Europe
Grupo sueco de rock. Son la banda más importante del Hair Metal que se ha formado fuera de los EE.UU. Saltaron a la fama en 1986 con el disco The Final Countdown, que incluía la canción homónima y la balada "Carrie". Ambas con un grandísimo éxito a nivel mundial. El buen recibimiento continuó con "Out Of This World" (1988). Luego publicaron "Prisioners In Paradise" (1991), que pasó desapercibido, debido a la decadencia en que se encontraba el Hard Rock por esos días. En el año 2004, regresaron con el álbum "Start From The Dark", sonando actualizado y muy fuerte, y una vez más confirmándose la calidad como instrumentistas de los músicos (que durante el break de Europe tocaron como banda de Glenn Hughes y en numerosos proyectos de Hard Rock/Heavy) y las cualidades valiosísimas de Joey Tempest como vocalista.
Miembros
Joey Tempest - Voz (1979 - 1992, 2003 - presente)
John Norum - Guitarra (1979 - 1986, 2003 - presente)
John Levén - Bajo (1981 - 1992, 2003 - presente)
Mic Michaeli - Teclados (1984 - 1992, 2003 - presente)
Ian Haugland - Batería (1984 - 1992, 2003 - presente)
Ex-Miembros
Peter Olsson - Bajo (1979 - 1981)
Marcel Jacob - Bajo (1981)
Tony Reno - Batería (1979 - 1984)
Kee Marcello - Guitarra (1986 - 1992)
Discografía
Europe (1983)
Wings of Tomorrow (1984)
The Final Countdown (1986)
[[Out of This World]] (1988)
Prisoners in Paradise (1991)
Start from the Dark (2004)
Recopilatorios
1982-1992 (1993)
1982-2000 (1999) - 1982-1992 reissue
Rock the Night: The Very Best of Europe (2004)
[editar]
Singles
Seven Doors Hotel (1983)
Lyin' Eyes - Withdrawn shortly after the release (1983)
Dreamer (1984)
Stormwind (1984)
Open Your Heart (1984)
Rock the Night (1985)
On the Loose - Soundtrack (1985)
The Final Countdown (1986) #8 US, #1 UK
Love Chaser (1986)
Rock the Night - New Version (1986) #30 US, #12 UK
Carrie (1986) #3 US, #22 UK
Cherokee (1986) #72 US
Superstitious (1988) #31 US, #34 UK
Open Your Heart - New Version (1988)
Let the Good Times Rock (1989)
More Than Meets the Eye (1989)
Tomorrow (1989)
Prisoners in Paradise (1991)
I'll Cry for You (1992) #28 UK
Halfway to Heaven (1992) #42 UK
Sweet Love Child (1993)
The Final Countdown 2000 - Remix (1999) #36 UK
Got to Have Faith (2004)
Hero (2004)
Videos promocionales
In the Future to Come (1983)
The Final Countdown (1986)
Rock the Night (1986)
Carrie (1986)
Cherokee (1987)
Superstitious (1988)
Open Your Heart (1988)
Let the Good Times Rock (1988)
Prisoners in Paradise (1991)
I'll Cry for You (1991)
Halfway to Heaven (1992)
The Final Countdown 2000 (1999)
Got to Have Faith (2004)
Hero (2004)
DVD
Rock the Night: Collectors Edition (2004)
The Final Countdown Tour 1986 (2004)
Live from the Dark (2005)
Enlaces externos
Página web oficial de Europe
Europe Supporters Club
Aphasia
Rock the Spanish Night
Europe countdown2000.3a2.com: Ready or not
Europe Stormwind
John NORUM Maniacs website
Del sitio oficial:
New beginnings …
In 2004, Europe recorded their comeback CD Start from the Dark. The album had a raw edge to it, giving it a different tone compared to most of their earlier music. As John Leven explains: "We wanted to make a statement, and make sure that everyone knew that we meant business." To our surprise, there was a lot of interest in the band out there. We ended up touring the planet again with over 100 shows. Our fans were really supportive and we couldn't wait to get back into the studio again."
The band has an avid fan following, and stays in constant touch with those fans through their web site: europetheband.com. While most of the guys in the band make the effort to stay in touch with visitors to the site, drummer Ian Haugland has gone the extra mile in building bridges between the band and their fans posting regular messages to keep fans in the loop about the band’s activities.
In the summer of 2006, Europe began recording Secret Society. Joey reveals that the title can be traced back to a conversation he had with Robert Plant in 2005 – the term stuck with him, and ended up becoming the title of the new CD. Although the band members chose to produce the album themselves, they relied on the support of highly experienced studio professionals. Lennart Östlund, long time engineer at the legendary Polar Studios in Stockholm, recorded the sessions in his new Stockholm studio, Kingside. Lennart has worked with countless international artists over the years, including Led Zeppelin, The Scorpions, just to name a few. When Stefan Glaumann, who has mixed albums for Rammstein and a score of other major bands, agreed to work with them and mix Secret Society, the band was overjoyed - all of the pieces were beginning to fall into place.
They chose to master the CD with George Marino at Sterling Sound in New York. George is one of the top names in his field, having mastered countless successful albums for everyone from AC/DC to Coldplay. The band didn't want to leave anything to chance, so they enlisted the legendary Storm Thorgerson to design the artwork for the next Europe cover. As a member of the design studio Hipgnosis, Storm worked on all the classic album covers by Pink Floyd, Led Zeppelin and Peter Gabriel, to name just a few. John Norum reminisces: "Growing up, my favorite covers were done by this guy. The cover of UFO's Obsession and the Michael Schenker Group's first album cover really blew me away.” Storm has recently created the CD art work for bands like Mars Volta and Muse.
Finally arriving
This is Europe's seventh album and it seems like they’ve finally arrived. To my freely admitted surprise, they’re evolving and still willing to take risks. This CD is modern and contemporary, without losing sight of traditional rock influences. At a time and age when there are so many hard rock tribute bands around, and many others who are simply copying this style of music, it’s a relief to actually hear the real thing. They’re set even further apart from those aforementioned bands by the fact that they’re actually starting to write lyrics with some substance. Europe today reminds me more of bands like Audio Slave and U2 in their lyrical content, touching on subjects like birth, mortality and reflections on 9/11 and other experiences that have made a powerful impact on their generation. There’s a line in Always the Pretenders, the powerful first single, which goes: "Something's lost but for what it's worth, you and me, this is our church. There is still some love ‘round here.” . The song is inspired by a phonecall Joey received on 9/11. There seems to be a common theme which permeates the entire album: if you’re questioning your faith because the world has become an insecure place, you can always find faith in your loved one, your family or a friend. Like their fellow Scandinavians, Norwegian pop icons Aha, Europe also incorporate that melancholy note in their songs that we have heard so often from successful Scandinavian bands over the years.
While their 1980's contemporaries Def Leppard are making cover albums and Bon Jovi are increasingly beginning to sound like Bryan Adams, Europe have delivered an inspirational and daring rock album with some surprising twists. The track Let the Children Play features a boys’ choir and the opening track, Secret Society, is constructed around a single guitar riff all the way through (and they actually pull it off!). It’s evident throughout the album that the band is pushing beyond their former limits and exploring new frontiers, and tracks such as Always the Pretenders and Wish I Could Believe and Let the children play reflect this fresh, contemporary musical journey. Then, of course, we have the kick-ass rockers themselves. As Ian Haugland explains: "When Joey and John get together to write, the sparks just fly. And when the rest of us join in, it's like setting off a stick of dynamite. Tunes like Love Is Not the Enemy, The Getaway Plan and Human After All are going to be great to play live." On this new album, keyboard player Mic Michaeli has been more actively involved in the writing process, coloring the music with his synthesizers and keyboards. In collaboration with Joey, he’s created songs that have truly broadened the musical scope of the band, such as Wish I Could Believe, Let the Children Play and the Devils Sings the Blues.
So – here we are in 2006 with one of the few surviving rock bands of the 1980's. Against all odds, they’ve fought their way back and proven that they do have a rightful place on today’s music scene. Or as Joey puts it: "I think this band is going to amount to something one of these days." And I honestly never thought I'd say this but ... I think he might just be right.
Mike Stern,
Music Journalist, U.K.
2006-09-04 21:03:41
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answer #1
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answered by gabytur 4
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