I need ideas for Haunted Forest Skits??

Question

I am going to be helping to set up a haunted forest for this Halloween and this is for an organization that has a reputation for being the best. Last year wasn't great for us because we didn't have a lot of involvement. We can't do the same skits because the children will be disappointed. Does anyone have any ideas...or know of any websites where I can get some ideas??

Answer 1

corchet new ones

Answer 2

If you are actually going to be outside in the woods doing this...how about a skit involving rednecks illegally making moonshine and the group of "visitors" walks in on their operation and they get upset and threaten to kill everyone and shoot blanks with their shot guns, etc.

I went to an outside haunted house where they did this and it was so scary becuase it was so realistic. You could run into some crazy rednecks in the woods - it was one of the scariest haunted houses I encountered.

Answer 3

Corn rain.

Make them crawl through 'a tunnel' and act some Gnomish shadow play on the side wall. Play some music, maybe even the 'soundtrack' from Doom3.

Ad wet sponges to the floor for squishy effects.

Answer 4

Host (Eric Idle): Last week the Royal Festival Hall saw the first performance of a new symphony by one of the world's leading modern composers, Arthur 'Two sheds' Jackson. Mr Jackson.
Jackson (Terry Jones): Hello.
Host: May I just sidetrack for one moment. This -- what shall I call it --
nickname of yours...
Jackson: Ah yes.
Host: "Two sheds". How did you come by it?
Jackson: Well, I don't use it myself, but some of my friends call me "Two
Sheds".
Host: And do you in fact have two sheds?
Jackson: No, I've only got one. I've had one for some time, but a few years ago I said I was thinking of getting another, and since then some people have called me "Two Sheds".
Host: In spite of the fact that you only have one.
Jackson: Yes.
Host: And are you still intending to purchase this second shed?
Jackson (impatient): No!
Host: ...To bring you in line with your epithet?
Jackson: No.
Host: I see, I see. Well to return to your symphony.
Jackson: Ah yes.
Host: Did you write this symphony in the shed?
Jackson (surprised): No!
Host: Have you written any of your recent works in this shed of yours?
Jackson: No, no, not at all. It's just an ordinary garden shed.
Host: I see, I see. And you're thinking of buying this second shed to write in!
Jackson: No, no. Look. This shed business -- it doesn't really matter. The sheds aren't important. A few friends call me Two Sheds and that's all there is to it. I wish you'd ask me about the music. Everybody talks about the sheds. They've got it out of proportion -- I'm a composer. I'm going to get rid of the shed. I'm fed up with it!
Host: Then you'll be Arthur 'No Sheds' Jackson, eh?
Jackson: Look, forget about the sheds. They don't matter.
Host (sternly): Mr. Jackson, I think, with respect, we ought to return to the subject of your symphony.
Jackson: Huh!
Host: I understand that you used to be interested in train-spotting.
Jackson: What?
Host: I understand that, about thirty years ago, you were interested in train-spotting.
Jackson: Well what's that got to do with my bloody music?
John Cleese (entering): Are you having any trouble with him?
Host: Yes, a little. Good Lord! You're the man who interviewed Sir Edward Ross earlier.
Cleese: Exactly. Well we interviewers are more than a match for the likes of you, "Two Sheds".
Host: Yes, make yourself scarce, "Two Sheds". This studio isn't big enough for the three of us! [They throw him out.]
Jackson: Here, what are you doing? Stop it! [Crash.]
Cleese: Get your own Arts programme, you fairy!
Host: Arthur "Two Sheds" Jackson... Never mind, Timmy.
Cleese: Oh Mike, you're such a comfort.