
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answer #3
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answered by Anonymous
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Somebody else declares that Mona Lisa (La Gioconda) was nothing else than a Leonardo Da Vinci's self portrait in feminine key
2006-09-27 05:25:02
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answer #4
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answered by Anonymous
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There's lots of theories aboud with regard to the Mona Lisa. Here's what the Louvre say about her.
This portrait was doubtless painted in Florence between 1503 and 1506. It is thought to be of Lisa Gherardini, wife of a Florentine cloth merchant named Francesco del Giocondo - hence the alternative title, La Gioconda. However, Leonardo seems to have taken the completed portrait to France rather than giving it to the person who commissioned it. It was eventually returned to Italy by Leonardo's student and heir Salai. It is not known how the painting came to be in François I's collection.
Description
Lisa Gherardini, wife of Francesco Giocondo
The history of the Mona Lisa is shrouded in mystery. Among the aspects which remain unclear are the exact identity of the sitter, who commissioned the portrait, how long Leonardo worked on the painting, how long he kept it, and how it came to be in the French royal collection.
The portrait may have been painted to mark one of two events - either when Francesco del Giocondo and his wife bought their own house in 1503, or when their second son, Andrea, was born in December 1502 after the death of a daughter in 1499. The delicate dark veil that covers Mona Lisa's hair is sometimes considered a mourning veil. In fact, such veils were commonly worn as a mark of virtue. Her clothing is unremarkable. Neither the yellow sleeves of her gown, nor her pleated gown, nor the scarf delicately draped round her shoulders are signs of aristocratic status.
A new artistic formula
The Mona Lisa is the earliest Italian portrait to focus so closely on the sitter in a half-length portrait. The painting is generous enough in its dimensions to include the arms and hands without them touching the frame. The portrait is painted to a realistic scale in the highly structured space where it has the fullness of volume of a sculpture in the round. The figure is shown in half-length, from the head to the waist, sitting in a chair whose arm is resting on balusters. She is resting her left arm on the arm of the chair, which is placed in front of a loggia, suggested by the parapet behind her and the two fragmentary columns framing the figure and forming a "window" looking out over the landscape. The perfection of this new artistic formula explains its immediate influence on Florentine and Lombard art of the early 16th century. Such aspects of the work as the three-quarter view of a figure against a landscape, the architectural setting, and the hands joined in the foreground were already extant in Flemish portraiture of the second half of the 15th century, particularly in the works of Hans Memling. However, the spacial coherence, the atmospheric illusionism, the monumentality, and the sheer equilibrium of the work were all new. In fact, these aspects were also new to Leonardo's work, as none of his earlier portraits display such controlled majesty.
An emblematic smile
The Mona Lisa's famous smile represents the sitter in the same way that the juniper branches represent Ginevra Benci and the ermine represents Cecilia Gallerani in their portraits, in Washington and Krakow respectively. It is a visual representation of the idea of happiness suggested by the word "gioconda" in Italian. Leonardo made this notion of happiness the central motif of the portrait: it is this notion which makes the work such an ideal. The nature of the landscape also plays a role. The middle distance, on the same level as the sitter's chest, is in warm colors. Men live in this space: there is a winding road and a bridge. This space represents the transition between the space of the sitter and the far distance, where the landscape becomes a wild and uninhabited space of rocks and water which stretches to the horizon, which Leonardo has cleverly drawn at the level of the sitter's eyes.
Here's a report that the BBC aired today.
Mona Lisa pregnancy theory mooted
The scans can look beneath old paint and varnish
The famous smile on Leonardo Da Vinci's Mona Lisa could be because she is pregnant or had just had a baby, research suggests.
Canadian scientists used laser and infrared scans to produce a 3D image of the painting.
This allowed details beneath layers of paint to be seen - including a gauzy dress then associated with pregnant or new mothers.
It also showed the 500-year-old picture was in good condition.
The scans, using a resolution 10 times finer than a human hair, did reveal some warping to the wooden back of the painting.
Too dark
The team from National Research Council of Canada (NRC) were given rare access to the painting at its home in the Louvre Museum in Paris.
It said other details obscured by darkened paint and varnish included the hair originally being in a bun and a slightly different posture, as well as the gauze dress.
"This type of gauze dress ... was typical of the kind worn in early 16th Century Italy by women who were pregnant or who had just given birth," said Bruno Mottin of the French Museums' Center for Research and Restoration.
"This is something that had never been seen up to now because the painting was always judged to be dark and difficult to examine."
The technique is unlike anything we've ever seen before
John Taylor, National Research Council of Canada
The woman herself has been identified as the wife of Florentine businessman Francesco del Giocondo.
Mystery remains
Da Vinci was commissioned to paint the portrait between 1503 and 1506 but kept it and may have altered it several times.
While some questions about the painting may have been answered, other mysteries remain - particularly around how the image was created.
The method of Da Vinci's sfumato - or smoky - painting technique continues to elude experts.
John Taylor, from the NRC, said: "It's extremely thinly painted and extremely flat, and yet the details of the curls of hair, for example, are extremely distinct.
"So, the technique is unlike anything we've ever seen before".
If you go to this website you can see the video of the news report.
http://news.bbc.co.uk/1/hi/entertainment/5384822.stm
2006-09-27 10:35:08
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answer #5
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answered by samanthajanecaroline 6
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Mighty10 really summed it up about the truth, but I have heard that it was feminine version of himself.
2006-09-27 05:52:58
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answer #6
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answered by Joe K 6
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In the news they were saying she had her baby. But the real question is does it really matter.
2006-09-27 05:11:56
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answer #7
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answered by ChuBBs C 2
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. . . probably a trannie . . .
2006-09-27 05:09:16
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answer #8
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answered by Astra 6
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