where can i get the video of hindi movies like fanaa , golmaal , kal ho naa ho .?

Question

i donw want to download limewire ..

Answer 1

click this link and download your favourite movies free..

http://www.lazyindian.com/forums/forumdisplay.php?f=36

Answer 2

If you want to buy them, you can get them from www.nehaflix.com it's an American based company that sells originals only. They have good prices and if you get on their mailing list then every month or so they have a free shipping offer. I've purchased a lot from there and I've never had any problems like defective discs or not getting something that I've ordered. They are a great company.

Answer 3

india consulate/embassy

Answer 4

Hi Taraana_talwar,

I think i've got what your looking for is you want hindi movies like "fanaa","golmaal","kal ho naa ho" this is what you need first of all try this website
http://www.videos.com/
or go on this website and search what your looking for
http://www.google.co.uk/
or if you want to buy them try this website
http://www.ebay.com/
or
http://www.ebay.co.uk/
there both the same but you need to be apart of Ebay or have a ID on Ebay here's the what them movies are about.
Here's what fanaa is about:
When the gust of snow caresses the dormant volcano of emotions, the aspirations of a dead stone melts slowly but surely. Rehan meets Zooni after a span of seven years in unceremonious circumstances. He is on the run and badly injured. The mother of his son, Zooni doesn’t recognize him as she was blind when he had last seen her. Rehan wants to escape once again from the strong streak of affection that was throbbing within his heart after seeing the incorrigible similarities his son shared with him. But the storm of Chance prevents him from doing that. Like the unpredictability of relationships, Kunal Kohli’s Fanaa surprises with its sheer intensity, as it etches its place as one of the most complex-n-mature love stories of recent times.

The germination of this love affair flares up in the by-lanes of Delhi when Rehan Khan, a charming flirtatious tourist guide gets up-close-n-personal with Zooni Ali Beg, a beautiful blind girl who is in Delhi as part of a contingent of girls who are supposed to be performing on the occasion of 26th January. Daughter of a well-to-do Kashmiri doctor, Zooni, like other girls, is on the lookout for her "Shehzada" and in Rehan, she finds a friend whom she can depend upon. It was because of his efforts that she regained her eyesight but she was unaware that the man she loved dearly was a dreaded terrorist.

Fanaa is an unusual film. It’s a love story; yet the subtext of the film raises bold questions about the Kashmir issue. No, it’s not abut Pakistan bashing, rather the issue of Kashmiris as an independent identity has been raised by someone in the Hindi Film Industry for the first time. Rehan personifies the misguided Kashmiri youth who is under the impression that elections will be held in Kashmir once it gains independence from India and Pakistan. Zooni, on the other hand is the face of Kashmiri youth that favours the voice of reason. Thankfully, the digressions in the storyline are minimal and maximum time is devoted to the radiant chemistry between Aamir Khan and Kajol (Together on screen for the first time). The lighthearted breezy first half is followed by a slow but packed-with-sentiments second half. And when the movie ends on a somber note, a tear trickles out unabashedly from the corner of one’s eyes.

While many people in the audience stayed glued to their seats even as the credits rolled out and their faces screamed the fact that Fanaa has left them speechless and totally dazzled, there was still another section that walked out a bit bored due to the slow pace and uncharacteristic ending. In other words, it’s not a movie for everyone. Even Rang De Basanti had a contrasting opinion and Fanaa will add to that list.

Aamir Khan’s Rehan is easily his best performance till date. The transformation from a coy tourist guide ready with an Urdu Couplet at the drop-of-his-designer-stole to a scheming-single-minded militant is marvelous. It’s as if they are two different people both in terms of their looks as well as body language. The perfect channelisation (Or the lack of it) of restless energy during several scenes gnaws at your heart effortlessly. The scenes where he interacts with his son are extremely special.

Kajol as the blind girl is remarkably different from the awkwardness exemplified by Rani Mukherjee in Black. She looks a million dollars especially in the second half. With age she is getting better-n-super at both her craft as well as her appearance. Aamir and Kajol as a couple look like a cherished-dream that actually comes true. Rishi Kapoor as Kajol’s father impresses with his restrained performance while Tabu as the smart-n-hip Chief of Anti Terror Cell is a bit of a disappointment.

The music by Jatin-Lalit touches the heights of melody while Prasoon Joshi’s lyrics prove that his efforts in Rang De Basanti were not a fluke. Chaand Sifarish and Mere Haath Mein are chartbusters and rightly so. Camerawork by Ravi K Chandran deserves special mentioning for its magnificence. Finally, director Kunal Kohli must take the bow for choosing an unorthodox subject like Fanaa after giving a big hit like Hum Tum. His mastery over his craft is evident in the way story progresses in a non-linear manner. Every time one feels that things are settling in, the boulders of uncertainty hit back with a vengeance. After the efforts he has put into making Fanaa, Kohli shall now be bracketed amongst the most-promising-filmmakers in Bollywood.

Here's what golmaal is about:
If you are searching for a perfect anti-dote to the enormous mental stress caused by the monstrous bomb blasts, then go check out ‘Golmaal – Fun Unlimited’. This Rohit Shetty directed Laughathon shall keep you in splits with some innovative comic lines written by the flavor-of-the-season Neeraj Vohra. Ajay Devgan, Arshad Warsi, Sharman Joshi and Tushshar Kapoor have a great time while Rimi Sen does little, except looking pretty. As far as is its fate at the Box Office is concerned, then the producers are surely going to laugh all the way to the bank. It’s a Hit. Undoubtedly!

Director Rohit Shetty doesn’t pretend that he is making some great cinema. He wants his audience to have as much fun as his team has had while filming. And it sparklingly shows. The camaraderie between the boys-to-men is a quadrupling delight. Laxman (Sharman Joshi) is an ‘intelligent’ student who is not-allowed-to-pass by his mischievous band of friends Gopal (Ajay), Madhav (Arshad) and mute Lucky (Tushshar). Reason! If Laxman passes out of the college, their sin-nest (His hostel room) also goes out of their hands. Once thrown out of college bag-n-baggage, the naughty foursome finds refuge in the bungalow of a blind couple (Paresh Rawal and Sushmita Mukherjee) as their grandson.

A cat mouse game unfolds as Laxman’s body and Gopal’s voice makes for Sameer (The grandson from US). Each time the blinded Dadaji comes amidst them, hilarious situations arise. Like when Dadaji hits Lucky with his stick, Gopal passes it off as a mattress. Enter Nirali (Rimi Sen) with a bath towel and the oogling desperados now have time, place and ‘resources’ to fall in love. Their individual efforts at winning the lady’s heart, fail, resulting in rib tickling comic scenes. Apart from their amorous interests, there is a quest for hidden treasure in the old couple’s house. For, there is also a gangster in this story by the name of Babli who has his own story to tell.

‘Golmaal-Fun Unlimited’ is a ‘paisa vasool’ film that is worth the ticket money and you don’t mind splurging on Rs 35 Chilled Iced Tea either to add to the fun quotient. Ajay Devgan gets into an unfamiliar territory after ‘Ishq’ where Aamir Khan walked away with all the funny lines. Here he is in top form. The scenes where he apes the blind Dadaji is first rate and the people love it. His daring ‘Phool Aur Kaante’ stunt of riding two bikes at the same time deserves a salute of forty whistles. Wish he puts on some weight as he looks anorexic at times. That’s the only problem one can find with him.

I would rate Arshad Warsi’s Madhav as second only to Munnabhai’s ‘Circuit’. He seemed to have had a blast while re-playing the old Dadi ji. Even his attempts at ensnaring Nirali’s attention are handsomely cute. Sharman Joshi is a stunning actor and his comic timing is spot on. As the sexy girl Dicky he plays his part with aplomb and his reactions to Gopal’s one liners are fantastic. It was a bit of a setback to see Tushshar playing the mute character. But I must say he has his moments, especially when he is spouting a few local expletives and no one can clearly point out as to what exactly he said. As I had said in the beginning, Rimi has nothing much to do. It is the same old story as ‘Deewane Hue Paagal’ where the men were after her. She was the mainstay there but here she is more of a decorative piece that shakes a leg to some uninspired songs and simpers coquettishly. A fine actor like Paresh Rawal is another drawback as he doesn’t have too much to do in ‘Golmaal’. He comes into his own only in the black and white flashback number ‘Aage Peeche’ where he flays the tree branch like the Dilip Kumar of 1940s.

Music by Vishal-Shekhar is uninspired. Except for the track ‘Golmaal’ stylishly sung by Shaan and KK, there’s nothing much to write about. The dialogues by Neeraj Vohra is first rate. There is freshness in his lines that evoke laughs without being crude. As for director Rohit Shetty’s growth as a filmmaker, then I think his first outing ‘Zameen’ was a decent effort. A bit harbouring on the jingoistic feelings, yet the track between Ajay and Abhishek was interesting.

In ‘Golmaal’ he has treaded upon an altogether different territory as compared to his first. And I can safely say that Comedy is his real calling. The vibrations, the chemistry between Ajay, Arshad, Sharman and Tushshar has to be seen to be believed. It couldn’t have happened without a competent director calling the shots. Here I must add, that maybe he could have avoided the crass picturisation of Sushmita Mukherjee’s blind act as it looks caricaturish. Making fun of the disabled has become a new trend in Bollywood which is being passed off as humour. I don’t think it is the right approach. Apart from this, ‘Golmaal’ is really unlimited fun that makes you smile as you leave the cinema hall. I would say….Go ‘Golmaal’ today!

Here's what kal ho naa ho is about:
With such blockbusters as Kuch Kuch Hota Hai and Kabhi Khushi Kabhi Gham to his name, Karan Johar is ready to add another feather to his cap with his beautiful and heartwarming Kal Ho Na Ho. Kal Ho Na Ho is directed by Karan Johar’s associate director Nikhil Advani and produced by Karan Johar, who has also written the screenplay for the film. Nikhil Advani was Johar’s close assistant in all his films including Kuch Kuch Hota Hai, K3G, and Aditya Chopra’s Mohabbatein.. The main cast has Shah Rukh Khan, Preity Zinta, Saif Ali Khan and Jaya Bachchan in the lead, and a plethora of others, including Sonali Bendre, in support.

Kal Ho Naa Ho takes place in Manhattan, New York, and is the story of three friends, Aman (Shah Rukh Khan), Rohit (Saif Ali Khan), and Naina (Preity Zinta), who travel on a journey that teaches them the true meaning of friendship. It teaches them to discover themselves, and to find the courage to live through times of happiness and times of sorrow. With the constant arguments and bickering in her semi-Punjabi/semi-Christian family, Naina, 23, is completely distraught by the conditions which surround her. In addition to this, she is bombarded with the responsibilities of taking care of her younger brother and sister, as well as helping her mother, Jennifer (Jaya Bachchan) handle the family’s economical complications. Between all these burdens, Naina never has time for herself.

Then comes Aman. He moves into Naina’s small Indian neighborhood, and with him he brings his joyfulness and charming personality. He helps solve everyone’s problems and helps them face the obstacles and challenges that life usually has in store. Much to Naina’s dismay, Aman demands on intervening in her life as well. He makes her do things that she would never have dreamt of doing. His constant nagging eventually teaches Naina how to smile once again. In doing so, Aman joins with his friend Rohit in trying to help Naina find her happiness that has been lost in the wraths of time.

The power of friendship starts to weave its magic over these three friends. But to their unpleasant surprise, a fatal turn of events cause chaos between all three of them. What are these fatal events that cause a ruckus of emotions describes the basic essence of this film.

One would never guess that this is Nikhil Advani’s debut film, as he succeeds in every aspect of film making. With Karan Johar serving as guru, Nikhil is able to deliver a flawless performance and creates magic on screen. Karan Johar’s masterful effect of emotions with a perfect blend of comic relief makes for an almost invincible film. It also helps when you have such characters as Shah Rukh and Preity delivering the lines.

As far as the technical performance of the film goes, it is almost impossible to create a more perfect film. The editing skills are extremely sound and the cinematography shows the viewers what a difference a few angle adjustments can do for a film. The overall effect of the film is merely jaw dropping, for a lack of a better term. To put all rumors to rest, Kal Ho Na Ho is NOT a copy of Hrikesh Mukherjee’s 1970s classic, Anand. Although Nikhil and Karan have adopted a shade of the film, by no means is it a copy, and should be regarded as a purely original story, written by Karan himself.

The greatest asset that Kal Ho Na Ho has is its cast. The magnitude of chemistry between Shah Rukh Khan, Preity Zinta, and Saif Ali Khan is mind blowing! Adding Jaya Bachchan to the mix creates for an even more awesome effect. It’s safe to say that this is one of Shah Rukh Khan’s best performances ever. He breathes so much life into his character, Aman, and literally has you feeling for him as if he was your very own. He puts on a mesmerizing performance and will definitely earn himself many awards.

This is easily Saif’s best performance since Dil Chahta Hai. No one can play such a role with such ease, it’s almost uncanny. Only Saif can portray a character that is quite comical for the most part but always has a place for love in his heart. Preity Zinta has also given her best performance as an actress. It’s amazing to see how much energy and talent is given in creating her character, Naina. After entering the industry in Dil Se in the song Jiya Jale, her and the King Khan will surely have you on a roller-coaster of emotions.

Shankar, Ehsaan, and Loy are a major part of this film as well. There music, which has been topping the charts ever since its release, brings a beautiful touch to the film. Their soft yet mellifluous melodies compliment the film wonderfully. To top it all off, Javed Akhtar’s mastery of the language creates for some heart warming lyrics.

Hands down this is the best film of the year, and deservingly so. Although Nikhil Advani started off in the backseat, it looks like from now on his job is in the director’s chair. With the support of Karan Johar and Papa Yash Johar, it’s almost impossible to go wrong.
I hope you enjoyed that.

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