Who whants to read a part of my playwrite to choose it for production?

Answer 1

You could take your play to a local community theatre. They are often more open to new works by local writers. If that doesn't work, organize a reading with some other writers/actors. Then after the reading, you can get input and critiques on your play. Good luck.

Answer 2

OK, there is a great deal here. I am going to let you know from the start that the question does not give a great deal of confidence in your skills. But let us assume that you were distracted there.
1. Go to burryman.com. You can submit your script to all types of theatres, competitions and groups. I have sent out 12 scripts to over one thousand different companies getting published. So you do not need a professional publishing company. Go to www.burryman.com and they will help you figure out how to submit your play.
2. Get an editor. Trust me, pay the money and get it done. If it is a script you believe in, you will need to have it edited. A pro. should do it. Try guru.com or Elance.com The cost should be less then two hundred but if you believe in your work, it will be worth it.
3 Join some playwright sites on the web. You can submit your work to other writers. We are all very scared about having people read our stuff. It is scary that people will be judging you, and your work. But it is a good way to judge your skills. And learn stuff.
4 a writer writes, always. Keep writing. Go through the script again, and make changes. Each script of mine gets a little change each time I re-read it. Some are on draft ten or twelve. So just keep working, keep creating new stuff.
Good luck. Keep you pen filled with ink, and keep writing.

Answer 3

Uh, a playwrite is a person who author's a play, thus we can not be part of your "playwrite." Secondly, the only one who can help you is an agent, someone in the legitimate theater (such as a Broadway theater), or a play publisher, and those venues are only open to people who have already had a play published, or whose work is EXCEPTIONAL. Also, it takes connections to be able to have access to those aforementioned venues. You might want to show your play to your teacher, but beyond that, you are at square one and not likely to move much farther.