Another technique involving the distortion of an object deals with combining otherwise disassociated elements, enabling the author to induce an emotional response in the reader. For example, Lawrence, in "San Gaudenzio," combines uncommon colors and images when describing the snow as gleaming "apricot gold." This unfamiliar association enables Lawrence to create a sense of brightness described by him as "almost frightening," creating both a visual and emotional context for the reader
2006-12-30
05:25:17
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