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Discussions in France over a suitable gift to the United States to mark the Centennial of the American Declaration of Independence was headed by the politician and sympathetic writer of the history of the United States, Édouard René Lefèvre de Laboulaye. French sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with the year 1876 in mind for completion. The statue was to be placed in Port Said and was designed as "Egypt carrying the light into Asia". The inspiration came from the giant statues at Abu Simbel. The project would have gone further if Khedive Ismail, the ruler of Egypt at that time, had not deemed it too expensive, though the advance payment was already made. The idea for the commemorative gift then grew out of the political turmoil which was shaking France at the time. The French Third Republic was still considered as a "temporary" arrangement by many, who wished a return to Monarchism, or to some form of constitutional authoritarianism which they had known under Napoleon. The idea of giving a colossal representation of republican virtues to a "sister" republic across the sea served as a focus for the republican cause against political opponents.

Various sources cite different models for the face of the statue. One indicated the then-recently widowed Isabella Eugenie Boyer, the wife of Isaac Singer, the sewing-machine industrialist. "She was rid of the uncouth presence of her husband, who had left her with only his most socially desirable attributes: his fortune and... his children. She was, from the beginning of her career in Paris, a well-known figure. As the good-looking French widow of an American industrialist she was called upon to be Bartholdi's model for the Statue of Liberty." Another source believed that the "stern face" belonged to Bartholdi's mother, with whom he was very close. National Geographic magazine also pointed to his mother, noting that Bartholdi never denied nor explained the resemblance. The first model, on a small scale, was built in 1870. This first statue is now in the Jardin du Luxembourg in Paris.

It was agreed upon that in a joint effort the American people were to build the base, and the French people were responsible for the Statue and its assembly in the United States. However, lack of funds was a problem on both sides of the Atlantic. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise the 2,250,000 francs. In the United States, benefit theatrical events, art exhibitions, auctions and prize fights assisted in providing needed funds. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue's copper skin to move independently yet stand upright. Eiffel delegated the detailed work to his trusted structural engineer, Maurice Koechlin.

On June 30, 1878, at the Paris Exposition, the completed head of the statue was showcased in the garden of the Trocadéro palace, while other pieces were on display in the Champs de Mars.

Back in America, the site, authorized in New York Harbor by Act of Congress, 1877, was selected by General William Tecumseh Sherman, who settled on Bartholdi's own choice, then known as Bedloe's Island, where there was already an early 19th century star-shaped fortification.


Bartholdi's design patentOn February 18, 1879, Bartholdi was granted a design patent, U.S. Patent D11023, on "a statue representing Liberty enlightening the world, the same consisting, essentially, of the draped female figure, with one arm upraised, bearing a torch, and while the other holds an inscribed tablet, and having upon the head a diadem, substantially as set forth." The patent described the head as having "classical, yet severe and calm, features," noted that the body is "thrown slightly over to the left so as to gravitate upon the left leg, the whole figure thus being in equilibrium," and covered representations in "any manner known to the glyptic art in the form of a statue or statuette, or in alto-relievo or bass-relief, in metal, stone, terra-cotta, plaster-of-paris, or other plastic composition."

Fundraising for the pedestal, led by William M. Evarts, was going slowly, so Joseph Pulitzer (who established the Pulitzer Prize) opened up the editorial pages of his newspaper, The World, to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich, who had failed to finance the pedestal construction, and the middle class who were content to rely upon the wealthy to provide the funds[citation needed]. Pulitzer's campaign of harsh criticism was successful in motivating the people of America to donate. (It also promoted his newspaper, which purportedly added ~50,000 subscribers in the course of the statue campaign effort.)

Financing for the pedestal, designed by American architect Richard Morris Hunt, was completed in August 1885. The cornerstone was laid on August 5, and pedestal construction was finished on April 22, 1886. When the last stone of the pedestal was swung into place the masons reached into their pockets and showered into the mortar a collection of silver coins.

Built into the pedestal's massive masonry are two sets of four iron girders, connected by iron tie beams that are carried up to become part of Eiffel's framework for the statue itself. Thus Liberty is integral with her pedestal.

The Statue was completed in France in July, 1884 and arrived in New York Harbor on June 17, 1885 on board the French frigate Isere. To prepare for transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. (The right arm and the torch, which were completed earlier, had been exhibited at the Centennial Exposition in Philadelphia, Pennsylvania in 1876, and thereafter at Madison Square in New York City.) The Statue was re-assembled on her new pedestal in four months' time. On October 28, 1886, the Statue of Liberty was dedicated by President Grover Cleveland in front of thousands of spectators. (Ironically, it was Cleveland who, as Governor of the State of New York, had earlier vetoed a bill by the New York legislature to contribute $50,000 to the building of the pedestal.) In any event, she was a centennial gift ten years belated.

2006-08-11 09:27:12 · answer #1 · answered by Thanny 2 · 1 0

It was a gift for winning our Independence.It came over on boats in pieces in the Late 1700's

2006-08-11 16:18:55 · answer #2 · answered by defender163 2 · 3 0

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